Debashish Bhattacharya - Slide Guitar Ragas From Dusk Till Dawn (2015)
BAND/ARTIST: Debashish Bhattacharya
- Title: Slide Guitar Ragas From Dusk Till Dawn
- Year Of Release: 2015
- Label: Riverboat Records - World Music Network
- Genre: World
- Quality: Mp3 320 kbps / FLAC (tracks)
- Total Time: 01:15:36
- Total Size: 173 / 438 MB
- WebSite: Album Preview
Tracklist:
01 Aarti (The Evening Ritual) (17:50)
02 Ras Tarang (The Waves Of Desire) (20:06)
03 Mehfil-E-Jashn (The Celebratory Concert) (11:36)
04 Roshni (The Light) (17:42)
05 Vasundhara (Mother Earth) (8:22)
01 Aarti (The Evening Ritual) (17:50)
02 Ras Tarang (The Waves Of Desire) (20:06)
03 Mehfil-E-Jashn (The Celebratory Concert) (11:36)
04 Roshni (The Light) (17:42)
05 Vasundhara (Mother Earth) (8:22)
The slide guitar ragas of Grammy-nominated Debashish Bhattacharya are deeply grounded in India's musical traditions yet profoundly innovative. Combining revolutionary reinvented guitars with a boundary-bending melodic and rhythmic approach, 'Slide Guitar Ragas From Dusk Till Dawn' is an album of sublime and joyous musical meditations.
One of the uniquely poetic features of Indian musical tradition is the attachment of ragas to distinct times of the day and night. From the first crack of sunshine at dawn until diminuendo into darkness at dusk, and from twilight to the start of the new day, every fragile moment of earth's daily passage is linked to a specific raga. It is believed that the melody and modality of each raga is at its most powerful when played during its allotted hour. On 'Slide Guitar Ragas From Dusk Till Dawn' Debashish Bhattacharya guides listeners through his sensitive exploration of raga rotations.
Debashish's apparatus is his self-designed chaturangui guitar. The chaturangui is a Hindustani adaptation of the slide guitar with six primary strings, four supporting strings, two drone strings and twelve sympathetic strings creating tonal similarities with the Indian sitar. Debashish plays his instrument with a three-finger picking style derived from ancient practices of veena playing. The veena is an ancient predecessor to the modern sitar, distinct for its resonating gourd chamber, bridge and long neck. Debashish's instrumental influences include sarangi player (and singer) Ustad Bade Ghulum Ali Khan and sitar maestro Ustad Vilayat Khan. Later he formed a close relationship with Jodhpur-born guitar pioneer Pandit Brij Bhushan Kabra. Debashish now considers Kabra his musical guru. Debashish plays 'Roshni (The Light)' on Kabra's custom-made Gibson S400 guitar, top-layered with lines on his own gandharvi and anandi models.
One of the uniquely poetic features of Indian musical tradition is the attachment of ragas to distinct times of the day and night. From the first crack of sunshine at dawn until diminuendo into darkness at dusk, and from twilight to the start of the new day, every fragile moment of earth's daily passage is linked to a specific raga. It is believed that the melody and modality of each raga is at its most powerful when played during its allotted hour. On 'Slide Guitar Ragas From Dusk Till Dawn' Debashish Bhattacharya guides listeners through his sensitive exploration of raga rotations.
Debashish's apparatus is his self-designed chaturangui guitar. The chaturangui is a Hindustani adaptation of the slide guitar with six primary strings, four supporting strings, two drone strings and twelve sympathetic strings creating tonal similarities with the Indian sitar. Debashish plays his instrument with a three-finger picking style derived from ancient practices of veena playing. The veena is an ancient predecessor to the modern sitar, distinct for its resonating gourd chamber, bridge and long neck. Debashish's instrumental influences include sarangi player (and singer) Ustad Bade Ghulum Ali Khan and sitar maestro Ustad Vilayat Khan. Later he formed a close relationship with Jodhpur-born guitar pioneer Pandit Brij Bhushan Kabra. Debashish now considers Kabra his musical guru. Debashish plays 'Roshni (The Light)' on Kabra's custom-made Gibson S400 guitar, top-layered with lines on his own gandharvi and anandi models.
World | FLAC / APE | Mp3
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