Juliane Laake, Ensemble Art d’Echo - Berliner Gambenbuch (2015)
BAND/ARTIST: Juliane Laake, Ensemble Art d’Echo
- Title: Berliner Gambenbuch
- Year Of Release: 2015
- Label: CapriccioNR
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:12:00
- Total Size: 304 mb
- WebSite: Album Preview
Tracklist
01. Suite in G Major: I. Allemand (Réserve 1111, No. 51)
02. Suite in G Major: II. Courant (Réserve 1111, No. 52)
03. Suite in G Major: III. Sarraband (Réserve 1111, No. 53)
04. Suite in G Major: IV. Choral. Ich dank dir schon (Réserve 1111, No. 54)
05. Suite in G Major: V. Gigue (Réserve 1111, No. 57)
06. Suite in G Major: VI. Choral. Allein Gott in der Höh sei Her (Réserve 1111, No. 55)
07. Christmas Suite No. 1: I. Trumpeten (Réserve 1111, No. 180)
08. Christmas Suite No. 1: II. Choral. Der Tag der ist so freudenreich (Réserve 1111, No. 168)
09. Christmas Suite No. 1: III. Allemand - Variations 1-5 (Réserve 1111, S. 240)
10. Christmas Suite No. 2: I. Fantasia (Réserve 1111, S. 240)
11. Christmas Suite No. 2: II. Choral. Gelobet seist du Jesu Christ (Réserve 1111, No. 167)
12. Suite in D Minor: I. Choral. Christum wir sollen loben schon - Variation (Réserve 1111, No. 166)
13. Suite in D Minor: II. Allemand (Réserve 1111, No. 24)
14. Suite in D Minor: III. Courant (Réserve 1111, No. 31)
15. Suite in D Minor: IV. Sarraband (Réserve 1111, No. 32)
16. Suite in D Minor: V. Choral. Herr, straf mich nicht in deinem Zorn (Réserve 1111, No. 22)
17. Suite in D Minor: VI. Choral. Jesu meine Freude (Réserve 1111, No. 23)
18. Suite in D Minor: VII. Nun ist all meine Lust (Réserve 1111, No. 29)
19. Suite in G Major: I. Praeludium (Réserve 1111, No. 12)
20. Suite in G Major: II. Allemand (Réserve 1111, No. 13)
21. Suite in G Major: III. Courant (Réserve 1111, No. 14)
22. Suite in G Major: IV. Gavott (Réserve 1111, No. 15)
23. Suite in G Major: V. Sarraband - Variation (Réserve 1111, No. 16)
24. Suite in G Major: VI. Nun schläft sie schon (Réserve 1111, No. 19)
25. Suite in G Major: VII. Choral. Ach was ist doch unser Leben (Réserve 1111, No. 95)
26. Passions Suite: I. Praeludium (Réserve 1111, No. 1)
27. Passions Suite: II. Allemand (Réserve 1111, No. 7)
28. Passions Suite: III. Courant (Réserve 1111, No. 9)
29. Passions Suite: IV. Choral. Herr nur du stiller verschwiegener Bach (Réserve 1111, No. 4)
30. Passions Suite: V. Sarraband (Réserve 1111, No. 6)
31. Passions Suite: VI. Choral. Herzliebster Jesu (Réserve 1111, No. 101)
32. Passions Suite: VII. Choral. O Traurigkeit (Réserve 1111, No. 10)
33. Oster Suite: I. Choral. O Lamm Gottes unschuldig (Réserve 1111, No. 99)
34. Oster Suite: II. Choral. Christus, der uns selig macht - Variation (Réserve 1111, No. 98)
35. Suite in B-Flat Major: I. Allemande (Réserve 1111)
36. Suite in B-Flat Major: II. Choral. Hast du denn, Liebster, dein Angesicht (Réserve 1111, No. 64)
37. Suite in B-Flat Major: III. Ballett (Réserve 1111, No. 65)
38. Suite in B-Flat Major: IV. Choral. Nun ruhen alle Wälder (Réserve 1111, No. 61)
39. Suite in B-Flat Major: V. Sarraband (Réserve 1111, No. 62)
40. Suite in B-Flat Major: VI. Choral. Unser müden Augenlider (Réserve 1111, No. 63)
At the Bibliothèque Nationale in Paris there exists a very unusual 17th century manuscript of music for solo viola da gamba (lyra viol), known only by its shelf number Réserve 1111. This tiny leather-bound book is elongated and has 270 pages. Compiled by at least eight different individual hands, the music is notated almost entirely in tablature and reflects a variety of scordatura tunings.
It was acquired by the Berlin library in 1880 and is generally thought to originate from the Brandenburg region that is part of northern Germany. Near the end of the Thirty Years War, Brandenburg started to regain its prosperity and stability under the leadership of Frederick William, known as the 'Great Elector' (reigned 1640-1688). Quite a number of the finest viola da gamba players of the day are known to have visited or spent time there. Frederick William himself played the treble viol.
Réserve 1111 has never been published in a facsimile or modern edition. Not only were there a great number of pieces with which to come to grips, but Juliane Laake also had to find some way to organize them into a coherent and presentable narrative. What you hear now is a record of her exploration and sleuthing and discovery.
01. Suite in G Major: I. Allemand (Réserve 1111, No. 51)
02. Suite in G Major: II. Courant (Réserve 1111, No. 52)
03. Suite in G Major: III. Sarraband (Réserve 1111, No. 53)
04. Suite in G Major: IV. Choral. Ich dank dir schon (Réserve 1111, No. 54)
05. Suite in G Major: V. Gigue (Réserve 1111, No. 57)
06. Suite in G Major: VI. Choral. Allein Gott in der Höh sei Her (Réserve 1111, No. 55)
07. Christmas Suite No. 1: I. Trumpeten (Réserve 1111, No. 180)
08. Christmas Suite No. 1: II. Choral. Der Tag der ist so freudenreich (Réserve 1111, No. 168)
09. Christmas Suite No. 1: III. Allemand - Variations 1-5 (Réserve 1111, S. 240)
10. Christmas Suite No. 2: I. Fantasia (Réserve 1111, S. 240)
11. Christmas Suite No. 2: II. Choral. Gelobet seist du Jesu Christ (Réserve 1111, No. 167)
12. Suite in D Minor: I. Choral. Christum wir sollen loben schon - Variation (Réserve 1111, No. 166)
13. Suite in D Minor: II. Allemand (Réserve 1111, No. 24)
14. Suite in D Minor: III. Courant (Réserve 1111, No. 31)
15. Suite in D Minor: IV. Sarraband (Réserve 1111, No. 32)
16. Suite in D Minor: V. Choral. Herr, straf mich nicht in deinem Zorn (Réserve 1111, No. 22)
17. Suite in D Minor: VI. Choral. Jesu meine Freude (Réserve 1111, No. 23)
18. Suite in D Minor: VII. Nun ist all meine Lust (Réserve 1111, No. 29)
19. Suite in G Major: I. Praeludium (Réserve 1111, No. 12)
20. Suite in G Major: II. Allemand (Réserve 1111, No. 13)
21. Suite in G Major: III. Courant (Réserve 1111, No. 14)
22. Suite in G Major: IV. Gavott (Réserve 1111, No. 15)
23. Suite in G Major: V. Sarraband - Variation (Réserve 1111, No. 16)
24. Suite in G Major: VI. Nun schläft sie schon (Réserve 1111, No. 19)
25. Suite in G Major: VII. Choral. Ach was ist doch unser Leben (Réserve 1111, No. 95)
26. Passions Suite: I. Praeludium (Réserve 1111, No. 1)
27. Passions Suite: II. Allemand (Réserve 1111, No. 7)
28. Passions Suite: III. Courant (Réserve 1111, No. 9)
29. Passions Suite: IV. Choral. Herr nur du stiller verschwiegener Bach (Réserve 1111, No. 4)
30. Passions Suite: V. Sarraband (Réserve 1111, No. 6)
31. Passions Suite: VI. Choral. Herzliebster Jesu (Réserve 1111, No. 101)
32. Passions Suite: VII. Choral. O Traurigkeit (Réserve 1111, No. 10)
33. Oster Suite: I. Choral. O Lamm Gottes unschuldig (Réserve 1111, No. 99)
34. Oster Suite: II. Choral. Christus, der uns selig macht - Variation (Réserve 1111, No. 98)
35. Suite in B-Flat Major: I. Allemande (Réserve 1111)
36. Suite in B-Flat Major: II. Choral. Hast du denn, Liebster, dein Angesicht (Réserve 1111, No. 64)
37. Suite in B-Flat Major: III. Ballett (Réserve 1111, No. 65)
38. Suite in B-Flat Major: IV. Choral. Nun ruhen alle Wälder (Réserve 1111, No. 61)
39. Suite in B-Flat Major: V. Sarraband (Réserve 1111, No. 62)
40. Suite in B-Flat Major: VI. Choral. Unser müden Augenlider (Réserve 1111, No. 63)
At the Bibliothèque Nationale in Paris there exists a very unusual 17th century manuscript of music for solo viola da gamba (lyra viol), known only by its shelf number Réserve 1111. This tiny leather-bound book is elongated and has 270 pages. Compiled by at least eight different individual hands, the music is notated almost entirely in tablature and reflects a variety of scordatura tunings.
It was acquired by the Berlin library in 1880 and is generally thought to originate from the Brandenburg region that is part of northern Germany. Near the end of the Thirty Years War, Brandenburg started to regain its prosperity and stability under the leadership of Frederick William, known as the 'Great Elector' (reigned 1640-1688). Quite a number of the finest viola da gamba players of the day are known to have visited or spent time there. Frederick William himself played the treble viol.
Réserve 1111 has never been published in a facsimile or modern edition. Not only were there a great number of pieces with which to come to grips, but Juliane Laake also had to find some way to organize them into a coherent and presentable narrative. What you hear now is a record of her exploration and sleuthing and discovery.
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads