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Paolo Beschi & La Gaia Scienza - My Choice (2022) [Hi-Res]

Paolo Beschi & La Gaia Scienza - My Choice (2022) [Hi-Res]
  • Title: My Choice
  • Year Of Release: 2022
  • Label: Winter & Winter
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 44.1kHz +Booklet
  • Total Time: 01:05:02
  • Total Size: 301 / 606 mb
  • WebSite:
Tracklist

01. Brahms Quintett für Pianoforte, zwei Violinen, Viola und Violoncell in F-Moll, Op. 34 Finale, Poco sostenutoAllegro non troppo
02. Haydn Trio in D-Dur für Klavier, Flöte und Violoncello, Hob. XV 16 Andantino più tosto Allegretto
03. Bach Violoncello Solo Suites, Suite I in G-Dur, BMV 1007 Allemande
04. Schubert Trio in Es-Dur für Piano, Violine und Violoncello, Op. 100 [D 929] Andante con moto
05. Brahms Quartett für Pianoforte, Violine, Viola und Violoncell in C-Moll, Op. 60 Scherzo, Allegro
06. Schumann Klavierquartett in Es-Dur, Op. 47 Andante
07. Bach Violoncello Solo Suites, Suite IV in Es-Dur, BMV 1010 Allemande
08. Schumann Klavierquartett in Es-Dur, Op. 47 Scherzo
09. Schubert Trio in B-Dur für Piano, Violine und Violoncello, Op. 99 [D 898] Andante un poco mosso
10. Bach Violoncello Solo Suites, Suite VI in D-Dur, BMV 1012 Gavotte I + II
11. Schumann Klavierquintett in Es-Dur, Op. 44 Scherzo

Paolo Beschi & La Gaia Scienza - My Choice (2022) [Hi-Res]


The immediacy and power of La Gaia Scienza and Paolo Beschi takes your breath away. The sound of these outstanding musicians on original instruments is amazing and appealing, the phrasing and the interaction are exemplary, every note and every bar has been rethought. Chamber music full of contrasts and emotions. Adventurous souls should not hesitate, key works by Brahms, Haydn, Schubert and Schumann have never been heard like this before and as a special encore, highlights from Bach's Cello Solo Suites can be heard. Paolo Beschi (co-founder and cellist of 'Il Giardino Armonico') conducts the ensemble 'La Gaia Scienza' with pianist Federica Valli and violinist Stefano Barneschi. This group gives the world groundbreaking reinterpretations of romantic and baroque works. Pizzicato writes: 'played vitally and pulsating, with feeling but without pathos.'




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