Meridian Arts Ensemble - Prime Meridian (1995)
BAND/ARTIST: Meridian Arts Ensemble
- Title: Prime Meridian
- Year Of Release: 1995
- Label: Channel Classics Records
- Genre: Classical
- Quality: FLAC (tracks + booklet)
- Total Time: 1:10:22
- Total Size: 389 MB
- WebSite: Album Preview
Tracklist:
1. Fanfare for a New Theatre (00:38)
2. Peaches in Regalia (02:48)
3. Let's Make the Water Turn Black (01:28)
4. Oh No (02:59)
5. Igor's Boogie (00:36)
6. Eat That Question (03:07)
7. Echidna's Arf (03:53)
8. Song for Someone (02:31)
9. Ice Rose (03:35)
10. A Carrot is as Close as a Rabbit Gets to a Diamond (01:45)
11. When I See Mommy, I Feel Like a Mummy (04:14)
12. Apes-Ma (00:35)
13. Dropout Boogie (02:24)
14. Suction Prints (04:16)
15. Fanfare for All (01:47)
16. Song for a Dead King (05:43)
17. Pandora's Magic Castle (05:11)
18. Jessica (04:13)
19. Shvitz Suite: Bucket Cue (00:20)
20. Shvitz Suite: Freaky Guitar Freylekhs (00:49)
21. Shvitz Suite: V'erastikh Li (Divine Betrothal) (05:18)
22. Shvitz Suite: Full Moon, Ancient Waters (04:12)
23. Shvitz Suite: Psycho-Klezmer (03:39)
24. Paterson (04:09)
1. Fanfare for a New Theatre (00:38)
2. Peaches in Regalia (02:48)
3. Let's Make the Water Turn Black (01:28)
4. Oh No (02:59)
5. Igor's Boogie (00:36)
6. Eat That Question (03:07)
7. Echidna's Arf (03:53)
8. Song for Someone (02:31)
9. Ice Rose (03:35)
10. A Carrot is as Close as a Rabbit Gets to a Diamond (01:45)
11. When I See Mommy, I Feel Like a Mummy (04:14)
12. Apes-Ma (00:35)
13. Dropout Boogie (02:24)
14. Suction Prints (04:16)
15. Fanfare for All (01:47)
16. Song for a Dead King (05:43)
17. Pandora's Magic Castle (05:11)
18. Jessica (04:13)
19. Shvitz Suite: Bucket Cue (00:20)
20. Shvitz Suite: Freaky Guitar Freylekhs (00:49)
21. Shvitz Suite: V'erastikh Li (Divine Betrothal) (05:18)
22. Shvitz Suite: Full Moon, Ancient Waters (04:12)
23. Shvitz Suite: Psycho-Klezmer (03:39)
24. Paterson (04:09)
We dedicate this album to the memory of Frank Zappa. Igor Stravinsky – Fanfare for a New Theatre was composed in 1964 to commemorate the opening of the New York State Theater, at Lincoln Center. This short work is an excellent example of the composers ability to use polyrhythmic figures while remaining true to the twelve-tone row chosen for this piece…..
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