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Dokken - Japan Live '95 (2003)

Dokken - Japan Live '95 (2003)

BAND/ARTIST: Dokken

  • Title: Japan Live '95
  • Year Of Release: 2003
  • Label: Sanctuary Records
  • Genre: Rock, Hard Rock, Heavy Metal
  • Quality: 320 kbps | FLAC (tracks)
  • Total Time: 01:13:27
  • Total Size: 168 mb | 529 mb
  • WebSite:
Tracklist:

01. Dokken - Tooth and Nail (Live at Kosei Nenkin Hall, Tokyo)
02. Dokken - When Heaven Comes Down (Live at Kosei Nenkin Hall, Tokyo)
03. Dokken - Into the Fire (Live at Kosei Nenkin Hall, Tokyo)
04. Dokken - Kiss of Death (Live at Kosei Nenkin Hall, Tokyo)
05. Dokken - Shadows of Life (Live at Kosei Nenkin Hall, Tokyo)
06. Dokken - The Maze (Live at Kosei Nenkin Hall, Tokyo)
07. Dokken - Long Way Home (Live at Kosei Nenkin Hall, Tokyo)
08. Dokken - Breaking the Chains (Live at Kosei Nenkin Hall, Tokyo)
09. Dokken - Unchain the Night (Live at Kosei Nenkin Hall, Tokyo)
10. Dokken - Nothing Left to Say (Live at Kosei Nenkin Hall, Tokyo)
11. Dokken - I Will Remember (Live at Kosei Nenkin Hall, Tokyo)
12. Dokken - Alone Again (Live at Kosei Nenkin Hall, Tokyo)
13. Dokken - Mr. Scary (Live at Kosei Nenkin Hall, Tokyo)
14. Dokken - It's Not Love (Live at Kosei Nenkin Hall, Tokyo)

You simply have to hand it to Dokken. Through highly documented public spats and various lineup changes, the group has remained as true to itself as a band with such longevity can possibly be. However, this 2003 release of a 1995 concert finds Dokken to be a band void of any sort of creative evolution, which can be good and bad good because it's giving the fans exactly what they paid for in a concert (the hits) and bad because after a while "Mr. Scary" just doesn't do the trick like it used to. While trying to re-create the fire of its glory years, the group runs through some of its most well-known hits (predominantly from the seminal Beast from the East release), and it seems almost effortless how the musicianship comes across first and foremost. However, this could be a sure sign that the band is just on autopilot and waiting for the real party to begin backstage after the concert. The band sounds as fine-tuned as ever, especially the guitar theatrics of George Lynch, but this is definitely a release only for the die-hard fanatic.


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