Maria Kliegel & Nina Tichman - Beethoven: Cello Sonatas Nos. 1-5 (2002-2004)
BAND/ARTIST: Maria Kliegel, Nina Tichman
- Title: Beethoven: Cello Sonatas Nos. 1-5
- Year Of Release: 2002-2004
- Label: Naxos
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 03:33:06
- Total Size: 766 mb
- WebSite: Album Preview
Tracklist
Beethoven: Cello Sonatas Nos. 1 and 2, Op. 5 - 7 Variations, Woo 46
01. Horn Sonata in F major, Op. 17 (arr. for cello and piano): I. Allegro moderato
02. Horn Sonata in F major, Op. 17 (arr. for cello and piano): II. Poco adagio, quasi andante
03. Horn Sonata in F major, Op. 17 (arr. for cello and piano): III. Rondo: Allegro moderato
04. Cello Sonata No. 1 in F major, Op. 5, No. 1: I. Adagio sostenuto - Allegro
05. Cello Sonata No. 1 in F major, Op. 5, No. 1: II. Allegro vivace
06. Variations in E flat major on Bei Mannern, welche Liebe fuhlen from Mozart's Die Zauberflote, WoO 46: Thema: Andante
07. Variation I
08. Variation II
09. Variation III
10. Variation IV
11. Variation V: Si prenda il tempo un poco piu vivace
12. Variation VI: Adagio
13. Variation VII: Allegro, ma non troppo
14. Cello Sonata No. 2 in G minor, Op. 5, No. 2: I. Adagio sostenuto ed espressivo - Allegro molto piu tosto presto
15. Cello Sonata No. 2 in G minor, Op. 5, No. 2: II. Rondo: Allegro
Beethoven: Cello Sonatas No. 3, Op. 69 and Op. 64
01. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Thema
02. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation I
03. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation II
04. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation III
05. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation IV
06. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation V
07. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation VI
08. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation VII
09. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation VIII
10. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation IX
11. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation X
12. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation XI
13. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation XII
14. String Trio in E flat major, Op. 3 (arr. for cello and piano): I. Allegro con brio
15. String Trio in E flat major, Op. 3 (arr. for cello and piano): II. Andante
16. String Trio in E flat major, Op. 3 (arr. for cello and piano): III. Menuetto: Allegro
17. String Trio in E flat major, Op. 3 (arr. for cello and piano): IV. Adagio
18. String Trio in E flat major, Op. 3 (arr. for cello and piano): V. Menuetto: Moderato
19. String Trio in E flat major, Op. 3 (arr. for cello and piano): VI. Finale: Allegro
20. Cello Sonata No. 3 in A major, Op. 69: I. Allegro, ma non tanto
21. Cello Sonata No. 3 in A major, Op. 69: II. Scherzo: Allegro molto
22. Cello Sonata No. 3 in A major, Op. 69: III. Adagio cantabile -
23. Cello Sonata No. 3 in A major, Op. 69: IV. Allegro vivace
Beethoven: Cello Sonatas Nos. 4 and 5, Op. 102
01. Cello Sonata No. 4 in C Major, Op. 102, No. 1: I. Andante-Allegro vivace
02. Cello Sonata No. 4 in C Major, Op. 102, No. 1: II. Adagio-Tempo d'Andante
03. Cello Sonata No. 4 in C Major, Op. 102, No. 1: III. Allegro vivace
04. Cello Sonata No. 5 in D major, Op. 102, No. 2: I. Allegro con brio
05. Cello Sonata No. 5 in D major, Op. 102, No. 2: II. Adagio con molto sentimento d'affeto
06. Cello Sonata No. 5 in D major, Op. 102, No. 2: III. Allegro fugato
07. Twelve Variations on "See here the conqu'ring hero comes", 45: I. Theme: Allegretto
08. Twelve Variations on "See here the conqu'ring hero comes", 45: II. Variation 1
09. Twelve Variations on "See here the conqu'ring hero comes", 45: III. Variation 2
10. Twelve Variations on "See here the conqu'ring hero comes", 45: IV. Variation 3
11. Twelve Variations on "See here the conqu'ring hero comes", 45: V. Variation 4
12. Twelve Variations on "See here the conqu'ring hero comes", 45: VI. Variation 5
13. Twelve Variations on "See here the conqu'ring hero comes", 45: VII. Variation 6
14. Twelve Variations on "See here the conqu'ring hero comes", WoO 45: VIII. Variation 7
15. Twelve Variations on "See here the conqu'ring hero comes", 45: IX. Variation 8
16. Twelve Variations on "See here the conqu'ring hero comes", 45: X. Variation 9
17. Twelve Variations on "See here the conqu'ring hero comes", 45: XI. Variation 10: Allegro
18. Twelve Variations on "See here the conqu'ring hero comes", 45: XII. Variation 11: Adagio
19. Twelve Variations on "See here the conqu'ring hero comes", 45: XIII. Variation 12: Allegro
20. Duet in A-Flat Major for Viola and Cello, WoO 32 (Duet with Two Obbligato Eyeglasses): I. Allegro
21. Duet in A-Flat Major for Viola and Cello, WoO 32 (Duet with Two Obbligato Eyeglasses): II. Minuetto
Strong, sensitive, and often quite funny, this 2004 recording of Beethoven's last two Cello Sonatas coupled with his Handel Variations for cello and piano and his Duet for viola and cello by cellist Maria Kliegel, pianist Nina Tichman, and violist Tabae Zimmermann will be a welcome addition to any large and deep collection of Beethoven's works for cello. Kliegel is a persuasive cellist with a warm tone and a powerful bow, Tichman is a convincing accompanist with a deep tone and a marvelous technique, and together they perform with telepathic ease and complete understanding. In the late Sonatas, Kliegel and Tichman catch the work's odd shapes and eccentric melodies and unite them into a singularly moving musical structure. In the Handel Variations, Kliegel and Tichman grasp both the affection and the humor of the work as well as holding its long line through 12 variations. And in the quirky "Duet with Two Obbligato Eyeglasses," Kliegel and Zimmermann play together like old friends happily catching up on their lives in one of Beethoven's most charming little bagatelles. Naxos' sound is as finely detailed and warmly textured as any recording from any of the bigger, more expensive companies.
Beethoven: Cello Sonatas Nos. 1 and 2, Op. 5 - 7 Variations, Woo 46
01. Horn Sonata in F major, Op. 17 (arr. for cello and piano): I. Allegro moderato
02. Horn Sonata in F major, Op. 17 (arr. for cello and piano): II. Poco adagio, quasi andante
03. Horn Sonata in F major, Op. 17 (arr. for cello and piano): III. Rondo: Allegro moderato
04. Cello Sonata No. 1 in F major, Op. 5, No. 1: I. Adagio sostenuto - Allegro
05. Cello Sonata No. 1 in F major, Op. 5, No. 1: II. Allegro vivace
06. Variations in E flat major on Bei Mannern, welche Liebe fuhlen from Mozart's Die Zauberflote, WoO 46: Thema: Andante
07. Variation I
08. Variation II
09. Variation III
10. Variation IV
11. Variation V: Si prenda il tempo un poco piu vivace
12. Variation VI: Adagio
13. Variation VII: Allegro, ma non troppo
14. Cello Sonata No. 2 in G minor, Op. 5, No. 2: I. Adagio sostenuto ed espressivo - Allegro molto piu tosto presto
15. Cello Sonata No. 2 in G minor, Op. 5, No. 2: II. Rondo: Allegro
Beethoven: Cello Sonatas No. 3, Op. 69 and Op. 64
01. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Thema
02. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation I
03. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation II
04. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation III
05. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation IV
06. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation V
07. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation VI
08. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation VII
09. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation VIII
10. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation IX
11. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation X
12. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation XI
13. 12 Variations in F major on Ein Madchen oder Weibchen from Mozart's Die Zauberflote, Op. 66: Variation XII
14. String Trio in E flat major, Op. 3 (arr. for cello and piano): I. Allegro con brio
15. String Trio in E flat major, Op. 3 (arr. for cello and piano): II. Andante
16. String Trio in E flat major, Op. 3 (arr. for cello and piano): III. Menuetto: Allegro
17. String Trio in E flat major, Op. 3 (arr. for cello and piano): IV. Adagio
18. String Trio in E flat major, Op. 3 (arr. for cello and piano): V. Menuetto: Moderato
19. String Trio in E flat major, Op. 3 (arr. for cello and piano): VI. Finale: Allegro
20. Cello Sonata No. 3 in A major, Op. 69: I. Allegro, ma non tanto
21. Cello Sonata No. 3 in A major, Op. 69: II. Scherzo: Allegro molto
22. Cello Sonata No. 3 in A major, Op. 69: III. Adagio cantabile -
23. Cello Sonata No. 3 in A major, Op. 69: IV. Allegro vivace
Beethoven: Cello Sonatas Nos. 4 and 5, Op. 102
01. Cello Sonata No. 4 in C Major, Op. 102, No. 1: I. Andante-Allegro vivace
02. Cello Sonata No. 4 in C Major, Op. 102, No. 1: II. Adagio-Tempo d'Andante
03. Cello Sonata No. 4 in C Major, Op. 102, No. 1: III. Allegro vivace
04. Cello Sonata No. 5 in D major, Op. 102, No. 2: I. Allegro con brio
05. Cello Sonata No. 5 in D major, Op. 102, No. 2: II. Adagio con molto sentimento d'affeto
06. Cello Sonata No. 5 in D major, Op. 102, No. 2: III. Allegro fugato
07. Twelve Variations on "See here the conqu'ring hero comes", 45: I. Theme: Allegretto
08. Twelve Variations on "See here the conqu'ring hero comes", 45: II. Variation 1
09. Twelve Variations on "See here the conqu'ring hero comes", 45: III. Variation 2
10. Twelve Variations on "See here the conqu'ring hero comes", 45: IV. Variation 3
11. Twelve Variations on "See here the conqu'ring hero comes", 45: V. Variation 4
12. Twelve Variations on "See here the conqu'ring hero comes", 45: VI. Variation 5
13. Twelve Variations on "See here the conqu'ring hero comes", 45: VII. Variation 6
14. Twelve Variations on "See here the conqu'ring hero comes", WoO 45: VIII. Variation 7
15. Twelve Variations on "See here the conqu'ring hero comes", 45: IX. Variation 8
16. Twelve Variations on "See here the conqu'ring hero comes", 45: X. Variation 9
17. Twelve Variations on "See here the conqu'ring hero comes", 45: XI. Variation 10: Allegro
18. Twelve Variations on "See here the conqu'ring hero comes", 45: XII. Variation 11: Adagio
19. Twelve Variations on "See here the conqu'ring hero comes", 45: XIII. Variation 12: Allegro
20. Duet in A-Flat Major for Viola and Cello, WoO 32 (Duet with Two Obbligato Eyeglasses): I. Allegro
21. Duet in A-Flat Major for Viola and Cello, WoO 32 (Duet with Two Obbligato Eyeglasses): II. Minuetto
Strong, sensitive, and often quite funny, this 2004 recording of Beethoven's last two Cello Sonatas coupled with his Handel Variations for cello and piano and his Duet for viola and cello by cellist Maria Kliegel, pianist Nina Tichman, and violist Tabae Zimmermann will be a welcome addition to any large and deep collection of Beethoven's works for cello. Kliegel is a persuasive cellist with a warm tone and a powerful bow, Tichman is a convincing accompanist with a deep tone and a marvelous technique, and together they perform with telepathic ease and complete understanding. In the late Sonatas, Kliegel and Tichman catch the work's odd shapes and eccentric melodies and unite them into a singularly moving musical structure. In the Handel Variations, Kliegel and Tichman grasp both the affection and the humor of the work as well as holding its long line through 12 variations. And in the quirky "Duet with Two Obbligato Eyeglasses," Kliegel and Zimmermann play together like old friends happily catching up on their lives in one of Beethoven's most charming little bagatelles. Naxos' sound is as finely detailed and warmly textured as any recording from any of the bigger, more expensive companies.
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