Danilo Squitieri, Enzo Oliva - Fonèma (2022) [Hi-Res]
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BAND/ARTIST: Danilo Squitieri, Enzo Oliva
- Title: Fonèma
- Year Of Release: 2022
- Label: Stradivarius
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:18:10
- Total Size: 362 mb / 1.36 gb
- WebSite: Album Preview
Tracklist
01. Cello Sonata in D Minor, Op. 7: I. Allegro molto moderato
02. Cello Sonata in D Minor, Op. 7: II. Andante
03. Cello Sonata in D Minor, Op. 7: III. Allegretto con variazioni
04. Cello Sonata in D Minor, Op. 7: IV. Allegro appassionato
05. Cello Sonata in D Major, Op. 38: I. Allegro moderato
06. Cello Sonata in D Major, Op. 38: II. Alla romanza. Largo doloroso
07. Cello Sonata in D Major, Op. 38: III. Allegro animato
08. Cello Sonata in F-Sharp Minor, Op. 52: I. Allegro giusto
09. Cello Sonata in F-Sharp Minor, Op. 52: II. Scherzo. Allegro molto
10. Cello Sonata in F-Sharp Minor, Op. 52: III. Intermezzo. Andantino flebile
11. Cello Sonata in F-Sharp Minor, Op. 52: IV. Finale. Allegro
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The phoneme is the smallest unit of sound able to form the words of a language. The term ‘phonemes’ therefore refers to the sounds an idiom uses to compose meanings, the smallest parts into which it can be broken up. There has always been a very close link between language and music. Heidegger defines language as “the house of being” and the mother tongue as the source of our preunderstanding of the world. Language therefore influences thought itself and, as a consequence, also the act of composing music, which is one of its expressions. In Martucci the structure and the harmony, in Cilea the rich melodic vein and operatic lyricism, in Fano the evolution of harmonic language and of musical declamation, are built on the common ground of the Italian language. Their works, despite the differences, cast their glance towards the same horizon. That of the Country that gave birth to the melodrama, historically known for its predilection for vocal music and for poetry in music. The integration of vocality and song in the Italian instrumental music of the late 19th century becomes, on this album, the object of interpretative research. The three sonatas are recorded on the prestigious Italian Fazioli F308 piano of the Accademia Nazionale di Santa Cecilia and with the F. Guadagnini 1919 cello, courtesy of Ilie Ionescu.
01. Cello Sonata in D Minor, Op. 7: I. Allegro molto moderato
02. Cello Sonata in D Minor, Op. 7: II. Andante
03. Cello Sonata in D Minor, Op. 7: III. Allegretto con variazioni
04. Cello Sonata in D Minor, Op. 7: IV. Allegro appassionato
05. Cello Sonata in D Major, Op. 38: I. Allegro moderato
06. Cello Sonata in D Major, Op. 38: II. Alla romanza. Largo doloroso
07. Cello Sonata in D Major, Op. 38: III. Allegro animato
08. Cello Sonata in F-Sharp Minor, Op. 52: I. Allegro giusto
09. Cello Sonata in F-Sharp Minor, Op. 52: II. Scherzo. Allegro molto
10. Cello Sonata in F-Sharp Minor, Op. 52: III. Intermezzo. Andantino flebile
11. Cello Sonata in F-Sharp Minor, Op. 52: IV. Finale. Allegro
The phoneme is the smallest unit of sound able to form the words of a language. The term ‘phonemes’ therefore refers to the sounds an idiom uses to compose meanings, the smallest parts into which it can be broken up. There has always been a very close link between language and music. Heidegger defines language as “the house of being” and the mother tongue as the source of our preunderstanding of the world. Language therefore influences thought itself and, as a consequence, also the act of composing music, which is one of its expressions. In Martucci the structure and the harmony, in Cilea the rich melodic vein and operatic lyricism, in Fano the evolution of harmonic language and of musical declamation, are built on the common ground of the Italian language. Their works, despite the differences, cast their glance towards the same horizon. That of the Country that gave birth to the melodrama, historically known for its predilection for vocal music and for poetry in music. The integration of vocality and song in the Italian instrumental music of the late 19th century becomes, on this album, the object of interpretative research. The three sonatas are recorded on the prestigious Italian Fazioli F308 piano of the Accademia Nazionale di Santa Cecilia and with the F. Guadagnini 1919 cello, courtesy of Ilie Ionescu.
Year 2022 | Classical | FLAC / APE | HD & Vinyl
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