Palatino - Palatino Chap. 3 (2001)
BAND/ARTIST: Palatino
- Title: Palatino Chap. 3
- Year Of Release: 2001
- Label: EmArcy [013 610-2]
- Genre: Jazz
- Quality: FLAC (tracks + .cue,log,scans) | MP3/320 kbps
- Total Time: 55:31
- Total Size: 504 MB(+3%) | 132 MB(+3%)
- WebSite: Album Preview
Tracklist
01. Tempete a Florence - 05:11
02. Sud-Ouest Jump - 02:29
03. Sapore di Si Minore - 04:49
04. La Sevigliana - 04:07
05. Soleil a Genes - 02:55
06. Into Somewhere - 03:41
07. City Boy - 03:54
08. Drum Strum - 01:56
09. Aeroidea - 01:58
10. Mormorio - 04:31
11. Arte Povera - 02:48
12. Holy - 06:21
13. In My Dream - 03:07
14. Juke - 01:53
15. In a Misty Night - 05:44
personnel :
Aldo Romano - drums
Michel Benita - double bass
Glenn Ferris - trambone
Paolo Fresu - trumpet
All four members of the collective calling itself Palatino have often carved out niches that place them just outside popular currents, and this one is no exception. There is a gentle though propulsive quality to the pianoless quartet that relies on the unusual instrumentation of trombone, trumpet, bass, and drums. All the tunes are originals by each of these seasoned bandmembers, except Tadd Dameron's "On a Misty Night." This is the sort of fare that grows on you, the kind that requires close attention to appreciate its nuances. The short lengths of the tunes prevent any meandering, though there is a sameness to some of the pieces as a result of the limited instrumentation. The two horns, trombonist Glenn Ferris and trumpeter Paolo Fresu, are stylistically similar, each offering understated and clearly articulated improvisations -- clean, sparse, and economical. A good example of how good they can sound together comes on Ferris' "Sud-Ouest Jump," taken at a brisk clip with the horns soloing together intimately and intricately, the harmonies tight and crisp. Another winner is Romano's "Sapore di Si Minore" with its nostalgic laid-back ambience, 1950s-like solo from Fresu, and a beautiful muted contribution from the trombonist. Throughout, Romano carefully navigates, never letting the core explode and keeping the focus on an easy delicacy. Bassist Michel Benita plays an important part harmonically, and his short "Juke" gives Romano some breathing space, which complements his solo feature on his own "Drum Strum." The Dameron piece, which closes the album, features some particularly inspired work from Ferris.~Steve Loewy
01. Tempete a Florence - 05:11
02. Sud-Ouest Jump - 02:29
03. Sapore di Si Minore - 04:49
04. La Sevigliana - 04:07
05. Soleil a Genes - 02:55
06. Into Somewhere - 03:41
07. City Boy - 03:54
08. Drum Strum - 01:56
09. Aeroidea - 01:58
10. Mormorio - 04:31
11. Arte Povera - 02:48
12. Holy - 06:21
13. In My Dream - 03:07
14. Juke - 01:53
15. In a Misty Night - 05:44
personnel :
Aldo Romano - drums
Michel Benita - double bass
Glenn Ferris - trambone
Paolo Fresu - trumpet
All four members of the collective calling itself Palatino have often carved out niches that place them just outside popular currents, and this one is no exception. There is a gentle though propulsive quality to the pianoless quartet that relies on the unusual instrumentation of trombone, trumpet, bass, and drums. All the tunes are originals by each of these seasoned bandmembers, except Tadd Dameron's "On a Misty Night." This is the sort of fare that grows on you, the kind that requires close attention to appreciate its nuances. The short lengths of the tunes prevent any meandering, though there is a sameness to some of the pieces as a result of the limited instrumentation. The two horns, trombonist Glenn Ferris and trumpeter Paolo Fresu, are stylistically similar, each offering understated and clearly articulated improvisations -- clean, sparse, and economical. A good example of how good they can sound together comes on Ferris' "Sud-Ouest Jump," taken at a brisk clip with the horns soloing together intimately and intricately, the harmonies tight and crisp. Another winner is Romano's "Sapore di Si Minore" with its nostalgic laid-back ambience, 1950s-like solo from Fresu, and a beautiful muted contribution from the trombonist. Throughout, Romano carefully navigates, never letting the core explode and keeping the focus on an easy delicacy. Bassist Michel Benita plays an important part harmonically, and his short "Juke" gives Romano some breathing space, which complements his solo feature on his own "Drum Strum." The Dameron piece, which closes the album, features some particularly inspired work from Ferris.~Steve Loewy
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