Bettina Beigelbeck, Busch Kollegium Karlsruhe - Musique de chambre pour clarinette et cordes (2013)
BAND/ARTIST: Bettina Beigelbeck, Busch Kollegium Karlsruhe
- Title: Yasushi Ideue - Musique de chambre pour clarinette et cordes (2013) FLAC
- Year Of Release: 2013
- Label: Toccata Classics
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 75:13 min
- Total Size: 367 MB
- WebSite: Album Preview
Tracklist:
1. I. Introduzione. Vivace ma non troppo
2. II. Tema con variazioni. Tempo di Menuetto
3. III. Rondo. Allegretto
4. I. Praeludium. Molto adagio
5. II. Fuge
6. III. Andante tranquillo ma sempre un poco grazioso
7. IV. Scherzo. Vivace assai
8. V. Rondo. Allegro ma non troppo
9. No. 1. Adagio e espressivo
10. No. 2. Allegro comodo e un poco scherzando
11. No. 3. Vivace assai
12. No. 4. Tranquillo
13. No. 5. Molto adagio
14. No. 6. Moderato, ma con spirito e scherzando
15. No. 7. Grazioso e capriccioso, ma non tropo presto
16. I. Allegro con spirito ma non troppo presto
17. II. Larghetto
18. III. Intermezzo. Andante sostenuto
19. IV. Allegretto amabile e grazioso
20. Variations on an Original Theme in F Major, Op. 53c
21. Romanze, Op. 53d
22. Humoreske in A Major, BoO 15
1. I. Introduzione. Vivace ma non troppo
2. II. Tema con variazioni. Tempo di Menuetto
3. III. Rondo. Allegretto
4. I. Praeludium. Molto adagio
5. II. Fuge
6. III. Andante tranquillo ma sempre un poco grazioso
7. IV. Scherzo. Vivace assai
8. V. Rondo. Allegro ma non troppo
9. No. 1. Adagio e espressivo
10. No. 2. Allegro comodo e un poco scherzando
11. No. 3. Vivace assai
12. No. 4. Tranquillo
13. No. 5. Molto adagio
14. No. 6. Moderato, ma con spirito e scherzando
15. No. 7. Grazioso e capriccioso, ma non tropo presto
16. I. Allegro con spirito ma non troppo presto
17. II. Larghetto
18. III. Intermezzo. Andante sostenuto
19. IV. Allegretto amabile e grazioso
20. Variations on an Original Theme in F Major, Op. 53c
21. Romanze, Op. 53d
22. Humoreske in A Major, BoO 15
Adolf Busch (1891-1952) enjoys a reputation as one of the greatest of all violinists: his recordings of Beethoven with the Busch Quartet have never been surpassed. But Busch was also one of the major composers of his day, equally natural as contrapuntist and melodist, with a style that owed much to his boyhood idol, Max Reger. Yet, always a man of principle, he sacrificed his career as both violinist and composer with his dignified refusal to perform or be performed in Nazi Germany. This CD of his lyrical writing for clarinet, the first in a series of recordings of Busch's light-filled chamber music, is part of the rediscovery of one of the leading musicians of his day.
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