Coro Polifonico dell'Accademia Nazionale di Santa Cecilia & Roberto Gabbiani - Palestrina: Missarum Liber Primus (2021) [DSD & Hi-Res]
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- Title: Palestrina: Missarum Liber Primus
- Year Of Release: 2003/2021
- Label: Fonè Records
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 88.2kHz / DSD64 +Booklet
- Total Time: 02:41:04
- Total Size: 862 mb / 2.77 / 6.44 gb
- WebSite: Album Preview
Tracklist
CD1
01. Missa 1, Ecce sacerdos magnus: Kyrie
02. Missa 1, Ecce sacerdos magnus: Gloria
03. Missa 1, Ecce sacerdos magnus: Credo
04. Missa 1, Ecce sacerdos magnus: Sanctus
05. Missa 1, Ecce sacerdos magnus: I. Agnus Dei
06. Missa 1, Ecce sacerdos magnus: II. Agnus Dei
07. Missa 1, Ecce sacerdos magnus: III. Agnus Dei
08. Missa 2, O regem coeli: Kyrie
09. Missa 2, O regem coeli: Gloria
10. Missa 2, O regem coeli: Credo
11. Missa 2, O regem coeli: Sanctus
12. Missa 2, O regem coeli: I. Agnus Dei
13. Missa 2, O regem coeli: II. Agnus Dei
CD2
01. Missa 3, Virtute magna: Kyrie
02. Missa 3, Virtute magna: Gloria
03. Missa 3, Virtute magna: Credo
04. Missa 3, Virtute magna: Sanctus
05. Missa 3, Virtute magna: I. Agnus Dei
06. Missa 3, Virtute magna: II. Agnus Dei
07. Missa 4, Gabriel archangelus: Kyrie
08. Missa 4, Gabriel archangelus: Gloria
09. Missa 4, Gabriel archangelus: Credo
10. Missa 4, Gabriel archangelus: Sanctus
11. Missa 4, Gabriel archangelus: I Agnus Dei
12. Missa 4, Gabriel archangelus: II Agnus Dei
CD3
01. Missa 5, Ad coenam agni providi: Kyrie
02. Missa 5, Ad coenam agni providi: Gloria
03. Missa 5, Ad coenam agni providi: Credo
04. Missa 5, Ad coenam agni providi: Sanctus
05. Missa 5, Ad coenam agni providi: I. Agnus Dei
06. Missa 5, Ad coenam agni providi: II. Agnus Dei
One basic feature, which determines the difference between fonè and other record companies, is the recording of performances in their natural spaces, that is in the places where they were originally presented. This leads to a constant search for suitable locations, and the choice of churches, theatres, country mansions, drawing rooms and so on. The recordings are carried out with the utmost simplicity, the only way not to do violence to the music: all the equipment is high fidelity; use is made of valve-type paired microphones manufactured in the years 1947 and 1949 (U47, U48 and M49) with an extremely natural and transparent timbre and a bi-microphonic field effect; these microphones have a very important history: they were used to record the Beatles at the Abbey Road Studio and by the RCA for the "Living Stereo" recordings.
CD1
01. Missa 1, Ecce sacerdos magnus: Kyrie
02. Missa 1, Ecce sacerdos magnus: Gloria
03. Missa 1, Ecce sacerdos magnus: Credo
04. Missa 1, Ecce sacerdos magnus: Sanctus
05. Missa 1, Ecce sacerdos magnus: I. Agnus Dei
06. Missa 1, Ecce sacerdos magnus: II. Agnus Dei
07. Missa 1, Ecce sacerdos magnus: III. Agnus Dei
08. Missa 2, O regem coeli: Kyrie
09. Missa 2, O regem coeli: Gloria
10. Missa 2, O regem coeli: Credo
11. Missa 2, O regem coeli: Sanctus
12. Missa 2, O regem coeli: I. Agnus Dei
13. Missa 2, O regem coeli: II. Agnus Dei
CD2
01. Missa 3, Virtute magna: Kyrie
02. Missa 3, Virtute magna: Gloria
03. Missa 3, Virtute magna: Credo
04. Missa 3, Virtute magna: Sanctus
05. Missa 3, Virtute magna: I. Agnus Dei
06. Missa 3, Virtute magna: II. Agnus Dei
07. Missa 4, Gabriel archangelus: Kyrie
08. Missa 4, Gabriel archangelus: Gloria
09. Missa 4, Gabriel archangelus: Credo
10. Missa 4, Gabriel archangelus: Sanctus
11. Missa 4, Gabriel archangelus: I Agnus Dei
12. Missa 4, Gabriel archangelus: II Agnus Dei
CD3
01. Missa 5, Ad coenam agni providi: Kyrie
02. Missa 5, Ad coenam agni providi: Gloria
03. Missa 5, Ad coenam agni providi: Credo
04. Missa 5, Ad coenam agni providi: Sanctus
05. Missa 5, Ad coenam agni providi: I. Agnus Dei
06. Missa 5, Ad coenam agni providi: II. Agnus Dei
One basic feature, which determines the difference between fonè and other record companies, is the recording of performances in their natural spaces, that is in the places where they were originally presented. This leads to a constant search for suitable locations, and the choice of churches, theatres, country mansions, drawing rooms and so on. The recordings are carried out with the utmost simplicity, the only way not to do violence to the music: all the equipment is high fidelity; use is made of valve-type paired microphones manufactured in the years 1947 and 1949 (U47, U48 and M49) with an extremely natural and transparent timbre and a bi-microphonic field effect; these microphones have a very important history: they were used to record the Beatles at the Abbey Road Studio and by the RCA for the "Living Stereo" recordings.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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