Waxahatchee - Cerulean Salt (Limited Edition) (2013) Hi-Res

"American Weekend" Waxahatchee is the latest project of Katie Crutchfield, formerly of P.S. Eliot and Bad Banana. While her prior bands' output dealt in the cutoff-shorts type of DIY punk that's the stock-in-trade of basements in small cities the world over, American Weekend, by contrast, consists mostly of Crutchfield and an acoustic guitar. The arrangements are sparse, and Crutchfield's complete-sentence lyrics refer to eroded and half-formed relationships, getting personal and detail-oriented in a way that suggests she's not making any of it up.

"Cerulean Salt" On her second full-length record as Waxahatchee, former P.S. Eliot singer Katie Crutchfield's compelling hyper-personal poetry is continuously crushing. Cerulean Salt follows American Weekend -- a collection of minimal acoustic-guitar pop written and recorded in a week at her family's Birmingham home. On this new record, Crutchfield's songs continue to be marked by her sharp, hooky songwriting; her striking voice and lyrics that simultaneously seem hyper-personal yet relentlessly relatable, teetering between endearingly nostaglic and depressingly dark. But whereas before the thematic focus of her songcraft was on break ups and passive-aggressive crushing, this record reflects on her family and Alabama upbringing. And whereas American Weekend was mostly just Crutchfield and her guitar, Cerulean Salt is occasionally amped up, with a full band and higher-fi production. At times, Cerulean Salt creeps closer to the sound of PS Eliot: moody, 90s-inspired rock backed by Keith Spencer and Swearin' guitarist Kyle Gilbride on drums and bass. The full band means fleshed-out fuzzy lead guitars on "Coast to Coast", its poppy hook almost masking its dark lyrics. Big distorted guitars and deep steady drums mark songs like "Misery over Dispute" and "Waiting". There's plenty of American Weekend's instrospection and minimalism to be found, though. "Blue Pt. II" is stripped down, Crutchfield and her sister Alison (of Swearin') singing in harmony with deadpan vox. She's still an open booking, musing on self-doubt versus self-reliance, transience versus permanence. "Peace and Quiet" ebbs and flows from moody, minimal verses to a sing-song chorus. "Swan Dive" tackles nostalgia, transience, indifference, regret over the a minimal strum of an electric-guitar, the picking at a chirpy riff and the double-time tapping of a muted drum. The album closes with a haunting acoustic-guitar reflection on "You're Damaged," possibly the best Waxahatchee song to date.