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Simon Trpčeski - Schubert / Bach / Liszt (2013)

Simon Trpčeski - Schubert / Bach / Liszt (2013)

BAND/ARTIST: Wigmore Hall Live

  • Title: Schubert / Bach / Liszt
  • Year Of Release: 2013
  • Label: Wigmore Hall Live
  • Genre: Classical Piano
  • Quality: flac lossless (tracks) +Booklet
  • Total Time: 01:19:40
  • Total Size: 244 mb
  • WebSite:
Tracklist

01. 16 German Dances, D873: No.1 in A major
02. 16 German Dances, D873: No.2 in D major
03. 16 German Dances, D873: No.3 in B flat major
04. 16 German Dances, D873: No.4 in G major
05. 16 German Dances, D873: No.5 in D major
06. 16 German Dances, D873: No.6 in B flat major
07. 16 German Dances, D873: No.7 in B flat major
08. 16 German Dances, D873: No.8 in E flat major
09. 16 German Dances, D873: No.9 in C major
10. 16 German Dances, D873: No.10 in A minor
11. 16 German Dances, D873: No.11 in G major
12. 16 German Dances, D873: No.12 in C major
13. 16 German Dances, D873: No.13 in C major
14. 16 German Dances, D873: No.14 in F major
15. 16 German Dances, D873: No.15 in A flat major
16. 16 German Dances, D873: No.16 in F major
17. Fantasy in C major, D760 'Wanderer': Allegro con fuoco, ma non troppo —
18. Fantasy in C major, D760 'Wanderer': Adagio —
19. Fantasy in C major, D760 'Wanderer': Presto —
20. Fantasy in C major, D760 'Wanderer': Allegro
21. Prelude and Fugue in A minor, BWV543: Prelude (trans. Franz Liszt)
22. Prelude and Fugue in A minor, BWV543: Fugue (trans. Franz Liszt)
23. Deuxième Année de pèlerinage, Italie: Sonetto del Petrarca No. 104
24. Troisième Année de pèlerinage, Italie: Les jeux d'eaux a la Villa d'Este
25. Hungarian Rhapsody No. 2 in C sharp minor, S244
26. Spoken introduction to encore
27. Schwanengesang, D957: Ständchen (arr. Franz Liszt)
28. Prelude in D minor, Op. 28 No. 24

Simon Trpčeski - Schubert / Bach / Liszt (2013)


Macedonian pianist Simon Trpceski has emerged as a major recitalist, with a specialty in the high virtuoso repertory of the late Romantic period. There's a lot to like in this London Wigmore Hall recital of music by Schubert and Liszt, which gives an idea of the nature of Trpceski's talent. The Schubert has a distinctly central European tinge, with vigorous, motoric German Dances, D. 783, that get the listener's attention and pave the way for a commanding, sweeping, but not especially subtle "Wanderer" Fantasy in C major, D. 760. It's a distinctive reading that gets by on sheer momentum, but you can sense a bit of anticipation in the live Wigmore Hall audience when Trpceski gets to what is, for him, the main attraction: the quartet of works by Liszt. The transcription of Bach's Prelude and Fugue for organ in A minor, BWV 543, serves as a little introduction to three virtuoso works of Liszt's maturity, culminating in the mighty Hungarian Rhapsody No. 2 in C sharp minor. There are brief encores, introduced from the stage: Schubert's song Ständchen (from Schwanengesang, D. 957), as arranged once again by Liszt, and finally a Chopin prelude. The entire program is something a traveling virtuoso around 1890 might well have played, and it puts Trpceski's considerable technical gifts into the sharpest perspective. Even if it doesn't accomplish anything groundbreaking, many listeners will get into the sheer physical thrill, aided by Wigmore Hall's generally clear engineering.



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