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VA - Fone Classical Sampler - Trip (1999) [DSD64]

VA - Fone Classical Sampler - Trip (1999) [DSD64]

BAND/ARTIST: VA

  • Title: Fone Classical Sampler – Trip
  • Year Of Release: 1999
  • Label: Fone
  • Genre: Classical, Sampler
  • Quality: DSD64 2.0 (*.dsf) (tracks) 2,8 MHz/1 Bit
  • Total Time: 01:03:37
  • Total Size: 2.98 GB
  • WebSite:
Tracklist:

1. L. van Beethoven - Romanza per violino e orchestra N° 2 in fa magg. Op. 50
Salvatore Accardo Violino, Orchestra da Camera Italiana 8’45”
2. F. J. Haydn - Concerto per violoncello e orchestra n° 1 in do magg. (Hob.VIIb:1), Allegro molto
Rocco Filippini Violoncello e Direttore, Orchestra da Camera Roma Classica - 6’42”
3. J. S. Bach - Concerto in sol minore BWV 975 da A. Vivaldi, op. 4 n. 6, Largo
Edoardo Bellotti organo - 4’11”
4. L. Viadana - Laudate pueri
Vox Esperia, Cappella Musicale di San Marco, Romano Vettori Direttore - 7’24”
5. L. Viadana - Frates ego enim
Vox Esperia, Cappella Musicale di San Marco, Romano Vettori Direttore - 3’29”
6. L. Viadana - Tradent enim vos
Vox Esperia, Cappella Musicale di San Marco, Romano Vettori Direttore - 2’43”
7. Anonimo - Ai las e que-m fan mei uelhs Sordel da Primavera d’amore
Gérard Zuchetto, Patrice Brient, Jacques Khoudir - 7’46”
8. W. A. Mozart - Regina Coeli KV 108, Adagio un poco Andantino
Mariella Devia soprano, Daniele Callegari direttore, Orchestra Filarmonica Marchigiana - 5’36”
9. F. Schubert - Quartettsatz C-moll D 703, Allegro assai
Quartetto Accardo - 9’27”
10. N. Paganini - Concerto in Re min. N° 4 per violino e orchestra, Rondò (Andantino)
Uto Ughi violino e direttore, I Filarmonici di Roma - 7’55”
11. N. Rimsky-Korsakoff - The Bumble-Bee
Salvatore Accardo violino, Laura Manzini piano - 1’19”
12. A. Copland - The Cat and the Mouse, Scherzo Humoristique
Giacomo Franci piano - 5’06”
13. N. Rimsky-Korsakoff - Hymne an die Sonne, from “Le coq d’or”
Salvatore Accardo violino, Laura Manzini piano - 5’08”

The aim of my work, exhausting and passionate, has always been that of bringing to the final support the maximum possible quality, all the times closer to the original master, in order to recreate with the different listening systems, the emotion that we feel when the “REAL” music is in front of us. After 25 years from the birth of the CD, I do believe that much more can be done to achieve this objective. The Signoricci cd is my contribution and is part of my evolution relatively to the digital domain, with the use of the DSD technology. I have developed this system to realize the PC Mlayer from DSD, the Signoricci cd has a quality enhancement of 20% with respect to the conventional CD, this is a strong incitement to continue on this path. The same technology is also used for the CD layer of the SACD. In synthesis, the Signoricci cd contains more details, more information; you can appreciate a more realistic sound environment, more correct tone colors, amore detailed reconstruction of the sound scene.





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  • topc
  •  wrote in 01:51
    • Like
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Many Thanks.