Piotr Anderszewski, Scottish Chamber Orchestra - Mozart: Piano Concertos Nos. 17 & 20 (2006)
BAND/ARTIST: Piotr Anderszewski, Scottish Chamber Orchestra
- Title: Mozart: Piano Concertos Nos. 17 & 20
- Year Of Release: 2006
- Label: Warner Classics
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:02:42
- Total Size: 226 mb
- WebSite: Album Preview
Tracklist
01. Piano Concerto No. 20 in D Minor, K. 466: I. Allegro
02. Piano Concerto No. 20 in D Minor, K. 466: II. Romance
03. Piano Concerto No. 20 in D Minor, K. 466: III. Allegro assai
04. Piano Concerto No. 17 in G Major, Op. 9, K. 453: I. Allegro
05. Piano Concerto No. 17 in G Major, Op. 9, K. 453: II. Andante
06. Piano Concerto No. 17 in G Major, Op. 9, K. 453: III. Allegretto
Mozart performed the K466 Concerto at the Mehlgrube Casino on February 11, 1785. Piotr Anderszewski superbly captures the uneasy mingling of melancholic passion and revolutionary fervour. This dynamic and impressively balanced performance is full of powerful arguments and emotional pressure. Mozart is known to have played the Concerto No 17 in a concert on February 13, 1785... Anderszewski's navigation of the piano is articulate, bold and beautiful. His direction is admirably paced, although one imagines that these transparent textures have benefited from the orchestra's lessons in period style from Sir Charles Mackerras: clean-toned strings, precise timpani and brass, and eloquent woodwind flourishes contribute plenty to this attractive disc.
01. Piano Concerto No. 20 in D Minor, K. 466: I. Allegro
02. Piano Concerto No. 20 in D Minor, K. 466: II. Romance
03. Piano Concerto No. 20 in D Minor, K. 466: III. Allegro assai
04. Piano Concerto No. 17 in G Major, Op. 9, K. 453: I. Allegro
05. Piano Concerto No. 17 in G Major, Op. 9, K. 453: II. Andante
06. Piano Concerto No. 17 in G Major, Op. 9, K. 453: III. Allegretto
Mozart performed the K466 Concerto at the Mehlgrube Casino on February 11, 1785. Piotr Anderszewski superbly captures the uneasy mingling of melancholic passion and revolutionary fervour. This dynamic and impressively balanced performance is full of powerful arguments and emotional pressure. Mozart is known to have played the Concerto No 17 in a concert on February 13, 1785... Anderszewski's navigation of the piano is articulate, bold and beautiful. His direction is admirably paced, although one imagines that these transparent textures have benefited from the orchestra's lessons in period style from Sir Charles Mackerras: clean-toned strings, precise timpani and brass, and eloquent woodwind flourishes contribute plenty to this attractive disc.
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