Lisa Tatin & Ensemble Orion - Berg Darbellay Mahler: Lieder (2022) [Hi-Res]
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BAND/ARTIST: Lisa Tatin, Ensemble Orion
- Title: Berg Darbellay Mahler: Lieder
- Year Of Release: 2022
- Label: Claves Records
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 44.1kHz +Booklet
- Total Time: 00:54:16
- Total Size: 244 / 509 mb
- WebSite: Album Preview
Tracklist
01. Sieben frühe Lieder: I. Nacht
02. Sieben frühe Lieder: II. Schilflied
03. Sieben frühe Lieder: III. Die Nachtigall
04. Sieben frühe Lieder: IV. Traumgekrönt
05. Sieben frühe Lieder: V. Im Zimmer
06. Sieben frühe Lieder: VI. Liebesode
07. Sieben frühe Lieder: VII. Sommertage
08. Sept poèmes romands pour soprano et trio à cordes: I. Le voile
09. Sept poèmes romands pour soprano et trio à cordes: II. Offrande
10. Sept poèmes romands pour soprano et trio à cordes: III. Un arbre
11. Sept poèmes romands pour soprano et trio à cordes: IV. L’eau
12. Sept poèmes romands pour soprano et trio à cordes: V. La graine
13. Sept poèmes romands pour soprano et trio à cordes: VI. La mer
14. Sept poèmes romands pour soprano et trio à cordes: VII. Sud
15. Kindertotenlieder: I. Nun will die Sonn‘ so hell aufgehn
16. Kindertotenlieder: II. Nun seh‘ ich wohl, warum so dunkle Flammen
17. Kindertotenlieder: III. Wenn Dein Mütterlein tritt zur Tür herein
18. Kindertotenlieder: IV. Oft denk‘ ich, sie sind nur ausgegangen
19. Kindertotenlieder: V. In diesem Wetter, in diesem Braus
![Lisa Tatin & Ensemble Orion - Berg Darbellay Mahler: Lieder (2022) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-03/1646954605_lisa-tatin-ensemble-orion-berg-darbellay-mahler-lieder-2022-back.jpg)
The idea that music begins where language ends goes back to literary Romanticism. In 1835, Joseph von Eichendorff was tracking the “song in all things” with his dowsing rod (“Wünschelrüte” in German, as is entitled one of his most famous poems), searching for the “magic word” that would be capable of transforming the world into song. Only a language that itself becomes music can speak about what it must otherwise keep silent. Thus the credo of romantic poetry.
But if language itself becomes music, what is music then to become? In the musical genre of the Lied, in which words and music are twinned, in which meaning and sound support, ensnare and sometimes infiltrate each other, the composers themselves answer this question. Every art song is basically a meditation on the relationship between music and language.
This is particularly true of the three Lieder cycles on this CD. The song settings by Gustav Mahler, Alban Berg and Jean-Luc Darbellay all revolve around an absence revealed by the language – and to which music provides an acoustic presence. Covering a period of eight decades, the three composers approach the fateful intertwining of love, loss and memory, finding a suitable musical language. The three Mahler, Berg and Darbellay song cycles presented by the Ensemble Orion are arrangements for soprano and string quartet or trio. This is the first recording of the works in a chamber music setting.
01. Sieben frühe Lieder: I. Nacht
02. Sieben frühe Lieder: II. Schilflied
03. Sieben frühe Lieder: III. Die Nachtigall
04. Sieben frühe Lieder: IV. Traumgekrönt
05. Sieben frühe Lieder: V. Im Zimmer
06. Sieben frühe Lieder: VI. Liebesode
07. Sieben frühe Lieder: VII. Sommertage
08. Sept poèmes romands pour soprano et trio à cordes: I. Le voile
09. Sept poèmes romands pour soprano et trio à cordes: II. Offrande
10. Sept poèmes romands pour soprano et trio à cordes: III. Un arbre
11. Sept poèmes romands pour soprano et trio à cordes: IV. L’eau
12. Sept poèmes romands pour soprano et trio à cordes: V. La graine
13. Sept poèmes romands pour soprano et trio à cordes: VI. La mer
14. Sept poèmes romands pour soprano et trio à cordes: VII. Sud
15. Kindertotenlieder: I. Nun will die Sonn‘ so hell aufgehn
16. Kindertotenlieder: II. Nun seh‘ ich wohl, warum so dunkle Flammen
17. Kindertotenlieder: III. Wenn Dein Mütterlein tritt zur Tür herein
18. Kindertotenlieder: IV. Oft denk‘ ich, sie sind nur ausgegangen
19. Kindertotenlieder: V. In diesem Wetter, in diesem Braus
The idea that music begins where language ends goes back to literary Romanticism. In 1835, Joseph von Eichendorff was tracking the “song in all things” with his dowsing rod (“Wünschelrüte” in German, as is entitled one of his most famous poems), searching for the “magic word” that would be capable of transforming the world into song. Only a language that itself becomes music can speak about what it must otherwise keep silent. Thus the credo of romantic poetry.
But if language itself becomes music, what is music then to become? In the musical genre of the Lied, in which words and music are twinned, in which meaning and sound support, ensnare and sometimes infiltrate each other, the composers themselves answer this question. Every art song is basically a meditation on the relationship between music and language.
This is particularly true of the three Lieder cycles on this CD. The song settings by Gustav Mahler, Alban Berg and Jean-Luc Darbellay all revolve around an absence revealed by the language – and to which music provides an acoustic presence. Covering a period of eight decades, the three composers approach the fateful intertwining of love, loss and memory, finding a suitable musical language. The three Mahler, Berg and Darbellay song cycles presented by the Ensemble Orion are arrangements for soprano and string quartet or trio. This is the first recording of the works in a chamber music setting.
Year 2022 | Classical | FLAC / APE | HD & Vinyl
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