Toshiya Tsunoda - Extract from Field Recording Archive (2017)
BAND/ARTIST: Toshiya Tsunoda
- Title: Extract from Field Recording Archive
- Year Of Release: 2017
- Label: Presto!?
- Genre: Ambient, Modern Classical, Experimental
- Quality: 16bit-44,1kHz FLAC
- Total Time: 04:43:52
- Total Size: 1,1 gb
- WebSite: Album Preview
Tracklist
1.1 Solid Vibration From the Concrete Pavement of a Wharf Where the Fish Market Used to Be Held 11:31
1.2 Solid Vibration of a Glass Bottle in a Ship Anchorage 8:03
1.3 Air Vibration of the Hollow Part in the Middle of a Buoy Used for Large Ships 10:54
1.4 Air Vibration in a Bent Pipe 5:26
1.5 Solid Vibration of a Steel Plate in a Loading Area 6:39
1.6 Solid Vibration of a Support Pillar for the External Unit of a Large Refrigerator 6:47
1.7 Solid Vibration of the Surface of Small Breakwater 11:03
1.8 Air Vibration of an Elevator Motor Room in Stairwell 13:49
2.1 Bottle at Mountain Road 16:54
2.2 Bottle at Park 4:50
2.3 Tub-Type Container 5:25
2.4 Drain Hoses 11:14
2.5 Ship Passing 7:27
2.6 Connecting Duct 14:40
2.7 Downpipe for Rainwater 7:45
2.8 Cavity in a Cliff Wall 5:01
3.1 Metal Plate Fence 10:22
3.2 Wire Net Fence Inside a Tunnel 5:54
3.3 Wharf, Electric Driver 1:54
3.4 Wharf, Two Ships 7:59
3.5 Asphalt Road Surface 7:56
3.6 Metal Door 3:01
3.7 Scrap 4:59
3.8 Gas Cylinder, Windy Day (Take 1 & 2) 12:08
3.9 Drum 14:01
4.1 Vibration From a Water Suction Pump 6:31
4.2 Gap Between Ship and Wharf 3:30
4.3 Iron Pipe Fence 4:24
4.4 Ventilation Duct of the Warehouse 9:51
4.5 Akebono Kikai Company 2:49
4.6 Silo Interruption 5:33
4.7 Surface of a Wall of the Warehouse 2:15
4.8 Standing Wave, Location Unknown 2:28
4.9 Running Fence (Original Long Version) 25:41
4.10 A Pipe on the Roadside 4:50
1.1 Solid Vibration From the Concrete Pavement of a Wharf Where the Fish Market Used to Be Held 11:31
1.2 Solid Vibration of a Glass Bottle in a Ship Anchorage 8:03
1.3 Air Vibration of the Hollow Part in the Middle of a Buoy Used for Large Ships 10:54
1.4 Air Vibration in a Bent Pipe 5:26
1.5 Solid Vibration of a Steel Plate in a Loading Area 6:39
1.6 Solid Vibration of a Support Pillar for the External Unit of a Large Refrigerator 6:47
1.7 Solid Vibration of the Surface of Small Breakwater 11:03
1.8 Air Vibration of an Elevator Motor Room in Stairwell 13:49
2.1 Bottle at Mountain Road 16:54
2.2 Bottle at Park 4:50
2.3 Tub-Type Container 5:25
2.4 Drain Hoses 11:14
2.5 Ship Passing 7:27
2.6 Connecting Duct 14:40
2.7 Downpipe for Rainwater 7:45
2.8 Cavity in a Cliff Wall 5:01
3.1 Metal Plate Fence 10:22
3.2 Wire Net Fence Inside a Tunnel 5:54
3.3 Wharf, Electric Driver 1:54
3.4 Wharf, Two Ships 7:59
3.5 Asphalt Road Surface 7:56
3.6 Metal Door 3:01
3.7 Scrap 4:59
3.8 Gas Cylinder, Windy Day (Take 1 & 2) 12:08
3.9 Drum 14:01
4.1 Vibration From a Water Suction Pump 6:31
4.2 Gap Between Ship and Wharf 3:30
4.3 Iron Pipe Fence 4:24
4.4 Ventilation Duct of the Warehouse 9:51
4.5 Akebono Kikai Company 2:49
4.6 Silo Interruption 5:33
4.7 Surface of a Wall of the Warehouse 2:15
4.8 Standing Wave, Location Unknown 2:28
4.9 Running Fence (Original Long Version) 25:41
4.10 A Pipe on the Roadside 4:50
Lorenzo Senni’s Presto!? offer an utterly enveloping, meditative and time-stopping batch of field recordings by Toshiya Tsunoda, who’s been releasing this stuff for 20 years now, yet – shame on us – only now registers on our radar with this 4hr 43minute capsule.
Using microphones placed inside small objects both indoors and outdoors, Tsunoda locates, records and renders incredibly dense, layered and compelling sonic microcosms embedded within those objects, registering the dichotomy of sound space and cognition space – or put another way, the divide between the strange reality of the object’s sound and our perception of it – particularly in context of stationary waves formed by fixed conditions in closed systems.
There’s clearly far more material here than we can ingest in one sitting, but we’ve already planned a day alone with this release where we can really get hypnotised and melt into its unique temporality and acoustic spectral nuance.
Basically anyone into Eliane Radigue, Eleh, Harry Bertoia’s Sonambient sides or Zbigniew Karkowski at his most detached need to spend some time here, too.
Using microphones placed inside small objects both indoors and outdoors, Tsunoda locates, records and renders incredibly dense, layered and compelling sonic microcosms embedded within those objects, registering the dichotomy of sound space and cognition space – or put another way, the divide between the strange reality of the object’s sound and our perception of it – particularly in context of stationary waves formed by fixed conditions in closed systems.
There’s clearly far more material here than we can ingest in one sitting, but we’ve already planned a day alone with this release where we can really get hypnotised and melt into its unique temporality and acoustic spectral nuance.
Basically anyone into Eliane Radigue, Eleh, Harry Bertoia’s Sonambient sides or Zbigniew Karkowski at his most detached need to spend some time here, too.
Year 2017 | Classical | Electronic | Ambient | FLAC / APE
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