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Zoltán Kocsis - Zoltán Kocsis Plays Debussy (2022)

Zoltán Kocsis - Zoltán Kocsis Plays Debussy (2022)

BAND/ARTIST: Zoltán Kocsis

  • Title: Zoltán Kocsis Plays Debussy
  • Year Of Release: 2022
  • Label: UMG Recordings, Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 4:19:32
  • Total Size: 729 MB
  • WebSite:
Tracklist:

01. Debussy: Pièce pour piano (Morceau de concours) (L. 108)
02. Debussy: Page d'album, L. 133 (Pour l'oeuvre du "Vêtement du Blessé)
03. Debussy: Le petit nègre (L. 114)
04. 8. La fille aux cheveux de lin
05. 1. Doctor Gradus ad Parnassum
06. 3. Le vent dans la plaine
07. 12. Minstrels
08. 4. The Snow is dancing
09. Debussy: Élégie (L. 38)
10. 5. The little Shepherd
11. Hommage à Haydn, L. 115
12. 5. Bruyères
13. 11. La danse de Puck
14. 3. Serenade for the Doll
15. 9. La sérénade interrompue
16. 4. Les fées sont d'exquises danseuses
17. 11. Les tierces alternées
18. 6. Golliwogg's Cakewalk
19. 8. Ondine
20. 5. Les collines d'Anacapri
21. 9. Hommage à S. Pickwick, Esq., P.P.M.P.C.
22. No. 2 Allegretto scherzande
23. 1. Danseuses de Delphes
24. 1. Brouillards
25. Debussy: Valse romantique (L. 71)
26. Debussy: Mazurka (L. 67)
27. 6. General Lavine - Eccentric
28. 10. Canope
29. 7. Ce qu'a vu le vent d'ouest
30. 3. Jardins sous la pluie
31. 2. Feuilles mortes
32. 3. Mouvement
33. 1. Lent (mélancolique et doux)
34. 4. Les sons et les parfums tournent dans l'air du soir
35. 4. Passepied
36. 3. La puerta del vino
37. 3. Toccata
38. 2. Jimbo's Lullaby
39. 6. Des pas sur la neige
40. 2. Menuet
41. Debussy: La plus que lente (L. 121)
42. 12. Feux d'artifice
43. No. 1 Andante con moto
44. Debussy: Rêverie, L. 68
45. 2. Voiles
46. 3. Poissons d'or
47. 1. Prélude
48. 1. Prélude
49. 3. Quelques aspects de "Nous n'irons plus au bois parce qu'il fait un temps insupportable
50. 1. Cloches à travers les feuilles
51. 7. La terrasse des audiences du clair de lune
52. Debussy: Danse (Tarantelle styrienne) (L. 69)
53. 1. Pagodes
54. 2. Sarabande
55. Debussy: D'un cahier d'esquisses, L. 99
56. 2. Souvenir du Louvre (Sarabande)
57. Debussy: Berceuse héroïque, L. 132
58. 2. Soirée dans Grenade
59. 1. Reflets dans l'eau
60. 3. Clair de lune
61. L'Isle joyeuse, L. 106
62. 2. Et la lune descend sur le temple qui fût
63. Debussy: Ballade slave (L. 70)
64. 3. Allegro molto
65. 10. La cathédrale engloutie
66. 1. Andante ma non troppo-Allegro giusto
67. 2. Lento e molto espressivo
68. Debussy: Nocturne (L. 82)
69. 2. Hommage à Rameau

Eminent Hungarian pianist and composer Zoltán Kocsis began his studies on piano at the age of five and entered the Béla Bartók Conservatory of Music in Budapest at age nine. At 15 Kocsis transferred to the Ferenc Liszt Academy of Music, studied composition with Pál Kadosa and György Kurtág, and received his diploma at 19. His appointment to the teaching staff of the Liszt Academy was practically instantaneous. By this time Kocsis was already a seasoned veteran of the concert circuit, making his American debut in 1971 and appearing in London in 1972. Kocsis is known for his participation in summer music festivals around the world, such as in Salzburg, Edinburgh, and at the Prague Spring Festival. Interestingly, Kocsis had yet to perform in Africa or South America in 2004.

Kocsis' career as a recording artist began in a scattershot fashion with various releases on the Hungaroton, Harmonia Mundi, and Japanese Denon labels. In 1980 he signed an exclusive contract with Philips Classics, reportedly still in force 25 years later, although the company itself has since been subsumed into Decca Music Group. For Philips, Kocsis has recorded the complete piano music of Bartók, including the concerti and selected works of Debussy, Beethoven, and Johann Sebastian Bach. Although Kocsis' Bach playing has been singled out for especial praise by critics, the music of Bartók is central to Kocsis' activities as a whole. Kocsis co-compiled with musicologist Laszlo Somfai the Hungaroton multi-LP set Bartók at the Piano, issued as part of the centenary observances for Bartók in Hungary -- this contains all of Bartók's commercially recorded output. Kocsis has also orchestrated several of Bartók's works the composer had intended to transcribe into orchestral form, but never got around to the task. Over the years, Kocsis has maintained a close relationship with composer György Kurtág and has premiered many of his works in Hungary. Kocsis is also a perceptive critic and journalist whose articles on music have regularly appeared in the Hungarian magazine Holmi for more than 20 years.

Kocsis' original efforts at musical composition are less known in America than in Europe, where his works are played by Ensemble Modern and his own group, the New Music Studio of Budapest. In Hungary Kocsis is also renowned as a conductor, and in 1997 was named the musical director and chief conductor of the Budapest Festival Orchestra. Kocsis has ushered the ensemble into a post-Cold War sensibility, discarding outdated state-proscribed formulas of programming and giving the Hungarian premieres of previously suppressed works by everyone from Charles Ives to Tchaikovsky. Kocsis is also regularly seen on Hungarian television, giving concerts and talking about music. Outside of Central Europe it is difficult to access Kocsis' work as a composer and conductor, but that does not make it less significant -- in his native land, Kocsis is held in a similar regard to that once accorded to the late Leonard Bernstein in America. ~ Uncle Dave Lewis


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  • User offline
  • Fronk
  •  wrote in 20:00
    • Like
    • 2
LOL, the cover, "KOCISC"? WTF!?
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  • olga1001
  •  wrote in 21:51
    • Like
    • 1
Absolutely Kocsis :))