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Denys Proshayev - Schumann: Papillons, Davidsbündlertänze, Arabeske (2013)

Denys Proshayev - Schumann: Papillons, Davidsbündlertänze, Arabeske (2013)

BAND/ARTIST: Denys Proshayev

  • Title: Schumann: Papillons, Davidsbündlertänze, Arabeske
  • Year Of Release: 2013
  • Label: Piano Classics
  • Genre: Classical Piano
  • Quality: flac lossless (tracks)
  • Total Time: 00:59:19
  • Total Size: 199 mb
  • WebSite:
Tracklist

01. Papillons, Op. 2: Introduzione
02. Papillons, Op. 2: I. Moderato
03. Papillons, Op. 2: II. Prestissimo
04. Papillons, Op. 2: III. Viertel = 120
05. Papillons, Op. 2: IV. Presto
06. Papillons, Op. 2: V. Viertel = 80
07. Papillons, Op. 2: VI. Viertel = 72
08. Papillons, Op. 2: VII. Semplice
09. Papillons, Op. 2: VIII. Viertel = 132
10. Papillons, Op. 2: IX. Prestissimo
11. Papillons, Op. 2: X. Vivo
12. Papillons, Op. 2: XI. Viertel = 112
13. Papillons, Op. 2: XII. Finale
14. Davidsbündlertänze, Op. 6: I. Lebhaft
15. Davidsbündlertänze, Op. 6: II. Innig
16. Davidsbündlertänze, Op. 6: III. Mit Humor
17. Davidsbündlertänze, Op. 6: IV. Ungeduldig
18. Davidsbündlertänze, Op. 6: V. Einfach
19. Davidsbündlertänze, Op. 6: VI. Sehr rasch
20. Davidsbündlertänze, Op. 6: VII. Nicht schnell
21. Davidsbündlertänze, Op. 6: VIII. Frisch
22. Davidsbündlertänze, Op. 6: IX. Lebhaft
23. Davidsbündlertänze, Op. 6: X. Balladenmässig, sehr rasch
24. Davidsbündlertänze, Op. 6: XI. Einfach
25. Davidsbündlertänze, Op. 6: XII. Mit Humor
26. Davidsbündlertänze, Op. 6: XIII. Wild und lustig
27. Davidsbündlertänze, Op. 6: XIV. Zart und singend
28. Davidsbündlertänze, Op. 6: XV. Frisch
29. Davidsbündlertänze, Op. 6: XVI. Mit gutem Humor
30. Davidsbündlertänze, Op. 6: XVII. Wie aus der Ferne
31. Davidsbündlertänze, Op. 6: XVIII. Nicht schnell
32. Arabeske, Op. 18: Leicht und zart

Denys Proshayev - Schumann: Papillons, Davidsbündlertänze, Arabeske (2013)


In these two works Schumann presents his inner world of characters from the fictitious Davidsbund based on the novels of Jean-Paul, featuring such diverse personalities as Florestan, Eusebius, Estrella, Chiara, characters with whom Schumann identifies his own opposing characteristics. Florestan is his fiery, heroic and impulsive side; Eusebius is his tender, reflective and dreamy side. Denis Proshayev plunges deep into this dreamlike world, letting his fantasy run free on the whims of Schumann's 'fantastic' outpourings. His playing is totally free and spontaneous, whilst never losing the logical thread of the musical discourse.

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