Christine Rice, Stuart Skelton, The BBC Symphony Orchestra, Edward Gardner - Verklärte Nacht (2021) [Hi-Res]
BAND/ARTIST: Christine Rice, Stuart Skelton, The BBC Symphony Orchestra, Edward Gardner
- Title: Verklärte Nacht
- Year Of Release: 2021
- Label: Chandos
- Genre: Classical
- Quality: flac lossless (image +.cue, log, artwork) / / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:03:35
- Total Size: 275 mb / 1.05 gb
- WebSite: Album Preview
Tracklist
01. Aus Eiserner Zeit: No. 5, Fieber (Version for Voice & Orchestra)
02. Verklärte Nacht, Op. 9
03. Verklärte Nacht, Op. 4 (Version for String Orchestra): Grave - Poco più mosso
04. Verklärte Nacht, Op. 4 (Version for String Orchestra): Moderato - Calando
05. Verklärte Nacht, Op. 4 (Version for String Orchestra): A tempo - Poco più mosso
06. Verklärte Nacht, Op. 4 (Version for String Orchestra): Poco allegro - Pesante - Grave
07. Verklärte Nacht, Op. 4 (Version for String Orchestra): Pesante - Grave
08. Verklärte Nacht, Op. 4 (Version for String Orchestra): Adagio - Meno mosso - Più mosso moderato
09. Verklärte Nacht, Op. 4 (Version for String Orchestra): Poco adagio - Calando
10. Verklärte Nacht, Op. 4 (Version for String Orchestra): Adagio molto tranquillo - Largo - Calando
11. Abschiedslieder, Op. 14 (Version for Voice & Orchestra): No. 1, Sterbelied
12. Abschiedslieder, Op. 14 (Version for Voice & Orchestra): No. 2, Dies eine kann mein Sehnen nimmer fassen
13. Abschiedslieder, Op. 14 (Version for Voice & Orchestra): No. 3, Mond, so gehst du wieder auf
14. Abschiedslieder, Op. 14 (Version for Voice & Orchestra): No. 4, Gefaßter Abschied
Hot on the heels of their acclaimed recording of Britten’s Peter Grimes, Stuart Skelton and Edward Gardner join forces with Christine Rice and the BBC Symphony Orchestra for this fascinating programme of early twentieth-century works. Schoenberg’s Verklärte Nacht needs no introduction, but far rarer is Oscar Fried’s contemporaneous setting of the same poem. Composed in 1901 for soloists and orchestra, Fried’s version is a true setting of (as opposed to Schoenberg’s reflection on) the text by Richard Dehmel. Lehár wrote Fieber in 1915 as the closing part of his song cycle Aus eiserner Zeit – he then made the orchestral setting a year later. Korngold’s Lieder des Abschieds (Songs of Farewell) date from the early 1920s, whilst he was still in Vienna, and shortly after he had completed the opera Die tote Stadt. Setting poetry by Christina Rossetti, Edith Ronsperger, and Ernst Lothar, the cycle is a poignant reflection on the Great War.
01. Aus Eiserner Zeit: No. 5, Fieber (Version for Voice & Orchestra)
02. Verklärte Nacht, Op. 9
03. Verklärte Nacht, Op. 4 (Version for String Orchestra): Grave - Poco più mosso
04. Verklärte Nacht, Op. 4 (Version for String Orchestra): Moderato - Calando
05. Verklärte Nacht, Op. 4 (Version for String Orchestra): A tempo - Poco più mosso
06. Verklärte Nacht, Op. 4 (Version for String Orchestra): Poco allegro - Pesante - Grave
07. Verklärte Nacht, Op. 4 (Version for String Orchestra): Pesante - Grave
08. Verklärte Nacht, Op. 4 (Version for String Orchestra): Adagio - Meno mosso - Più mosso moderato
09. Verklärte Nacht, Op. 4 (Version for String Orchestra): Poco adagio - Calando
10. Verklärte Nacht, Op. 4 (Version for String Orchestra): Adagio molto tranquillo - Largo - Calando
11. Abschiedslieder, Op. 14 (Version for Voice & Orchestra): No. 1, Sterbelied
12. Abschiedslieder, Op. 14 (Version for Voice & Orchestra): No. 2, Dies eine kann mein Sehnen nimmer fassen
13. Abschiedslieder, Op. 14 (Version for Voice & Orchestra): No. 3, Mond, so gehst du wieder auf
14. Abschiedslieder, Op. 14 (Version for Voice & Orchestra): No. 4, Gefaßter Abschied
Hot on the heels of their acclaimed recording of Britten’s Peter Grimes, Stuart Skelton and Edward Gardner join forces with Christine Rice and the BBC Symphony Orchestra for this fascinating programme of early twentieth-century works. Schoenberg’s Verklärte Nacht needs no introduction, but far rarer is Oscar Fried’s contemporaneous setting of the same poem. Composed in 1901 for soloists and orchestra, Fried’s version is a true setting of (as opposed to Schoenberg’s reflection on) the text by Richard Dehmel. Lehár wrote Fieber in 1915 as the closing part of his song cycle Aus eiserner Zeit – he then made the orchestral setting a year later. Korngold’s Lieder des Abschieds (Songs of Farewell) date from the early 1920s, whilst he was still in Vienna, and shortly after he had completed the opera Die tote Stadt. Setting poetry by Christina Rossetti, Edith Ronsperger, and Ernst Lothar, the cycle is a poignant reflection on the Great War.
Year 2021 | Classical | FLAC / APE | CD-Rip | HD & Vinyl
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