Anthony Lewis - Handel: Jephtha; Rodrigo; Concertos for Lute and Harp (1958) [2018]
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BAND/ARTIST: Anthony Lewis
- Title: Handel: Jephtha; Rodrigo; Concertos for Lute and Harp
- Year Of Release: 1958 [2018]
- Label: Decca / Eloquence
- Genre: Classical
- Quality: FLAC (Tracks)
- Total Time: 01:00:48
- Total Size: 297 mb (+3%rec.)
- WebSite: Album Preview
The works on this collection are drawn from two of the very first stereo LPs released by L’Oiseau-Lyre, the sub-label of Decca. ‘Music of Handel’ was a 1958 album containing arias (recently reissued by Eloquence 482 4759) and this instrumental suite from ‘Rodrigo’, one of the composer’s early pre-London Italian operas, performed in Florence in 1707. The music was compiled and edited by Philip Cranmer and Anthony Lewis who as both scholar and conductor contributed much to the early success of L’Oiseau Lyre: also reissued by Eloquence is his ground-breaking recording of Purcell’s masque ‘The Fairy Queen‘ (482 7449). As on the original LP, the suite is preceded by two sinfonias from Handel’s final oratorio, the majestic and tragic ‘Jephtha’: the juxtaposition serves to underline the strength and consistency of the composer’s voice over the course of almost half a century.
With the Handel orchestral works LP of two years later, the scholar and harpsichordist, Thurston Dart, along with his collaborator from the Jacobean Ensemble, Welsh violinist, Granville Jones, presented performances of two of Handel’s concertos from his Op. 4 collection composed in 1735-36. The original intended solo instrument was possibly organ but the concertos are performed here in arrangements made by Thurston Dart – another regular contributor to L’Oiseau Lyre in its early days – to exploit the virtuosity of the harpist, Osian Ellis and lutenist, Desmond Dupré.
Neville Marriner, collaborator with both Dart and Granville Jones in the Jacobean Ensemble, described Jones as: ‘Wild and Welsh, the most gifted of my contemporaries, a manic-depressive who played like a god or a gypsy’. Marriner features here not as director but violinist, his first occupation, as a ripieno soloist in the concerto grosso from the oratorio ‘Alexander’s Feast‘.
Tracks:
GEORGE FRIDERIC HANDEL
Jephtha, HWV 70: Sinfonias
Rodrigo, HWV 5 – Suite
Philomusica of London, Anthony Lewis
Concerto for Harp and Lute in B flat major
Harp Concerto in F major
Osian Ellis - harp, Desmond Dupre - lute
Philomusica of London, Granville Jones
Concerto grosso in C major, HWV 318 ‘Alexander’s Feast’
Carl Pini, Neville Marriner - violins
Philomusica of London, Granville Jones
With the Handel orchestral works LP of two years later, the scholar and harpsichordist, Thurston Dart, along with his collaborator from the Jacobean Ensemble, Welsh violinist, Granville Jones, presented performances of two of Handel’s concertos from his Op. 4 collection composed in 1735-36. The original intended solo instrument was possibly organ but the concertos are performed here in arrangements made by Thurston Dart – another regular contributor to L’Oiseau Lyre in its early days – to exploit the virtuosity of the harpist, Osian Ellis and lutenist, Desmond Dupré.
Neville Marriner, collaborator with both Dart and Granville Jones in the Jacobean Ensemble, described Jones as: ‘Wild and Welsh, the most gifted of my contemporaries, a manic-depressive who played like a god or a gypsy’. Marriner features here not as director but violinist, his first occupation, as a ripieno soloist in the concerto grosso from the oratorio ‘Alexander’s Feast‘.
Tracks:
GEORGE FRIDERIC HANDEL
Jephtha, HWV 70: Sinfonias
Rodrigo, HWV 5 – Suite
Philomusica of London, Anthony Lewis
Concerto for Harp and Lute in B flat major
Harp Concerto in F major
Osian Ellis - harp, Desmond Dupre - lute
Philomusica of London, Granville Jones
Concerto grosso in C major, HWV 318 ‘Alexander’s Feast’
Carl Pini, Neville Marriner - violins
Philomusica of London, Granville Jones
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