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Veit Hertenstein - Viola virtuosa (2022) [Hi-Res]

Veit Hertenstein - Viola virtuosa (2022) [Hi-Res]

BAND/ARTIST: Veit Hertenstein

  • Title: Viola virtuosa
  • Year Of Release: 2022
  • Label: haenssler CLASSIC
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
  • Total Time: 01:19:02
  • Total Size: 368 / 789 mb
  • WebSite:
Tracklist

01. Chromatic Fantasia & Fugue, BWV 903 (Arr. Z. Kodály for Viola)
02. Solo Viola Suite No. 1 in G Minor, Op.131d No. 3: I. Molto sostenuto
03. Solo Viola Suite No. 1 in G Minor, Op.131d No. 3: II. Vivace
04. Solo Viola Suite No. 1 in G Minor, Op.131d No. 3: III. Andante sostenuto
05. Solo Viola Suite No. 1 in G Minor, Op.131d No. 3: IV. Molto vivace
06. Solo Viola Suite No. 2 in D Major, Op. 131d No. 2: I. Con moto
07. Solo Viola Suite No. 2 in D Major, Op. 131d No. 2: II. Andante
08. Solo Viola Suite No. 2 in D Major, Op. 131d No. 2: III. Allegretto
09. Solo Viola Suite No. 2 in D Major, Op. 131d No. 2: IV. Vivace
10. Solo Viola Suite No. 3 in E Minor, Op. 131d No. 3: I. Moderato
11. Solo Viola Suite No. 3 in E Minor, Op. 131d No. 3: II. Vivace
12. Solo Viola Suite No. 3 in E Minor, Op. 131d No. 3: III. Adagio
13. Solo Viola Suite No. 3 in E Minor, Op. 131d No. 3: IV. Allegro vivace
14. Rosenkranz Sonaten: No. 16, Passacaglia, C 105 (Arr. for Viola)
15. Suite (Arr. for Viola): I. Prelude - Fantasia
16. Suite (Arr. for Viola): II. Sardana
17. Suite (Arr. for Viola): III. Intermezzo e danza finale
18. Sonata No. 4 in E Minor, Op. 27 No. 7 (Arr. for Viola): I. Allemanda. Lento maestoso
19. Sonata No. 4 in E Minor, Op. 27 No. 7 (Arr. for Viola): II. Sarabande. Quasi lento
20. Sonata No. 4 in E Minor, Op. 27 No. 7 (Arr. for Viola): III. Finale. Presto ma non troppo

“Viola Virtuosa aims to demonstrate that the viola can, in addition to producing all the deep, sad notes and songful qualities attributed to it, also be an independent solo instrument. The instrument’s position, between the violin and the cello, offers us violists many opportunities to combine elements from both soundscapes and thereby to create something independent and new. This release features a number of transcriptions – not derived from a desire to take something from someone else, but because I am absolutely convinced that good music can be played in a variety of ways as long as we remain true to the spirit in which the work was originally composed.

Works by both Eugène Ysaÿe and Gaspar Cassadó appear on this album, played for the first time on the viola. Ysaÿe has long fascinated me, and after featuring this work in a number of my concerts, it seemed perfectly natural to record his 4th Sonata. It was my former student Martin Moriarty who suggested the possibility of playing Cassadó on the viola, when he turned up for a lesson one day with the score of this cello suite. I was enthusiastic from the word go because the suite sounds so good on the viola and I hope that the enthusiasm we felt during the recording session is palpable” (Veit Hertenstein).


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