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Valery Gergiev, London Symphony Orchestra - Berlioz: Harold en Italie, La mort de Cléopâtre (2014) Hi-Res

Valery Gergiev, London Symphony Orchestra - Berlioz: Harold en Italie, La mort de Cléopâtre (2014) Hi-Res
  • Title: Berlioz: Harold en Italie, La mort de Cléopâtre
  • Year Of Release: 2014
  • Label: LSO Live
  • Genre: Classical
  • Quality: FLAC 24bit-196kHz / FLAC (tracks)
  • Total Time: 01:03:09
  • Total Size: 1.6 Gb / 302 Mb
  • WebSite:
Tracklist:

Hector Berlioz - Harold en Italie, Op.16
with Antoine Tamestit (viola)
01. I. Harold aux Montagnes - Scènes de mélancolie, de bonheur de joie - Adagio - Allegro (15:07)
02. II. Marche de pèlerins chantant le prière du soir - Allegretto (7:59)
03. III. Sérénade d'un montagnard des abruzzes á sa maîtresse - Allegro assai - Allegretto (6:26)
04. IV. Orgie de Brigands. Souvenirs des scènes précédentes - Allegro frenectico - Adagio - Allegro (12:56)
La mort de Cléopâtre
with Karen Cargill (mezzo-soprano)
05. I. Scène Lyrique - Allegro vivace con impeto - Lento cantible (9:36)
06. II. Méditation - Largo misterioso - Allegro assai agitato (11:05)
07. Benvenuto Cellini, Op. 23: Overture (Bonus Track) 10:24

Performers:
London Symphony Orchestra
Valery Gergiev

Any Berlioz recording by Valery Gergiev promises to be an exciting tour de force, but considering that this disc is also an audiophile recording of the London Symphony Orchestra in concert, it promises even more. There are few composers more dynamic and startling in originality than Berlioz, and his Harold en Italie is one of the most innovative works in the Romantic repertoire: part symphonic poem avant la lettre, based on Lord Byron's poem, Childe Harold's Pilgrimage; part autobiographical symphony, in the manner of its immediate predecessor, the Symphonie fantastique; and part concerto, for the viola soloist. Gergiev maintains a strong tension from the outset, and paces Harold en Italie with an urgency and emotional fire that are rare, and violist Antoine Tamestit brings a dramatic flair to his part, in contrast with more purely lyrical interpretations that tend toward the introspective. In the cantata, La mort de Cléopâtre, mezzo-soprano Karen Cargill projects a similar kind of intensity and presence, and the lyricism and passion of the music is heightened in her collaboration with Gergiev and the LSO. The sound of this hybrid SACD is vivid and close-up, so every detail of the performances can be heard, as well as some incidental noises in the live setting.




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  • User offline
  • olga1001
  •  wrote in 14:09
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    • 0
Noise :(((
Track 01 from 1'52"

24-96

You have many errors in these days.
Please check your ripping setting !
Thanks
  • User offline
  • opus1
  •  wrote in 22:35
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Noise also in the (normal) FLAC version, unfortunately :(