Sherezade Panthaki - J.S. Bach: Cantatas, Vol. 1 (2022)
BAND/ARTIST: Sherezade Panthaki
- Title: J.S. Bach: Cantatas, Vol. 1
- Year Of Release: 2022
- Label: Centaur Records, Inc.
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 67:10 min
- Total Size: 283 MB
- WebSite: Album Preview
Tracklist:
1. I. Ich bin vergnügt mit meinem Glücke
2. II. Gott ist mir ja nichts schuldig
3. III. Ich esse mit Freuden mein weniges Brot
4. IV. Im Schweiße meines Angesichts
5. V. Ich leb indes in dir vergnüget
6. I. Vergnügte Ruh, beliebte Seelenlust
7. II. Die Welt, das Sündenhaus
8. III. Wie jammern mich doch die verkehrten Herzen
9. IV. Wer sollte sich demnach wohl hier zu leben wünschen
10. V. Mir ekelt mehr zu leben
11. I. Mein Herze schwimmt im Blut
12. II. Stumme Seufzer, stille Klagen
13. III. Doch Gott muß mir genädig sein
14. IV. Tief gebückt und voller Reue
15. V. Auf diese Schmerzensreu
16. VI. Ich, dein betrübtes Kind
17. VII. Ich lege mich in diese Wunden
18. VIII. Wie freudig ist mein Herz
19. II. Wir eilen mit schwachen, doch emsigen Schritten
1. I. Ich bin vergnügt mit meinem Glücke
2. II. Gott ist mir ja nichts schuldig
3. III. Ich esse mit Freuden mein weniges Brot
4. IV. Im Schweiße meines Angesichts
5. V. Ich leb indes in dir vergnüget
6. I. Vergnügte Ruh, beliebte Seelenlust
7. II. Die Welt, das Sündenhaus
8. III. Wie jammern mich doch die verkehrten Herzen
9. IV. Wer sollte sich demnach wohl hier zu leben wünschen
10. V. Mir ekelt mehr zu leben
11. I. Mein Herze schwimmt im Blut
12. II. Stumme Seufzer, stille Klagen
13. III. Doch Gott muß mir genädig sein
14. IV. Tief gebückt und voller Reue
15. V. Auf diese Schmerzensreu
16. VI. Ich, dein betrübtes Kind
17. VII. Ich lege mich in diese Wunden
18. VIII. Wie freudig ist mein Herz
19. II. Wir eilen mit schwachen, doch emsigen Schritten
Indian soprano Sherezade Panthaki trained as a pianist before studying for a master’s degree in Voice Performance at the University of Illinois and an Artist Diploma at the Yale School of Music and the Yale Institute of Sacred Music. She is the winner of multiple awards at Yale University where she now teaches on several specialist courses.
An acknowledged star in the early-music field, Ms. Panthaki has developed ongoing collaborations with many of the world’s leading interpreters including Nicholas McGegan, William Christie, Nicholas Kraemer, Simon Carrington, Matthew Halls and Masaaki Suzuki, with whom she made her New York Philharmonic debut in a program of Bach and Mendelssohn.
Ms Panthaki is renowned for her interpretations of the Bach Passions, Christmas Oratorio, Cantatas, Handel Acis and Galatea, L’Allegro, Pensoroso ed Il Moderato, La Resurezzione, Messiah, Saul, Solomon, Purcell Dido and Aeneas and Vivaldi Gloria.
She has appeared with Bach Collegium Japan, Boston Baroque, Tafelmusik Baroque Orchestra, Philharmonia Baroque Orchestra and Music of the Baroque and at the Oregon Bach Festival and Berkeley Early Music Festival. Modern orchestras include the National Symphony Orchestra, Washington DC; Los Angeles Philharmonic, National Arts Centre Orchestra, Ottawa; Orchestra of St. Luke’s , Colorado and St Louis Symphonies. Outside the US she has appeared with the NDR Radiophilharmonie, Nederlands Kammerorkest and at Musikfest Bremen and the Utrecht Early Music, Murten Classics and Bari International Music Festivals.
Beyond the music of the Renaissance and Baroque Ms Panthaki has performed Orff Carmina Burana with the Houston Symphony; Mozart Coronation Mass, Haydn L’isola disabitata, and Beethoven Symphony No. 9 with the American Classical Orchestra; Brahms Requiem and John Tavener The Last Discourse with Orchestra of St. Luke’s; Mozart Requiem with Music of the Baroque and Exsultate Jubilate and Requiem with the Washington Bach Consort; Her repertoire also include Britten War Requiem, Stravinsky Les Noces and Poulenc’s Stabat Mater and Gloria.
Her recordings include Handel Joseph and his Brethren with Philharmonia Baroque / McGegan; Palestrina with Yale Schola Cantorum / David Hill on Hyperion and Matthew Brown Though Love be a Day with the Antioch Chamber Ensemble / Joshua Copeland on Acis.
Ms Panthaki’s 2019/20 season includes appearances with Minnesota Orchestra, Houston Symphony, Philharmonia Baroque and Santa Fe Pro Musica. In recital she will be featured at Caramoor Music Festival in “Love and Revenge: The Baroque Diva” with Helicon Ensemble.
An acknowledged star in the early-music field, Ms. Panthaki has developed ongoing collaborations with many of the world’s leading interpreters including Nicholas McGegan, William Christie, Nicholas Kraemer, Simon Carrington, Matthew Halls and Masaaki Suzuki, with whom she made her New York Philharmonic debut in a program of Bach and Mendelssohn.
Ms Panthaki is renowned for her interpretations of the Bach Passions, Christmas Oratorio, Cantatas, Handel Acis and Galatea, L’Allegro, Pensoroso ed Il Moderato, La Resurezzione, Messiah, Saul, Solomon, Purcell Dido and Aeneas and Vivaldi Gloria.
She has appeared with Bach Collegium Japan, Boston Baroque, Tafelmusik Baroque Orchestra, Philharmonia Baroque Orchestra and Music of the Baroque and at the Oregon Bach Festival and Berkeley Early Music Festival. Modern orchestras include the National Symphony Orchestra, Washington DC; Los Angeles Philharmonic, National Arts Centre Orchestra, Ottawa; Orchestra of St. Luke’s , Colorado and St Louis Symphonies. Outside the US she has appeared with the NDR Radiophilharmonie, Nederlands Kammerorkest and at Musikfest Bremen and the Utrecht Early Music, Murten Classics and Bari International Music Festivals.
Beyond the music of the Renaissance and Baroque Ms Panthaki has performed Orff Carmina Burana with the Houston Symphony; Mozart Coronation Mass, Haydn L’isola disabitata, and Beethoven Symphony No. 9 with the American Classical Orchestra; Brahms Requiem and John Tavener The Last Discourse with Orchestra of St. Luke’s; Mozart Requiem with Music of the Baroque and Exsultate Jubilate and Requiem with the Washington Bach Consort; Her repertoire also include Britten War Requiem, Stravinsky Les Noces and Poulenc’s Stabat Mater and Gloria.
Her recordings include Handel Joseph and his Brethren with Philharmonia Baroque / McGegan; Palestrina with Yale Schola Cantorum / David Hill on Hyperion and Matthew Brown Though Love be a Day with the Antioch Chamber Ensemble / Joshua Copeland on Acis.
Ms Panthaki’s 2019/20 season includes appearances with Minnesota Orchestra, Houston Symphony, Philharmonia Baroque and Santa Fe Pro Musica. In recital she will be featured at Caramoor Music Festival in “Love and Revenge: The Baroque Diva” with Helicon Ensemble.
Year 2022 | Classical | FLAC / APE
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