Sans Souci Ensemble - Cambini: Chamber Works (2013)
BAND/ARTIST: Sans Souci Ensemble, Ensemble Barocco Sans Souci
- Title: Cambini: Chamber Works
- Year Of Release: 2013
- Label: Tactus
- Genre: Classical
- Quality: FLAC (tracks + booklet)
- Total Time: 1:11:59
- Total Size: 462 MB
- WebSite: Album Preview
Tracklist:
Quartet No. 1 for Oboe, Violin, Cello and Keyboard in C Major
1. I. Andantino (05:49)
2. II. Presto (04:36)
Quartet No. 2 for Oboe, Violin, Cello and Keyboard in C Major
3. I. Allegro (06:41)
4. II. Allegro grazioso con variazioni (05:52)
Quartet No. 3 for Oboe, Violin, Cello and Keyboard in A Major
5. I. Allegro (08:52)
6. II. Tempo di minuetto con variazioni (05:03)
Quartet No. 4 for Oboe, Violin, Cello and Keyboard in G Major
7. I. Andante con moto (06:22)
8. II. Presto (04:04)
Quartet No. 5 for Oboe, Violin, Cello and Keyboard in F Major
9. I. Allegro (07:38)
10. II. Tempo di minuetto con variazioni (03:42)
Trio No. 5 in G Major, Op. 45 (arr. for oboe, violin and cello)
11. I. Allegro con vaghezza (04:58)
12. II. Andantino con moto, grazioso (03:42)
Quartet No. 1 for Oboe, Violin, Cello and Keyboard in C Major
1. I. Andantino (05:49)
2. II. Presto (04:36)
Quartet No. 2 for Oboe, Violin, Cello and Keyboard in C Major
3. I. Allegro (06:41)
4. II. Allegro grazioso con variazioni (05:52)
Quartet No. 3 for Oboe, Violin, Cello and Keyboard in A Major
5. I. Allegro (08:52)
6. II. Tempo di minuetto con variazioni (05:03)
Quartet No. 4 for Oboe, Violin, Cello and Keyboard in G Major
7. I. Andante con moto (06:22)
8. II. Presto (04:04)
Quartet No. 5 for Oboe, Violin, Cello and Keyboard in F Major
9. I. Allegro (07:38)
10. II. Tempo di minuetto con variazioni (03:42)
Trio No. 5 in G Major, Op. 45 (arr. for oboe, violin and cello)
11. I. Allegro con vaghezza (04:58)
12. II. Andantino con moto, grazioso (03:42)
It is quite likely that Giuseppe Cambini influenced the Parisian milieu with his typically Italian originality. He is regarded as a pre-Romantic composer, not only because he anticipated the era of Beethoven, Schubert, Schumann and Chopin, but above all because of his search for expression. This is the “Italian-style Romanticism” that Boccherini had forestalled in his isolation at the Spanish court.
This music belongs to a “graceful, light, rococo style” that is not suitable for expressing the dramatic aspect of emotions, except in a few passages in minor tonality: the harpsichord predominates, the violin and oboe accompany it, with occasional solo parts, and the cello doubles the bass. The handwritten word “quartetti” therefore indicates a style that is different from that of the Baroque sonata a tre, where the harpsichord and the cello were confined to the accompaniment.
The trio – originally for flute, oboe and bassoon – belongs to a collection of six trios, op. 45, that are very well-crafted, brilliant, with occasional hints of sadness.
Rather than pre-Romantic, this music is the climax of the classical chamber-music era.
This music belongs to a “graceful, light, rococo style” that is not suitable for expressing the dramatic aspect of emotions, except in a few passages in minor tonality: the harpsichord predominates, the violin and oboe accompany it, with occasional solo parts, and the cello doubles the bass. The handwritten word “quartetti” therefore indicates a style that is different from that of the Baroque sonata a tre, where the harpsichord and the cello were confined to the accompaniment.
The trio – originally for flute, oboe and bassoon – belongs to a collection of six trios, op. 45, that are very well-crafted, brilliant, with occasional hints of sadness.
Rather than pre-Romantic, this music is the climax of the classical chamber-music era.
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