VA - Dedicated to the XIV International Tchaikovsky Competition (2012) [5CD Box Set]
![VA - Dedicated to the XIV International Tchaikovsky Competition (2012) [5CD Box Set]](https://www.dibpic.com/uploads/posts/2022-02/1644518138_folder.jpg)
BAND/ARTIST: VA
- Title: Dedicated to the XIV International Tchaikovsky Competition
- Year Of Release: 2012
- Label: Melodiya [MEL CD 1001860]
- Genre: Classical
- Quality: FLAC (*image + .cue, log, scans)
- Total Time: 04:37:50
- Total Size: 1,2 GB (+3%rec.)
- WebSite: Album Preview
Melodiya presents an exclusive edition dedicated to the International
Tchaikovsky Competition! A major artistic phenomenon and national
endowment of Russia, the International Tchaikovsky Competition inspired
the Melodiya Record Company to come up with the competition s first-ever
releases featuring the gold winners in each of the four disciplines Van
Cliburn, Valery Klimova, Natalya Shakhovskaya, Jane Marsh, and Vladimir
Atlantov. Music lovers will adore these exquisite performances by genius
musicians, and feel as if they are attending performances at the best concert
halls of the world!
Tracks:
![VA - Dedicated to the XIV International Tchaikovsky Competition (2012) [5CD Box Set]](https://www.dibpic.com/uploads/posts/2022-02/1644518066_box_1.jpg)
CD 1
VAN CLIBURN, piano
L. van Beethoven (1770–1827)
Piano Sonata No. 23 in F minor (“Appassionata”), Op. 57
1 I. Allegro assai . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9.17
2 II. Andante con moto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.41
3 III. Allegro ma non troppo . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.23
F. Liszt (1811–1886)
4 Liebestraum No. 3 . . . . . . . . . . . . . . . . . . . . . . . . 4.05
P. Tchaikovsky (1840–1893)
Piano Concerto No. 1 in B flat minor, Op. 23
5 1. Allegro non troppo e molto maestoso . . . . . . . . . . . . . . . . . . . . 20.56
6 2. Andantino simplice – Prestissimo . . . . . . . . . . . . . . . . . . . 6.57
7 3. Allegro con fuoco . . . . . . . . . . . . . . . . . . 6.37
CD 2
VALERY KLIMOV, violin
F. Mendelsohn (1809–1847)
Violin Concerto in E minor, Op. 64
1 I. Allegro molto appassionato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.55
2 II. Andante . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7.00
3 III. Allegretto non troppo – Allegro molto vivace . . . . . . . . . . . . . . . 6.00
P. Tchaikovsky (1840–1893)
Violin Concerto in D major, Op. 35
4 I. Allegro moderato – Moderato assai . . . . . . . . . . . . . . . . . . . . . 17.42
5 II. Canzonetta. Andante . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.34
6 III. Finale. Allegro vivacissimo . . . . . . . . . . . . . . . . . . . . . . . . . . 9.03
CD 3
NATALIA SHAKHOVSKAYA, cello
J. Brahms (1833–1897)
Cello Sonata No.1 in E minor, Оp. 38
1 I. Allegro non troppo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.21
2 II. Allegretto quasi Menuetto . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.37
3 III. Allegro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.29
J. Haydn (1732–1809)
Cello Concerto in C major
4 I. Moderato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9.48
5 II. Adagio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9.58
6 III. Allegro molto . . . . . . . . . . . . . . . . . . . . . . 6.51
CD 4
JANE MARSH, soprano
G. Verdi (1813–1901)
1 Desdemona's scene, aria and prayer from “Othello” (Act 4) . . . . . . . . . . . . . 18.50
W.A. Mozart (1756–1791)
2 Pamina's aria from “The Magic Flute” (Act 2) . . . . . . . . . . . . . . . . . . . . . . 5.11
G. Puccini (1858–1924)
3 Liù's aria from “Turandot” (Act 3) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.24
P. Tchaikovsky (1840–1893)
4 “To Forget So Soon,” poetry by A. Apukhtin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.34
5 Tatyana's letter scene from “Eugene Onegin” (Act 1, Scene 2) . . . . . . . . . . . . . . . 12.18
G. Verdi (1813–1901)
6 Duet of Othello and Desdemona from “Othello” (Act 1) . . . . . . . . . . . . . . . . . . . 10.44
CD 5
VLADIMIR ATLANTOV, tenor
B. Sheremetiev (1822–1906)
1 “I Loved You,” poetry by A. Pushkin . . . . . . . . . . . . . . . . . . . . . . 3.28
P. Tchaikovsky (1840–1893)
2 “Whether Day Dawns,” poetry by A. Apukhtin . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.06
3 “None but the Lonely Heart,” poetry by L. Mey (from J.W. Goethe) . . . . . . . . . . . . . . . . . . . . . . 2.41
4 Don Juan's Serenade, poetry by A. Tolstoy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.40
5 “The Sun Has Set,” poetry by D. Rathaus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.52
A. Gurilyov (1803–1858)
6 “The Bell,” poetry by I. Makarov . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.00
G. Bizet (1838–1875)
7 Don José's aria from “Carmen” (Act 2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.08
G. Verdi (1813–1901)
8 Radames's aria from “Aida” (Act 1) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.10
R. Leoncavallo (1857–1919)
9 Canio's recitative and arioso from “Pagliacci” (Scene 1) . . . . . . . . . . . . . . . . . . . . . . . . 3.40
G. Puccini (1858–1924)
10 Cavaradossi's aria from “Tosca” (Act 3) . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.14
E. Nápravník (1839–1916)
11 Vladimir's recitative and romance from “Dubrovsky” (Act 1, Scene 2) . . . . . . . . . . . . . . . . . . . . 6.15
A. Borodin (1833–1887)
12 Vladimir Igorevich's recitative and cavatina from “Prince Igor” (Act 2) . . . . . . . . . . . . . . .5.36
P. Tchaikovsky (1840–1893)
13 Herman's recitative and arioso from “The Queen of Spades” (Act 1, Scene 1) . . . . . . . . . . . . . 3.23
14 Herman's aria from “The Queen of Spades” (Act 3, Scene 3) . . . . . . . . . . . . . . . . . . . . . .2.07
15 Herman's arioso from “The Queen of Spades” (Act 1, Scene 2) . . . . . . . . . . . . . . . . . . . . 2.52
Tchaikovsky Competition! A major artistic phenomenon and national
endowment of Russia, the International Tchaikovsky Competition inspired
the Melodiya Record Company to come up with the competition s first-ever
releases featuring the gold winners in each of the four disciplines Van
Cliburn, Valery Klimova, Natalya Shakhovskaya, Jane Marsh, and Vladimir
Atlantov. Music lovers will adore these exquisite performances by genius
musicians, and feel as if they are attending performances at the best concert
halls of the world!
Tracks:
CD 1
VAN CLIBURN, piano
L. van Beethoven (1770–1827)
Piano Sonata No. 23 in F minor (“Appassionata”), Op. 57
1 I. Allegro assai . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9.17
2 II. Andante con moto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.41
3 III. Allegro ma non troppo . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.23
F. Liszt (1811–1886)
4 Liebestraum No. 3 . . . . . . . . . . . . . . . . . . . . . . . . 4.05
P. Tchaikovsky (1840–1893)
Piano Concerto No. 1 in B flat minor, Op. 23
5 1. Allegro non troppo e molto maestoso . . . . . . . . . . . . . . . . . . . . 20.56
6 2. Andantino simplice – Prestissimo . . . . . . . . . . . . . . . . . . . 6.57
7 3. Allegro con fuoco . . . . . . . . . . . . . . . . . . 6.37
CD 2
VALERY KLIMOV, violin
F. Mendelsohn (1809–1847)
Violin Concerto in E minor, Op. 64
1 I. Allegro molto appassionato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.55
2 II. Andante . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7.00
3 III. Allegretto non troppo – Allegro molto vivace . . . . . . . . . . . . . . . 6.00
P. Tchaikovsky (1840–1893)
Violin Concerto in D major, Op. 35
4 I. Allegro moderato – Moderato assai . . . . . . . . . . . . . . . . . . . . . 17.42
5 II. Canzonetta. Andante . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.34
6 III. Finale. Allegro vivacissimo . . . . . . . . . . . . . . . . . . . . . . . . . . 9.03
CD 3
NATALIA SHAKHOVSKAYA, cello
J. Brahms (1833–1897)
Cello Sonata No.1 in E minor, Оp. 38
1 I. Allegro non troppo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.21
2 II. Allegretto quasi Menuetto . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.37
3 III. Allegro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.29
J. Haydn (1732–1809)
Cello Concerto in C major
4 I. Moderato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9.48
5 II. Adagio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9.58
6 III. Allegro molto . . . . . . . . . . . . . . . . . . . . . . 6.51
CD 4
JANE MARSH, soprano
G. Verdi (1813–1901)
1 Desdemona's scene, aria and prayer from “Othello” (Act 4) . . . . . . . . . . . . . 18.50
W.A. Mozart (1756–1791)
2 Pamina's aria from “The Magic Flute” (Act 2) . . . . . . . . . . . . . . . . . . . . . . 5.11
G. Puccini (1858–1924)
3 Liù's aria from “Turandot” (Act 3) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.24
P. Tchaikovsky (1840–1893)
4 “To Forget So Soon,” poetry by A. Apukhtin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.34
5 Tatyana's letter scene from “Eugene Onegin” (Act 1, Scene 2) . . . . . . . . . . . . . . . 12.18
G. Verdi (1813–1901)
6 Duet of Othello and Desdemona from “Othello” (Act 1) . . . . . . . . . . . . . . . . . . . 10.44
CD 5
VLADIMIR ATLANTOV, tenor
B. Sheremetiev (1822–1906)
1 “I Loved You,” poetry by A. Pushkin . . . . . . . . . . . . . . . . . . . . . . 3.28
P. Tchaikovsky (1840–1893)
2 “Whether Day Dawns,” poetry by A. Apukhtin . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.06
3 “None but the Lonely Heart,” poetry by L. Mey (from J.W. Goethe) . . . . . . . . . . . . . . . . . . . . . . 2.41
4 Don Juan's Serenade, poetry by A. Tolstoy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.40
5 “The Sun Has Set,” poetry by D. Rathaus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.52
A. Gurilyov (1803–1858)
6 “The Bell,” poetry by I. Makarov . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.00
G. Bizet (1838–1875)
7 Don José's aria from “Carmen” (Act 2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.08
G. Verdi (1813–1901)
8 Radames's aria from “Aida” (Act 1) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.10
R. Leoncavallo (1857–1919)
9 Canio's recitative and arioso from “Pagliacci” (Scene 1) . . . . . . . . . . . . . . . . . . . . . . . . 3.40
G. Puccini (1858–1924)
10 Cavaradossi's aria from “Tosca” (Act 3) . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.14
E. Nápravník (1839–1916)
11 Vladimir's recitative and romance from “Dubrovsky” (Act 1, Scene 2) . . . . . . . . . . . . . . . . . . . . 6.15
A. Borodin (1833–1887)
12 Vladimir Igorevich's recitative and cavatina from “Prince Igor” (Act 2) . . . . . . . . . . . . . . .5.36
P. Tchaikovsky (1840–1893)
13 Herman's recitative and arioso from “The Queen of Spades” (Act 1, Scene 1) . . . . . . . . . . . . . 3.23
14 Herman's aria from “The Queen of Spades” (Act 3, Scene 3) . . . . . . . . . . . . . . . . . . . . . .2.07
15 Herman's arioso from “The Queen of Spades” (Act 1, Scene 2) . . . . . . . . . . . . . . . . . . . . 2.52
Classical | Discography | FLAC / APE | CD-Rip
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads