CordArte Ensemble - Rapsodia Italiana (2022)
BAND/ARTIST: CordArte Ensemble
- Title: Rapsodia Italiana
- Year Of Release: 2022
- Label: Pan Classics
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:15:01
- Total Size: 423 mb
- WebSite: Album Preview
Tracklist
01. Sonate, correnti et arie, Op. 4: Sonata No. 2, La Luciminia contenta
02. Toccata per spinettina è violino
03. Ricercate, passaggi et cadentie: Ricercare No. 1 for Violin Solo
04. 18 Sonatas: No. 5 in C Major
05. Alcune opere di diversi auttori a diversi voci: No. 8, Diminuition on "La bella netta ignuda e bianca mano" (After C. de Rore)
06. Canzon quinta detta "La Tromboncina", F 8.06a
07. Canzon a due alla Bastarda, per il Deo Gratias "La Guaralda"
08. Cento partite sopra passacagli, F 2.29
09. Trio Sonata in D Minor
10. 6 Violin Sonatas, Op. 3 (Excerpts): No. 1 in A Minor "La stella"
11. Diminuition on "Anchor che col partire" (After C. de Rore) [Version for Viola da gamba & Continuo]
12. Sonate concertate in stil moderno, Book 1: Sonata No. 6
13. Sonate concertate in stil moderno, Book 2: Sonata No. 2
14. Sinfonie ad uno, e doi violini, a doi, e trombone: No. 4, Geloso
15. 6 Violin Sonatas, Op. 3 (Excerpts): No. 4 in D Major "La castella"
16. 18 Sonatas, Op. 2: No. 8, La Foscari
17. Reicercari a quattro voci, Book 1: No. 14, Toccata seconda del nono tuono naturale
18. Sonata ex a
In 1650, the scholar Athanasius Kircher wrote for the first time about a phenomenon that had been familiar to the music world for some time: rhapsodically free instrumental music-making, in which virtuosity is expressively in the foreground and compositional inspirations sometimes disregard the rules of harmony. Kircher called this “stylus phantasticus“. With the development of the monody in Italy around 1600, vocalists initially moved the hearts of the audience, but soon the best instrumentalists emulated them in their own way. The melody instruments swung into their own solo and duo songs, which even today impress in rhetoric and emotionality without words. The listeners at that time were almost in ecstasy, as contemporary reports say. CordArte presents outstanding examples of this new art under the motto "Rapsodia italiana". Here, the violin in particular can make its mark as a new virtuoso instrument. But the viola da gamba also comes into its own, both alone and in dialogue. Last but not least, the harpsichord and organ demonstrate their qualities both as harmonic accompanists and as soloists.
01. Sonate, correnti et arie, Op. 4: Sonata No. 2, La Luciminia contenta
02. Toccata per spinettina è violino
03. Ricercate, passaggi et cadentie: Ricercare No. 1 for Violin Solo
04. 18 Sonatas: No. 5 in C Major
05. Alcune opere di diversi auttori a diversi voci: No. 8, Diminuition on "La bella netta ignuda e bianca mano" (After C. de Rore)
06. Canzon quinta detta "La Tromboncina", F 8.06a
07. Canzon a due alla Bastarda, per il Deo Gratias "La Guaralda"
08. Cento partite sopra passacagli, F 2.29
09. Trio Sonata in D Minor
10. 6 Violin Sonatas, Op. 3 (Excerpts): No. 1 in A Minor "La stella"
11. Diminuition on "Anchor che col partire" (After C. de Rore) [Version for Viola da gamba & Continuo]
12. Sonate concertate in stil moderno, Book 1: Sonata No. 6
13. Sonate concertate in stil moderno, Book 2: Sonata No. 2
14. Sinfonie ad uno, e doi violini, a doi, e trombone: No. 4, Geloso
15. 6 Violin Sonatas, Op. 3 (Excerpts): No. 4 in D Major "La castella"
16. 18 Sonatas, Op. 2: No. 8, La Foscari
17. Reicercari a quattro voci, Book 1: No. 14, Toccata seconda del nono tuono naturale
18. Sonata ex a
In 1650, the scholar Athanasius Kircher wrote for the first time about a phenomenon that had been familiar to the music world for some time: rhapsodically free instrumental music-making, in which virtuosity is expressively in the foreground and compositional inspirations sometimes disregard the rules of harmony. Kircher called this “stylus phantasticus“. With the development of the monody in Italy around 1600, vocalists initially moved the hearts of the audience, but soon the best instrumentalists emulated them in their own way. The melody instruments swung into their own solo and duo songs, which even today impress in rhetoric and emotionality without words. The listeners at that time were almost in ecstasy, as contemporary reports say. CordArte presents outstanding examples of this new art under the motto "Rapsodia italiana". Here, the violin in particular can make its mark as a new virtuoso instrument. But the viola da gamba also comes into its own, both alone and in dialogue. Last but not least, the harpsichord and organ demonstrate their qualities both as harmonic accompanists and as soloists.
Year 2022 | Classical | FLAC / APE
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads