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Alexei Volodin - Miroirs: Piano Works by Schumann, Ravel & Skrjabin (2011)

Alexei Volodin - Miroirs: Piano Works by Schumann, Ravel & Skrjabin (2011)

BAND/ARTIST: Alexei Volodin

  • Title: Miroirs: Piano Works by Schumann, Ravel & Skrjabin
  • Year Of Release: 2011
  • Label: Challenge Classics
  • Genre: Classical Piano
  • Quality: flac lossless (tracks)
  • Total Time: 01:07:52
  • Total Size: 203 mb
  • WebSite:
Tracklist

01. Kreisleriana op. 16: Äußerst bewegt
02. Kreisleriana op. 17: Sehr innig und nicht zu rasch
03. Kreisleriana op. 18: Sehr aufgeregt
04. Kreisleriana op. 19: Sehr langsam
05. Kreisleriana op. 20: Sehr lebhaft
06. Kreisleriana op. 21: Sehr langsam
07. Kreisleriana op. 22: Sehr rasch
08. Miroirs: Schnell und spielend
09. Miroirs: Noctuelles
10. Miroirs: Oiseaux tristes
11. Miroirs: Une barque sur L’Océan
12. Miroirs: Alborada del gracioso
13. Miroirs: La Vallée des Cloches
14. Sonate No. 5 Op. 53

Alexei Volodin - Miroirs: Piano Works by Schumann, Ravel & Skrjabin (2011)


Alexei Volodin's 2011 release on BR Klassik brings together three fantastic works from the piano literature: Robert Schumann's Kreisleriana, Maurice Ravel's Miroirs, and Alexander Scriabin's Sonata No. 5. Elements of brilliant fantasy and dark mystery operate in all three works, and even though Volodin's selections come from stylistically and temperamentally different composers, from widely separated times and places, the unifying core of the music is a sustained virtuosity that takes the listener into colorful realms of the imagination. A creative artist, Volodin brings strong characterizations to Schumann's vignettes, which were based on the tales of E.T.A. Hoffmann, though his technical skills are more abundantly displayed in Ravel's effervescent Miroirs, which includes the special challenge of playing rapid passages at extremely soft levels. However, the most dazzling performance of the album is Scriabin's Sonata No. 5, which Volodin plays with subtlety on many levels and with a refinement that is quite hard to find in recordings. The build-up through the first part of the program heightens the feeling of anticipation, and the spectacular playing here brings the recital to a magnificent close. The reproduction offers a wide dynamic range, and the levels of Volodin's playing change dramatically, so a mid-range setting is recommended.



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