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Marcelo Bratke - Chopin: Piano Works (2022)

Marcelo Bratke - Chopin: Piano Works (2022)

BAND/ARTIST: Marcelo Bratke

  • Title: Chopin: Piano Works
  • Year Of Release: 2022
  • Label: Quartz Music
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 74:56 min
  • Total Size: 252 MB
  • WebSite:
Tracklist:

1. No. 1 in C Major, B. 124
2. No. 2 in A Major, B. 123
3. No. 3 in G Major, B. 107
4. No. 4 in E Minor, B. 123
5. No. 5 in D Major, B. 107
6. No. 6 in B Minor, B. 107
7. No. 7 in A Major, B. 100
8. No. 8 in F-Sharp Minor, B. 107
9. No. 9 in E Major, B. 107
10. No. 10 in C-Sharp Minor, B. 123
11. No. 11 in B Major, B. 107
12. No. 12i n G-Sharp Minor, B. 107
13. No. 13 in F-Sharp Major, B. 107
14. No. 15 in E-Flat Minor, B. 107
15. No. 15 in D-Flat Major, B. 107
16. No. 16 in B-Flat Minor, B. 107
17. No. 17 in A-Flat Major, B. 100
18. No. 18 in F Minor, B. 107
19. No. 19 in E-Flat Major, B. 107
20. No. 20 in C Minor, B. 107
21. No. 21 in B-Flat Major, B. 123
22. No. 22 in G Minor, B. 107
23. No. 23 in F Major, B. 107
24. No. 24 in D Minor, B. 107
25. Prelude in C-Sharp Minor, Op. 45, B. 141
26. Prelude in A-Flat Major, B. 86
27. No. 1 in B-Flat Major
28. No. 2 in E Minor
29. No. 3 in A-Flat Major
30. No. 4 in A Minor
31. Fantaisie-impromptu in C-Sharp Minor, Op. 66, B. 87
32. Berceuse in D-Flat Major, Op. 57, B. 154


The cycle of his Preludes Op. 28 and the 2 posthumous preludes No. 25 in C Sharp Minor Op. 45 and No. 26 in A Flat Major B. 86 are based on contrasts. Contrasts of expression, dynamics, rhythm and colour, revealing romanticism in its full element of emotional instability, but at the same time the cycle reveals a coherence which comes from the fact that the preludes have been built around the twenty-four keys, twelve major and twelve minor, chasing the ideas of fullness which are present in Bach's Well Tempered Clavier, that inspired Chopin during that winter. The fact that his musical idols were Bach and Mozart perhaps explains his classic quality ever present in his ultra-Romantic music. Chopin's first Prelude in C Major, for example, clearly mirrors the C Major Prelude of Bach's Well Tempered Clavier and on the other hand Chopin’s counterpoint, which is so Bachian, revealing sometimes elements that bring back Mozart and his way of designing the melodic lines of his operas where the sopranos sing melodies as if they were being transported by the wind.


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