Josefine Göhmann & Mario Häring - Rébelles!: Portraits lyriques (2022) [Hi-Res]
![Josefine Göhmann & Mario Häring - Rébelles!: Portraits lyriques (2022) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-03/1648622719_josefine-gohmann-mario-haring-rebelles-portraits-lyriques-2022.jpg)
BAND/ARTIST: Josefine Göhmann, Mario Häring
- Title: Rébelles!: Portraits lyriques
- Year Of Release: 2022
- Label: Solo Musica
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 48.0kHz
- Total Time: 01:08:58
- Total Size: 269 / 613 mb
- WebSite: Album Preview
Tracklist
01. La vierge de Cluny "Chant d'une femme"
02. Judith, H. 57b: Prière (Arr. for Soprano Voice & Piano)
03. 4 Lieder, Op. 2: No. 2, Jesus bettelt
04. Clairières dans le ciel: No. 5, Au pied de mon lit (Arr. for Soprano Voice & Piano)
05. La tempête, H. 48: Chant d'Ariel (Arr. for Soprano Voice & Piano)
06. 3 Chansons de "La petit sirène", H. 63 (Version for Voice & Piano): No. 1, Chanson des sirènes
07. 3 Chansons de "La petit sirène", H. 63 (Version for Voice & Piano): No. 2, Berceuse de la sirène
08. 3 Chansons de "La petit sirène", H. 63 (Version for Voice & Piano): No. 3, Chanson de la poire
09. 8 Lieder, Op. 18 (Excerpts): No. 1, Die trunkene Tänzerin
10. 8 Lieder, Op. 18 (Excerpts): No. 3, Traum
11. Nanna's Lied
12. 4 Reden der Johanna Dark: No. 2, Die Schaukel
13. Marie Galante: Youkali (Arr. for Soprano Voice & Piano)
14. Harawi, I/28 (Excerpts): No. 1, La ville qui dormait, toi
15. Harawi, I/28 (Excerpts): No. 5, L'amour de Piroutcha
16. Chansons de Shakespeare, Op. 28: No. 3, Chanson d’Ophélie
17. 6 Lieder, Op. 67, TrV 238 (Excerpts): No. 1, Wie erkenn' ich mein Treulieb
18. 6 Lieder, Op. 67, TrV 238 (Excerpts): No. 2, Guten Morgen, 's ist Sankt Valentinstag
19. 6 Lieder, Op. 67, TrV 238 (Excerpts): No. 3, Sie trugen ihn auf der Bahre bloss
20. Ophelia Sings: No. 1, How Should I Your True Love Know?
21. Ophelia Sings: No. 2, Tomorrow is Saint Valentine's Day
22. Ophelia Sings: No. 3, They Bore Him Bare-Faced on the Bier
23. Réquiem para un niño "Canción de cuna eterna"
![Josefine Göhmann & Mario Häring - Rébelles!: Portraits lyriques (2022) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-03/1648622718_josefine-gohmann-mario-haring-rebelles-portraits-lyriques-2022-back.jpg)
Variety of subject and era give German-Chilean soprano Josefine Göhmann a stylistic range stretching from the late Renaissance through Mozart, Strauss and Messiaen to contemporary music, forming the core of her artistic endeavor. In duo with pianist Mario Häring, Josefine Göhmann presents her debut album in co-production with Deutschlandfunk under the title "réBelles! portraits lyriques" on the topic of female empowerment and 100 years of the movement for women’s rights.
In planning this program, the artist took her cue from postcards of museum visits: The paintings say a lot about how women were seen in the 20th century and how women saw themselves in self-portraits (e.g. by Frida Kahlo, Paula Modersohn-Becker, Anita Rée). She has developed the idea that if song and painting are set in analogue, the album could correspond to a visit to a museum.
There are four different rooms. The first is Vierge with representations of virginity in the context of the biblical testament. Then there is the second room on the Sirène type of woman, which is more about ethereal femininity. In Héroïne, the woman is primarily portrayed as a heroine. And finally, Ophélie is dedicated to the literary Shakespearean figure, which stands on its own but also combines the aspects of Vierge, Sirène and Héroïne.
This album is an aesthetic offering for the discourse on femininity, on being a woman today and for a hundred years. In addition, the artist's very personal feelings play a role in which pieces are combined in which way. Josefine Göhmann wanted to look not only at texts, works and interpretations by women, but at our cultural heritage.
01. La vierge de Cluny "Chant d'une femme"
02. Judith, H. 57b: Prière (Arr. for Soprano Voice & Piano)
03. 4 Lieder, Op. 2: No. 2, Jesus bettelt
04. Clairières dans le ciel: No. 5, Au pied de mon lit (Arr. for Soprano Voice & Piano)
05. La tempête, H. 48: Chant d'Ariel (Arr. for Soprano Voice & Piano)
06. 3 Chansons de "La petit sirène", H. 63 (Version for Voice & Piano): No. 1, Chanson des sirènes
07. 3 Chansons de "La petit sirène", H. 63 (Version for Voice & Piano): No. 2, Berceuse de la sirène
08. 3 Chansons de "La petit sirène", H. 63 (Version for Voice & Piano): No. 3, Chanson de la poire
09. 8 Lieder, Op. 18 (Excerpts): No. 1, Die trunkene Tänzerin
10. 8 Lieder, Op. 18 (Excerpts): No. 3, Traum
11. Nanna's Lied
12. 4 Reden der Johanna Dark: No. 2, Die Schaukel
13. Marie Galante: Youkali (Arr. for Soprano Voice & Piano)
14. Harawi, I/28 (Excerpts): No. 1, La ville qui dormait, toi
15. Harawi, I/28 (Excerpts): No. 5, L'amour de Piroutcha
16. Chansons de Shakespeare, Op. 28: No. 3, Chanson d’Ophélie
17. 6 Lieder, Op. 67, TrV 238 (Excerpts): No. 1, Wie erkenn' ich mein Treulieb
18. 6 Lieder, Op. 67, TrV 238 (Excerpts): No. 2, Guten Morgen, 's ist Sankt Valentinstag
19. 6 Lieder, Op. 67, TrV 238 (Excerpts): No. 3, Sie trugen ihn auf der Bahre bloss
20. Ophelia Sings: No. 1, How Should I Your True Love Know?
21. Ophelia Sings: No. 2, Tomorrow is Saint Valentine's Day
22. Ophelia Sings: No. 3, They Bore Him Bare-Faced on the Bier
23. Réquiem para un niño "Canción de cuna eterna"
Variety of subject and era give German-Chilean soprano Josefine Göhmann a stylistic range stretching from the late Renaissance through Mozart, Strauss and Messiaen to contemporary music, forming the core of her artistic endeavor. In duo with pianist Mario Häring, Josefine Göhmann presents her debut album in co-production with Deutschlandfunk under the title "réBelles! portraits lyriques" on the topic of female empowerment and 100 years of the movement for women’s rights.
In planning this program, the artist took her cue from postcards of museum visits: The paintings say a lot about how women were seen in the 20th century and how women saw themselves in self-portraits (e.g. by Frida Kahlo, Paula Modersohn-Becker, Anita Rée). She has developed the idea that if song and painting are set in analogue, the album could correspond to a visit to a museum.
There are four different rooms. The first is Vierge with representations of virginity in the context of the biblical testament. Then there is the second room on the Sirène type of woman, which is more about ethereal femininity. In Héroïne, the woman is primarily portrayed as a heroine. And finally, Ophélie is dedicated to the literary Shakespearean figure, which stands on its own but also combines the aspects of Vierge, Sirène and Héroïne.
This album is an aesthetic offering for the discourse on femininity, on being a woman today and for a hundred years. In addition, the artist's very personal feelings play a role in which pieces are combined in which way. Josefine Göhmann wanted to look not only at texts, works and interpretations by women, but at our cultural heritage.
Year 2022 | Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads