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Kate Dillingham, Jory Vinikour - J.S. Bach: Sonatas for Viola da gamba & Harpsichord, BWV 1027-1029 (2016) [Hi-Res]

Kate Dillingham, Jory Vinikour - J.S. Bach: Sonatas for Viola da gamba & Harpsichord, BWV 1027-1029 (2016) [Hi-Res]
  • Title: J.S. Bach: Sonatas for Viola da gamba & Harpsichord, BWV 1027-1029
  • Year Of Release: 2016
  • Label: Affetto Recordings
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
  • Total Time: 00:45:16
  • Total Size: 271 / 899 mb
  • WebSite:
Tracklist

01. Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Harpsichord): I. Adagio
02. Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Harpsichord): II. Allegro ma non tanto
03. Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Harpsichord): III. Andante
04. Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Harpsichord): IV. Allegro moderato
05. Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Harpsichord): I. Adagio
06. Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Harpsichord): II. Allegro
07. Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Harpsichord): III. Andante
08. Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Harpsichord): IV. Allegro molto
09. Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Harpsichord): I. Vivace
10. Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Harpsichord): II. Adagio
11. Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Harpsichord): III. Allegro

Kate Dillingham, Jory Vinikour - J.S. Bach: Sonatas for Viola da gamba & Harpsichord, BWV 1027-1029 (2016) [Hi-Res]


The works on this recording, originally composed for viola da gamba and harpsichord, are performed beautifully here on cello and harpsichord. Internationally acclaimed musicians Kate Dillingham and Joy Vinikour bring a brilliant historically informed performance into this album. The inspiration for this album stemmed from Ms. Dillingham’s work with legendary cellist Bernard Greenhouse. Working with the scores belonging to Mr. Greenhouse gave Dillingham a connection to the personal and longstanding tradition of artists interpreting Bach’s music.


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