Wolfgang Brunner, Leonore von Stauss - Pleyel: Piano Compositions for 2 and 4 Hands (2018)
BAND/ARTIST: Wolfgang Brunner, Leonore von Stauss
- Title: Pleyel: Piano Compositions for 2 and 4 Hands
- Year Of Release: 2018
- Label: Profil
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:04:34
- Total Size: 265 mb
- WebSite: Album Preview
Tracklist
01. Rondo in E-Flat Major, Ben. 613
02. Piece in B-Flat Major, Ben. 617
03. Sonata for Piano 4 Hands in B Major, Ben. 5203: I. Allegro
04. Sonata for Piano 4 Hands in B Major, Ben. 5203: II. Rondo. Allegro
05. Concerto for 2 Pianos in D Major, Ben. 103a: I. Allegro spiritoso
06. Concerto for 2 Pianos in D Major, Ben. 103a: II. Adagio
07. Concerto for 2 Pianos in D Major, Ben. 103a: III. Rondo. Allegro
08. Sonata for Piano 4 Hands in G Minor, Ben. 5203: I. Allegro
09. Sonata for Piano 4 Hands in G Minor, Ben. 5203: II. Largo espressivo
10. Sonata for Piano 4 Hands in G Minor, Ben. 5203: III. Menuetto. Allegretto
11. Sonata for Piano 4 Hands in F Major, Ben. 5119 (Arr. of Violin Duet in F Major, Ben. 516): I. Allegro molto
12. Sonata for Piano 4 Hands in F Major, Ben. 5119 (Arr. of Violin Duet in F Major, Ben. 516): II. Rondo. Allegretto
13. Ecossaises, Ben. 629-660 (Arr. W. Brunner)
A typical child of his time, in all he did Pleyel recognized and took advantage of the changes brought about in musical culture by music printing and increasing industrialization around 1800. Capable of composing in a sophisticated manner (even Wolfgang Amadeus Mozart praised his string quintets), he was also well aware of the tastes of the general public. Pleyel was able to write very effectively and agreeably without sacrificing quality. Using altogether conventional harmonies, he cleverly employed changes of register (which were incomparably more effective on historical pianos than on modern ones). His piano writing suits the hands extremely well, remains clear in form and loses itself in all too frequent repetitions of pleasing motifs and phrases. Pleyel wrote catchy, colorful music and knew when to end a piece.
01. Rondo in E-Flat Major, Ben. 613
02. Piece in B-Flat Major, Ben. 617
03. Sonata for Piano 4 Hands in B Major, Ben. 5203: I. Allegro
04. Sonata for Piano 4 Hands in B Major, Ben. 5203: II. Rondo. Allegro
05. Concerto for 2 Pianos in D Major, Ben. 103a: I. Allegro spiritoso
06. Concerto for 2 Pianos in D Major, Ben. 103a: II. Adagio
07. Concerto for 2 Pianos in D Major, Ben. 103a: III. Rondo. Allegro
08. Sonata for Piano 4 Hands in G Minor, Ben. 5203: I. Allegro
09. Sonata for Piano 4 Hands in G Minor, Ben. 5203: II. Largo espressivo
10. Sonata for Piano 4 Hands in G Minor, Ben. 5203: III. Menuetto. Allegretto
11. Sonata for Piano 4 Hands in F Major, Ben. 5119 (Arr. of Violin Duet in F Major, Ben. 516): I. Allegro molto
12. Sonata for Piano 4 Hands in F Major, Ben. 5119 (Arr. of Violin Duet in F Major, Ben. 516): II. Rondo. Allegretto
13. Ecossaises, Ben. 629-660 (Arr. W. Brunner)
A typical child of his time, in all he did Pleyel recognized and took advantage of the changes brought about in musical culture by music printing and increasing industrialization around 1800. Capable of composing in a sophisticated manner (even Wolfgang Amadeus Mozart praised his string quintets), he was also well aware of the tastes of the general public. Pleyel was able to write very effectively and agreeably without sacrificing quality. Using altogether conventional harmonies, he cleverly employed changes of register (which were incomparably more effective on historical pianos than on modern ones). His piano writing suits the hands extremely well, remains clear in form and loses itself in all too frequent repetitions of pleasing motifs and phrases. Pleyel wrote catchy, colorful music and knew when to end a piece.
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