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Monica Huggett, Matthew White, Agnes Mellon, Arion Trio - Maria: Madre di Dio (2003)

Monica Huggett, Matthew White, Agnes Mellon, Arion Trio - Maria: Madre di Dio (2003)
  • Title: Maria: Madre di Dio
  • Year Of Release: 2003
  • Label: Early-Music
  • Genre: Classical
  • Quality: FLAC (tracks) / MP3 320 Kbps
  • Total Time: 01:03:50
  • Total Size: 325 / 163 Mb
  • WebSite:
Tracklist:

1. Stabat Mater dolorosaMatthew White 02:19
2. Cujus animam gementemMatthew White 01:25
3. O quam tristisMatthew White 01:23
4. Quis est homoMatthew White 02:24
5. Quis non possetMatthew White 01:30
6. Pro peccatis suae gentisMatthew White 01:21
7. Eja mater, fons amorisMatthew White 02:35
8. Fac ut ardeatMatthew White 01:20
9. AmenMatthew White 00:56
10. Ah, che troppo ineguali, HWV 230: RecitativeMatthew White 00:49
11. Aria: O del Ciel Maria ReginaMatthew White 08:26
12. Salve reginaMatthew White 03:53
13. Ad te clamamusMatthew White 02:12
14. Ad te suspiramusMatthew White 01:12
15. Eja ergoMatthew White 01:38
16. Et Jesum benedictumMatthew White 01:58
17. O clemensMatthew White 02:10
18. Recitativo: Giunta l'ora fatal dal ciel prescrittaMatthew White 01:51
19. Cavatina: Se d'un Dio fui fatta MadreMatthew White 02:08
20. Recitativo accompagnato: Ah me infelice!Matthew White 02:23
21. Cavatina da capoMatthew White 02:19
22. Recitativo: Ahime ch'Egli gia esclama ad alta voceMatthew White 01:09
23. Aria: Sventurati miei sospiriMatthew White 06:40
24. Recitativo accompagnato: Si disse la gran MadreMatthew White 02:11
25. Aria: Pari all'amor immensoMatthew White 06:48
26. Recitativo accompagnato: Or se per grande orror tremo la terraMatthew White 00:50

Performers:
Matthew White
Monica Huggett
Agnes Mellon
Arion Trio

Indefatigable early music specialist and virtuoso Monica Huggett serves as both guest conductor and concertmaster of the Canadian ensemble Arion in this recording of Baroque vocal music in honor of Mary. Huggett's exquisite sense of phrasing and musical drama brings these late Baroque Italian works, three of which are fairly obscure, to throbbing life. Vivaldi's Stabat Mater for alto, strings, and continuo is one of his most popular vocal works, and rightly so; it's graceful, inventive, and melodious. Male alto Matthew White doesn't have the bright, shiny voice that characterizes many countertenors, but his more velvety tone is well suited to this somber subject and Vivaldi's treatment of it. His ornamentation is all the more effective for being applied with discretion and restraint. He's equally effective in Scarlatti's Salva Regina, in which he's joined by soprano Agnès Mellon. Their voices are beautifully matched and their intonation is pure and piercing. Mellon is the soloist in two cantatas, one by Handel, Ah! Che troppo ineguali, and one, Il pianto di Maria "Giunta l'ora fatal," by Giovanni Battista Ferrandini, which had long been wrongly attributed to Handel. Ferrandini's lament, which is largely set as recitative, describes Mary's emotions during the crucifixion, and is particularly anguished. Mellon gives an appropriately wrenching, emotionally transparent performance. The sensitivity and consistently high quality of the singing and ensemble playing make this an album that should be of strong interest to fans of the Baroque.




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