Yuko Inoue - The Art of Emotions (2019) [Hi-Res]
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BAND/ARTIST: Yuko Inoue
- Title: The Art of Emotions
- Year Of Release: 2019
- Label: Simax Classics
- Genre: Classical Piano
- Quality: flac 24bits - 96.0kHz +Booklet
- Total Time: 01:17:53
- Total Size: 1.3 gb
- WebSite: Album Preview
Tracklist
01. Musik für Kenner und Liebhaber, Teil V, Wq. 59: Fantasia in C Major
02. Musik für Kenner und Liebhaber, Teil V, Wq. 59: Rondo in C Minor
03. Sonata in G Minor, Wq. 65/17: I. Allegro
04. Sonata in G Minor, Wq. 65/17: II. Adagio
05. Sonata in G Minor, Wq. 65/17: III. Allegro assai
06. Piano Sonata in A-Flat Major, Hob. XVI46: I. Allegro moderato
07. Piano Sonata in A-Flat Major, Hob. XVI46: II. Adagio
08. Piano Sonata in A-Flat Major, Hob. XVI46: III. Presto
09. Fantasie (Prelude) und Fuge C-dur, KV. 383a (394): Fantasie
10. Fantasie (Prelude) und Fuge C-dur, KV. 383a (394): Fuge
11. 15 Variationen mit einer Fuge über ein Thema aus dem Ballett "Die Geschopfe des Prometheus” in E-Flat Major, Op. 35 (Eroica): Introduzione col basso del tema-Tema und 15 variationen
12. 15 Variationen mit einer Fuge über ein Thema aus dem Ballett "Die Geschopfe des Prometheus” in E-Flat Major, Op. 35 (Eroica): Finale. alla fuga (NOFZS1872120)
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The title of Yuko Inoue’s debut album says it all. The sound of the fortepiano draws us 200 years back – to a time when composers developed a new musical language in parallel with the evolution of the instruments. A time where music really becomes the art of emotions. Harpsichordist and forte-pianist Yuko Inoue’s career took an unexpected turn when she met the music of C.P.E. Bach: For the first time in her life she heard music that was extremely close to her own temperament, so close that she has jokingly suggested that she herself must have been C.P.E. Bach in a past life. The composers on this release belong to four different generations in a time when keyboard instruments were evolving rapidly. The fortepiano (1780 original, maker unknown) from Edvind Beunk’s collection that Yuko Inoue has chosen for this recording, is an instrument all of them would have had a passionate relationship with. Based in Cologne, Ms Inoue has established her place in the music life with numerous appearances as harpsichordist and forte-pianist, both in solo and chamber music – in Japan as well as in Europe, i.e., with the Klassische Philharmonie Bonn, Kölner Kammerorchester, Sinfonieorchester Aachen, The Norwegian Baroque Orchestra and at the Utrecht Festival voor Oude Muziek.
01. Musik für Kenner und Liebhaber, Teil V, Wq. 59: Fantasia in C Major
02. Musik für Kenner und Liebhaber, Teil V, Wq. 59: Rondo in C Minor
03. Sonata in G Minor, Wq. 65/17: I. Allegro
04. Sonata in G Minor, Wq. 65/17: II. Adagio
05. Sonata in G Minor, Wq. 65/17: III. Allegro assai
06. Piano Sonata in A-Flat Major, Hob. XVI46: I. Allegro moderato
07. Piano Sonata in A-Flat Major, Hob. XVI46: II. Adagio
08. Piano Sonata in A-Flat Major, Hob. XVI46: III. Presto
09. Fantasie (Prelude) und Fuge C-dur, KV. 383a (394): Fantasie
10. Fantasie (Prelude) und Fuge C-dur, KV. 383a (394): Fuge
11. 15 Variationen mit einer Fuge über ein Thema aus dem Ballett "Die Geschopfe des Prometheus” in E-Flat Major, Op. 35 (Eroica): Introduzione col basso del tema-Tema und 15 variationen
12. 15 Variationen mit einer Fuge über ein Thema aus dem Ballett "Die Geschopfe des Prometheus” in E-Flat Major, Op. 35 (Eroica): Finale. alla fuga (NOFZS1872120)
The title of Yuko Inoue’s debut album says it all. The sound of the fortepiano draws us 200 years back – to a time when composers developed a new musical language in parallel with the evolution of the instruments. A time where music really becomes the art of emotions. Harpsichordist and forte-pianist Yuko Inoue’s career took an unexpected turn when she met the music of C.P.E. Bach: For the first time in her life she heard music that was extremely close to her own temperament, so close that she has jokingly suggested that she herself must have been C.P.E. Bach in a past life. The composers on this release belong to four different generations in a time when keyboard instruments were evolving rapidly. The fortepiano (1780 original, maker unknown) from Edvind Beunk’s collection that Yuko Inoue has chosen for this recording, is an instrument all of them would have had a passionate relationship with. Based in Cologne, Ms Inoue has established her place in the music life with numerous appearances as harpsichordist and forte-pianist, both in solo and chamber music – in Japan as well as in Europe, i.e., with the Klassische Philharmonie Bonn, Kölner Kammerorchester, Sinfonieorchester Aachen, The Norwegian Baroque Orchestra and at the Utrecht Festival voor Oude Muziek.
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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