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Madness - Mad Not Mad (Deluxe Edition / Remastered) (1985)

Madness - Mad Not Mad (Deluxe Edition / Remastered) (1985)

BAND/ARTIST: Madness

  • Title: Mad Not Mad (Deluxe Edition / Remastered)
  • Year Of Release: 1985
  • Label: UMC (Universal Music Catalogue)
  • Genre: Pop Rock, Ska
  • Quality: 320 kbps | FLAC (tracks)
  • Total Time: 01:46:45
  • Total Size: 246 mb | 719 mb
  • WebSite:
Tracklist:

CD1

01. Madness - I'll Compete (Remastered 1999)
02. Madness - Yesterday's Men (Remastered 1999)
03. Madness - Uncle Sam (Remastered 1999)
04. Madness - White Heat (Remastered 1999)
05. Madness - Mad Not Mad (Remastered 1999)
06. Madness - Sweetest Girl (Remastered 1999)
07. Madness - Burning The Boats (Remastered 1999)
08. Madness - Tears You Can't Hide (Remastered 1999)
09. Madness - Time (Remastered 1999)
10. Madness - Coldest Day (Remastered 1999)

CD2

01. Madness - Yesterday's Men (Extended Version / Remastered 2010)
02. Madness - Uncle Sam (Ray Gun Mix / Remastered 2010)
03. Madness - Sweetest Girl (Extended Version / Remastered 2010)
04. Madness - (Waiting For The) Ghost Train (Remastered 2010)
05. Madness - Yesterday's Men (Demo Version / Remastered 2010)
06. Madness - All I Knew (Remastered 2010)
07. Madness - Yesterday's Men (Harmonica Mix / Remastered 2010)
08. Madness - Uncle Sam (Demo Version / Remastered 2010)
09. Madness - Please Don't Go (Remastered 2010)
10. Madness - Inanity Over Christmas (Remastered 2010)
11. Madness - Sweetest Girl (Dub Mix / Remastered 2010)
12. Madness - Jennie (A Portrait Of) (Remastered 2010)
13. Madness - Call Me (Remastered 2010)
14. Madness - Maybe In Another Life (Remastered 2010)

This ironically peppy set of '80s pop would prove to be Madness' final studio album, and the band was clearly not in the best of moods while they recorded it. Their previous album had suffered the weakest chart showing of the band's career, and they had recently lost their founding father figure (keyboardist Mike Barson). They had left their record company, setting up their own "Zarjazz" label. Like the Beatles' Let It Be, this record has "One Last Stab" written all over it. The album opens with a bitingly overt declaration of the band's determination to hang on in the cynically mercurial music business ("I'll Compete") and concludes with one of many images of an inevitably approaching ending ("shivering to a halt...no one wants to speak too soon, although we all knew"). Several songs dwell on themes of transience and aging ("Time," "Yesterday's Men, "), and the title track openly broods over the sting of Barson's departure. The album almost seems to fortell its own lack of success. Its ultimate failure to reignite the group's popularity might be blamed on the slickly synthetic over-production. Clive Langer and Alan Wistanley occasionally strike an inspired balance between soulful pop and subtle reggae rythyms, but more often they replace the warmth of Barson's pianos with a cold emphasis on drum machines and synthesizers. Some of the songwriting, however, is on par with the band's most mature work, and the lively melodies lend a perfect irony to the band's wry social commentary and personal brooding.


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  • mufty77
  •  wrote in 00:02
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Many thanks for lossless.