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Algebra Suicide - Feminine Squared (2013)

Algebra Suicide - Feminine Squared (2013)

BAND/ARTIST: Algebra Suicide

  • Title: Feminine Squared
  • Year Of Release: 2013
  • Label: Dark Entries
  • Genre: Post-Punk, Minimal, New Wave
  • Quality: Mp3 320 / Flac (tracks)
  • Total Time: 44:03
  • Total Size: 109/294 Mb
  • WebSite:
Tracklist:

01. True Romance at the World's Fair
02. Recalling the Last Encounter
03. Praxis
04. In Bed with Boys
05. An Explanation for That Flock of Crows
06. Somewhat Bleecker Street
07. Tonight
08. Agitation
09. Father's by the Door
10. Walking Through Sleep
11. Little Dead Bodies
12. Sub Rosa
13. Please Respect Our Decadence
14. (A Proverbial Explanation For) Why No Action Is Taken
15. Tuesday Tastes Good
16. Let's Transact
17. Lethargy
18. Waiting for Delmore

Algebra Suicide was the married couple Lydia Tomkiw (lyrics/vocals) and Don Hedeker (guitars/keyboards). They formed in Chicago in 1982, and their first four song EP, "True Romance At The World's Fair", was self-released that year. It featured a 60's Vox Guitar Organ, a precursor to the synthesizer guitar, and a Multivox Rhythm Ace drum machine. In 1984 they released a second 4 song EP, "An Explanation For That Flock Of Crows", ditching the guitar organ but adding the Casiotone MT-40. The "Big Skin" cassette was released in 1986 and featured 13 new compositions with more complex arrangements. A compilation album, "The Secret Like Crazy", was released in 1988. It collected 20 tracks picked from the first two EPs and the Big Skin cassette, plus unreleased songs.

"Feminine Squared" is an 18 track compilation that collects all 8 songs from the first two EPs, 4 songs from the "Big Skin" cassette, 4 songs from "The Secret Like Crazy", a song from the "Pas De Deux" compilation, and a previously unreleased song. Lydia and Don call their approach "Avant Garage" citing inspiration from Patti Smith, Frank O'Hara, Leonard Cohen and Lou Reed. Don plays guitar in a hauntingly stark style like Glenn Branca, Tom Verlaine, or Vini Reilly. He then adds Casio keyboards and minimal electronic percussion, creating a moody, atmospheric backdrop for Lydia's poems. Lydia's words span a broad range of twisted real-life observations, and are delivered in a deadpan fashion with her distinct Midwestern accent. Though Lydia passed away in 2007, her genius lives on in these recordings. Please respect her decadence.


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