Mandelring Quartett - Robert Schumann: Piano Quartet, Op. 47 & Piano Quintet, Op. 44 (2010)
BAND/ARTIST: Mandelring Quartett
- Title: Robert Schumann: Piano Quartet, Op. 47 & Piano Quintet, Op. 44
- Year Of Release: 2010
- Label: audite Musikproduktion
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 00:55:57
- Total Size: 258 mb
- WebSite: Album Preview
Tracklist
01. Piano Quartet in E-Flat Major, Op. 47 for Piano, Violin, Viola and Violoncello: Sostenuto assai-Allegro ma non Troppo
02. Piano Quartet in E-Flat Major, Op. 47 for Piano, Violin, Viola and Violoncello: Scherzo. Molto Vivace
03. Piano Quartet in E-Flat Major, Op. 47 for Piano, Violin, Viola and Violoncello: III. Andante cantabile
04. Piano Quartet in E-Flat Major, Op. 47 for Piano, Violin, Viola and Violoncello: Finale. Vivace
05. Piano Quintet in E-Flat Major, Op. 44 for Piano, two Violins, Viola and Violoncello: Allegro Brillante
06. Piano Quintet in E-Flat Major, Op. 44 for Piano, two Violins, Viola and Violoncello: In modo d'una Marcia. Un poco largamente-Agitato-Tempo I
07. Piano Quintet in E-Flat Major, Op. 44 for Piano, two Violins, Viola and Violoncello: Scherzo. Molto Vivace
08. Piano Quintet in E-Flat Major, Op. 44 for Piano, two Violins, Viola and Violoncello: Allegro, ma non Troppo
After the song year of 1840 and the symphonic of 1841, his chamber music year followed and saw the creation of three string quartets and two of the 19th -century s most beautiful chamber pieces with piano. In the autumn of 1842, in a creative frenzy, Schumann composed the Quintet Op. 44 and the Quartet Op. 47. The piano part was of course intended for his newly- wedded wife Clara. In both works the jubilant atmosphere of the outer movements, combining Mozart s vitality, Bach s polyphony and Schumann s dreamy disposition, is ravishing. In the middle movements, delicate scherzi à la Mendelssohn and two large-scale slow movements can be found: an expressive funeral march in the quintet and an expansive cantabile in the cello part of the quartet, which has become one of the most popular movements amongst Schumann s chamber works. In this new recording the Mandelring Quartett join forces with French pianist Claire-Marie Le Guay. A winner of numerous international competitions Claire-Marie Le Guay plays regularly in the important concert venues, appearing in solo recitals as well as in concerts with orchestra. In addition, her passion for chamber music has led her to play with noted soloists and ensembles.
01. Piano Quartet in E-Flat Major, Op. 47 for Piano, Violin, Viola and Violoncello: Sostenuto assai-Allegro ma non Troppo
02. Piano Quartet in E-Flat Major, Op. 47 for Piano, Violin, Viola and Violoncello: Scherzo. Molto Vivace
03. Piano Quartet in E-Flat Major, Op. 47 for Piano, Violin, Viola and Violoncello: III. Andante cantabile
04. Piano Quartet in E-Flat Major, Op. 47 for Piano, Violin, Viola and Violoncello: Finale. Vivace
05. Piano Quintet in E-Flat Major, Op. 44 for Piano, two Violins, Viola and Violoncello: Allegro Brillante
06. Piano Quintet in E-Flat Major, Op. 44 for Piano, two Violins, Viola and Violoncello: In modo d'una Marcia. Un poco largamente-Agitato-Tempo I
07. Piano Quintet in E-Flat Major, Op. 44 for Piano, two Violins, Viola and Violoncello: Scherzo. Molto Vivace
08. Piano Quintet in E-Flat Major, Op. 44 for Piano, two Violins, Viola and Violoncello: Allegro, ma non Troppo
After the song year of 1840 and the symphonic of 1841, his chamber music year followed and saw the creation of three string quartets and two of the 19th -century s most beautiful chamber pieces with piano. In the autumn of 1842, in a creative frenzy, Schumann composed the Quintet Op. 44 and the Quartet Op. 47. The piano part was of course intended for his newly- wedded wife Clara. In both works the jubilant atmosphere of the outer movements, combining Mozart s vitality, Bach s polyphony and Schumann s dreamy disposition, is ravishing. In the middle movements, delicate scherzi à la Mendelssohn and two large-scale slow movements can be found: an expressive funeral march in the quintet and an expansive cantabile in the cello part of the quartet, which has become one of the most popular movements amongst Schumann s chamber works. In this new recording the Mandelring Quartett join forces with French pianist Claire-Marie Le Guay. A winner of numerous international competitions Claire-Marie Le Guay plays regularly in the important concert venues, appearing in solo recitals as well as in concerts with orchestra. In addition, her passion for chamber music has led her to play with noted soloists and ensembles.
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