Mirjam Tschopp, Anhaltische Philharmonie Dessau, Golo Berg - Klughardt: Violin Concerto / Symphony No. 3 (2011)
BAND/ARTIST: Mirjam Tschopp, Anhaltische Philharmonie Dessau, Golo Berg
- Title: Klughardt: Violin Concerto / Symphony No. 3
- Year Of Release: 2011
- Label: CPO
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:17:49
- Total Size: 366 mb
- WebSite: Album Preview
Tracklist
01. Violin Concerto in D Major, Op. 68: I. Allegro moderato e molto maestoso
02. Violin Concerto in D Major, Op. 68: II. Andante quasi recitativo
03. Violin Concerto in D Major, Op. 68: III. Adagio cantabile
04. Violin Concerto in D Major, Op. 68: IV. Molto moderato
05. Symphony No. 3 in D Major, Op. 37: I. Lebhaft
06. Symphony No. 3 in D Major, Op. 37: II. Langsam
07. Symphony No. 3 in D Major, Op. 37: III. Massig
08. Symphony No. 3 in D Major, Op. 37: IV. Munter
August Klughardt was one of the great composers of the nineteenth century, alongside Brahms and Bruckner, who made memorable contributions to music history and certainly does not merit the fate of complete oblivion.
Klughardt’s music reflects the styles used by Wagner and Liszt, but Klughardt was not afraid to shy away from styles they rejected. It is the influence of Viennese classicism, especially the music of Schubert which is more obvious in his music, particularly in the Third Symphony.
01. Violin Concerto in D Major, Op. 68: I. Allegro moderato e molto maestoso
02. Violin Concerto in D Major, Op. 68: II. Andante quasi recitativo
03. Violin Concerto in D Major, Op. 68: III. Adagio cantabile
04. Violin Concerto in D Major, Op. 68: IV. Molto moderato
05. Symphony No. 3 in D Major, Op. 37: I. Lebhaft
06. Symphony No. 3 in D Major, Op. 37: II. Langsam
07. Symphony No. 3 in D Major, Op. 37: III. Massig
08. Symphony No. 3 in D Major, Op. 37: IV. Munter
August Klughardt was one of the great composers of the nineteenth century, alongside Brahms and Bruckner, who made memorable contributions to music history and certainly does not merit the fate of complete oblivion.
Klughardt’s music reflects the styles used by Wagner and Liszt, but Klughardt was not afraid to shy away from styles they rejected. It is the influence of Viennese classicism, especially the music of Schubert which is more obvious in his music, particularly in the Third Symphony.
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