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Orphenica Lyra - Chamber Music - Milan, L. / Aranes, J. / Mudarra, A. / Guerrero, F. / Martin Y Coll, A. / Ribera, A. / Ortiz, D. (2005)

Orphenica Lyra - Chamber Music - Milan, L. / Aranes, J. / Mudarra, A. / Guerrero, F. / Martin Y Coll, A. / Ribera, A. / Ortiz, D. (2005)

BAND/ARTIST: Orphenica Lyra

  • Title: Chamber Music - Milan, L. / Aranes, J. / Mudarra, A. / Guerrero, F. / Martin Y Coll, A. / Ribera, A. / Ortiz, D.
  • Year Of Release: 2005
  • Label: Glossa
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 72:29 min
  • Total Size: 301 MB
  • WebSite:
Tracklist:

1. Pavana No. 6 in D major
2. Al alva venid, buen amigo
3. A la vida bona
4. Romance de Durandarte
5. Gallarda
6. Prado verde y florido
7. Que me quereis, caballero
8. Romance de Don Gayferos
9. Canarios
10. Madre, la mi madre
11. Ay luna que reluces
12. No hay que decirle el primor
13. Fantasia 10, sobre la folia
14. Romance de Valdovinos
15. Villanos
16. Que bonito nino chiquito
17. Beatus ille
18. Romance de Cardenio
19. Recercada No. 2
20. De la dulce mi enemiga
21. Romance del Marques de Mantua
22. Flerida, para mi dulce y sabrosa
23. Al villano sa la dan
24. Romance del Conde Claros
25. Recercada No. 8
26. A la vida bona


We stand before Glossa's distinct and definitive contribution to the 4th centennial celebration of the Quixote: this is no "music in the times of...", nor an association of a composer to the myth on the sole basis of their coincidence in time, nor a work inspired by the novel, but precisely that which everybody felt to be missing: a kind of "soundtrack" for the Quixote, in which the musical references which pepper Cervantes great work and some of his Novelas Ejemplares are collected and lovingly performed. Romances and songs alternate with dances such as chaconnes, folías and jácaras, creating a beautiful and accurate musical landscape in which the reader will easily locate our hero's adventures.

This disc also marks the reencounter of José Miguel Moreno with his renewed group, Orphénica Lyra, after some rather quiet years on the discographic front. Nuria Rial, with a voice that soars to sublime heights of beauty, sensitivity, and agility, shares the scene with a surprising Raquel Andueza, and both sopranos are joined by the voice of Spain's probably best countertenor of the day, Jordi Domenech. On the instrumental level, an ensemble that knows how to convey the taste of an era like no other: Eligio Quinteiro, Fernando Paz, Fahmi Alqhai, and Álvaro Garrido, conducted from the vihuela by a Moreno in full command of his powers.


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