Umeå Symphony Orchestra, Roy Goodman - Rubenson: Drapa - Symphony in C Major - Symphonic Intermezza - Trois Pièce Symphoniques (1998)
BAND/ARTIST: Umeå Symphony Orchestra, Roy Goodman
- Title: Rubenson: Drapa - Symphony in C Major - Symphonic Intermezza - Trois Pièce Symphoniques
- Year Of Release: 1998/2014
- Label: Sterling Records
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:01:43
- Total Size: 276 mb
- WebSite: Album Preview
Tracklist
01. Drapa
02. Symphony in C Major: I. Allegro moderato
03. Symphony in C Major: II. Allegretto moderato
04. Symphony in C Major: III. Andante
05. Symphony in C Major: IV. Allegro con fuoco, ma non troppo presto
06. Symphonic Intermezzo in G Minor: I. Allegro moderato
07. Symphonic Intermezzo in G Minor: II. Andante
08. Symphonic Intermezzo in G Minor: III. Allegro non troppo
09. Trois Pièces Symphoniques: I. Allegretto quasi Allegro
10. Trois Pièces Symphoniques: II. Vivace
11. Trois Pièces Symphoniques: III. Allegro ma non troppo
Rubenson: what a character! Starting off as a composer with fresh ideas, returning from Germany in the mid 1850s, he ended up as a strongly conservative professor at the Stockholm Musical Academy. What a sad fate, with many promises unfulfilled! Goodman regards the composer as a very interested figure in Swedish musical history - with many gifted ideas - linked to Schumann.
01. Drapa
02. Symphony in C Major: I. Allegro moderato
03. Symphony in C Major: II. Allegretto moderato
04. Symphony in C Major: III. Andante
05. Symphony in C Major: IV. Allegro con fuoco, ma non troppo presto
06. Symphonic Intermezzo in G Minor: I. Allegro moderato
07. Symphonic Intermezzo in G Minor: II. Andante
08. Symphonic Intermezzo in G Minor: III. Allegro non troppo
09. Trois Pièces Symphoniques: I. Allegretto quasi Allegro
10. Trois Pièces Symphoniques: II. Vivace
11. Trois Pièces Symphoniques: III. Allegro ma non troppo
Rubenson: what a character! Starting off as a composer with fresh ideas, returning from Germany in the mid 1850s, he ended up as a strongly conservative professor at the Stockholm Musical Academy. What a sad fate, with many promises unfulfilled! Goodman regards the composer as a very interested figure in Swedish musical history - with many gifted ideas - linked to Schumann.
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