Valery Gergiev, London Symphony Orchestra - Brahms: Symphonies Nos. 3 & 4 (2014) Hi-Res
BAND/ARTIST: Valery Gergiev, London Symphony Orchestra
- Title: Brahms: Symphonies Nos. 3 & 4
- Year Of Release: 2014
- Label: LSO Live
- Genre: Classical
- Quality: FLAC 24bit-96kHz / FLAC (tracks)
- Total Time: 01:17:09
- Total Size: 1.5 Gb / 331 Mb
- WebSite: Album Preview
Tracklist:
Symphony No. 3 in F major, Op. 90 (Johannes Brahms)
1. I. Allegro con brio 13:47
2. II. Andante 09:06
3. III. Poco allegretto 05:59
4. IV. Allegro 09:10
Symphony No. 4 in E minor, Op. 98 (Johannes Brahms)
5. I. Allegro non troppo 12:28
6. II. Andante moderato 11:08
7. III. Allegro giocoso 06:00
8. IV. Allegro energico e passionato 09:31
Performers:
London Symphony Orchestra
Valery Gergiev
Symphony No. 3 in F major, Op. 90 (Johannes Brahms)
1. I. Allegro con brio 13:47
2. II. Andante 09:06
3. III. Poco allegretto 05:59
4. IV. Allegro 09:10
Symphony No. 4 in E minor, Op. 98 (Johannes Brahms)
5. I. Allegro non troppo 12:28
6. II. Andante moderato 11:08
7. III. Allegro giocoso 06:00
8. IV. Allegro energico e passionato 09:31
Performers:
London Symphony Orchestra
Valery Gergiev
Valery Gergiev and the London Symphony Orchestra bring to a close their celebrated Brahms’ cycle with the release of Brahms third and fourth Symphonies.
Brahms is often associated with the idea of abstract music, free of literary models or autobiography, but with the third the composer wrote in many ways his most personal symphony.
Composed at a mountain retreat in 1884, about a year after completing the third, Brahms’ architectural musical skill is nowhere more evident than in his fourth and final symphony, employing Baroque contrapuntal techniques and chromatic labyrinths and described by Hans von Bülow as having the feeling of ‘being given a beating by two incredibly intelligent people.’
Brahms is often associated with the idea of abstract music, free of literary models or autobiography, but with the third the composer wrote in many ways his most personal symphony.
Composed at a mountain retreat in 1884, about a year after completing the third, Brahms’ architectural musical skill is nowhere more evident than in his fourth and final symphony, employing Baroque contrapuntal techniques and chromatic labyrinths and described by Hans von Bülow as having the feeling of ‘being given a beating by two incredibly intelligent people.’
Classical | FLAC / APE | HD & Vinyl
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