Machado Mijiga - Gradient (2022)
BAND/ARTIST: Machado Mijiga
- Title: Gradient
- Year Of Release: 2022
- Label: Vibemaster Records
- Genre: Jazz
- Quality: Mp3 320 kbps / FLAC (tracks)
- Total Time: 78:22 min
- Total Size: 190 / 460 MB
- WebSite: Album Preview
Tracklist:
1. 21cc
2. Sepia
3. Rev
4. Gradient
5. Legacy
6. Sarcophagus
7. Solace
8. Adversary
9. Rembrandt
10. Back Home
11. Archipelago
1. 21cc
2. Sepia
3. Rev
4. Gradient
5. Legacy
6. Sarcophagus
7. Solace
8. Adversary
9. Rembrandt
10. Back Home
11. Archipelago
Gradient is a culmination of a year of planning, a decade of composing, and a lifetime of artistic and interpersonal relationships weaved into a 78-minute package.
In 2020, I released, "Journal", where I enlisted a team of 23 drummers to play a mix of old and new compositions of mine. Journal was entirely self-produced, and I played all instruments except for drums.
Gradient is more of an "Essay"– I enlisted a team of 13 instrumentalists to play a mix of old and new compositions of mine, but Gradient was entirely a community effort. This time around, I only played drums, and I outsourced all production elements to specialists.
Gradient isn't just mine; it was made possible through the efforts of a sonic dream team, hand-picked from within Portland's vibrant and diverse jazz scene. Some of the finest musical minds in the city agreed to be a part of this process, and worked tirelessly to interpret and breathe life into the lines and dots I gave them.
I have mild synesthesia, and often hear sounds as colors, patterns, or even shapes. It's why a lot of my compositions have had colors or shapes as a name (e.g., "Auburn", "Isosceles", or "Ultraviolet")
Gradient got its name because a wide variety of the colors I see/hear for the pieces in this album are not a solid, but a spectrum or color group– the music is a bit harmonically, rhythmically, and texturally ambiguous. Some of the compositions have strong memories or emotions attached to them, and some are purely fictional. I hope that this music creates entirely new narratives in the capable ears of you listeners.
In 2020, I released, "Journal", where I enlisted a team of 23 drummers to play a mix of old and new compositions of mine. Journal was entirely self-produced, and I played all instruments except for drums.
Gradient is more of an "Essay"– I enlisted a team of 13 instrumentalists to play a mix of old and new compositions of mine, but Gradient was entirely a community effort. This time around, I only played drums, and I outsourced all production elements to specialists.
Gradient isn't just mine; it was made possible through the efforts of a sonic dream team, hand-picked from within Portland's vibrant and diverse jazz scene. Some of the finest musical minds in the city agreed to be a part of this process, and worked tirelessly to interpret and breathe life into the lines and dots I gave them.
I have mild synesthesia, and often hear sounds as colors, patterns, or even shapes. It's why a lot of my compositions have had colors or shapes as a name (e.g., "Auburn", "Isosceles", or "Ultraviolet")
Gradient got its name because a wide variety of the colors I see/hear for the pieces in this album are not a solid, but a spectrum or color group– the music is a bit harmonically, rhythmically, and texturally ambiguous. Some of the compositions have strong memories or emotions attached to them, and some are purely fictional. I hope that this music creates entirely new narratives in the capable ears of you listeners.
Year 2022 | Jazz | FLAC / APE | Mp3
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