Stefan Milenkovich - Paganini: Works for Solo Violin (Complete) (2003)
BAND/ARTIST: Stefan Milenkovich
- Title: Paganini: Works for Solo Violin (Complete)
- Year Of Release: 2003
- Label: Dynamic
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 02:33:51
- Total Size: 720 mb
- WebSite: Album Preview
Tracklist
CD1
01. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 1 in E Major: Andante
02. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 2 in B Minor: Moderato
03. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 3 in E Minor: Sostenuto-Presto-Sostenuto
04. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 4 in C Minor: Maestoso
05. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 5 in A Minor: Prelude-Agitato-Finale
06. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 6 in G Minor: Lento
07. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 7 in A Minor: Posato
08. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 8 in E-Flat Major: Maestoso
09. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 9 in E Major: Allegretto
10. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 10 in G Minor: Vivace
11. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 11 in C Major: Andante-Presto-Primo tempo
12. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 12 in A-Flat Major: Allegro
13. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 13 in B-Flat Major: Allegro-Minore-Allegro
14. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 14 in E-Flat Major: Moderato
15. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 15 in E Minor: Posato
16. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 16 in G Minor: Presto
17. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 17 in E-Flat Major: Sostenuto-Andante-Minore-Andante
18. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 18 in C Major: Corrente-Allegro-Corrente
19. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 19 in E-Flat Major: Lento-Allegro assai-Minore-Allegro assai
20. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 20 in D Major: Allegretto-Minore-Allegretto
21. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 21 in A Major: Amoroso-Presto
22. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 22 in F Major: Marcato-Minore-Marcato
CD2
01. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 23 in E-Flat Major: Posato-Minore-Posato
02. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 24 in A Minor: Tema quasi presto-11 Variations-Finale
03. Violin Sonata, MS 83: I. —
04. Violin Sonata, MS 83: II. Adagio non tanto
05. Violin Sonata, MS 83: III. Polonaise with variations
06. Violin Sonata, MS 83: III. Variation 1
07. Violin Sonata, MS 83: III. Variation 2
08. Violin Sonata, MS 83: III. Variation 3
09. Violin Sonata, MS 83: III. Variation 4
10. Violin Sonata, MS 83: III. Variation 5
11. Violin Sonata, MS 83: III. Variation 6
12. Violin Sonata, MS 83: III. Variation 7
13. Caprice d'adieux, MS 68: Caprice d'adieux
14. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Introduzione: Capriccio-Tema: Andante
15. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Variation 1
16. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Variation 2
17. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Variation 3
18. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Variation 4
19. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Variation 5
20. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Variation 6
21. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Variation 7
22. Variations on God Save the King, Op. 9, MS 56: Tema: Andante sostenuto
23. Variations on God Save the King, Op. 9, MS 56: Variation 1
24. Variations on God Save the King, Op. 9, MS 56: Variation 2
25. Variations on God Save the King, Op. 9, MS 56: Variation 3
26. Variations on God Save the King, Op. 9, MS 56: Variation 4
27. Inno patriottico, MS 81: Tema: Allegro
28. Inno patriottico, MS 81: Variation 1
29. Inno patriottico, MS 81: Variation 2
30. Inno patriottico, MS 81: Variation 3
31. Inno patriottico, MS 81: Variation 4
32. Inno patriottico, MS 81: Variation 5
33. Inno patriottico, MS 81: Variation 6
34. Violin Sonata in C Major, "Duo merveille", MS 6: I. Adagio
35. Violin Sonata in C Major, "Duo merveille", MS 6: II. Allegro molto
36. Tema variato for Solo Violin, MS 82: Tema
37. Tema variato for Solo Violin, MS 82: Variation 1
38. Tema variato for Solo Violin, MS 82: Variation 2
39. Tema variato for Solo Violin, MS 82: Variation 3
40. Tema variato for Solo Violin, MS 82: Variation 4
41. Tema variato for Solo Violin, MS 82: Variation 5
42. Tema variato for Solo Violin, MS 82: Variation 6
43. Tema variato for Solo Violin, MS 82: Variation 7
Of Paganini's solo violin works, the Caprices (24) are the most celebrated, and justly so, for this clever compendium of violin techniques is also a fantastic musical achievement on a high level. If any work demonstrates the fecundity of Paganini's imagination, his innovations and prowess, and the full range of his expression, this collection of daunting virtuoso pieces is it. Stefan Milenkovich, a maturing artist with phenomenal abilities, approaches the Caprices with skill and sensitivity, and produces a graceful and energetic rendition with great continuity and melodic flow. Other violinists may break continuity by pausing over difficulties, but Milenkovich's playing is practically seamless, as if multistops, chromatic runs, arpeggios, left-hand pizzicati, and octaves are nothing extraordinary to him. His intonation is rarely off, and the occasional scratchiness of his sound is forgivable in light of the impressiveness of his bowing effects and controlled articulation. The rest of the pieces on this double disc may be taken or left. The Sonata and the Tema variato have sufficient substance to rank as important works, but the remaining pieces are trifles, which Milenkovich plays well but with somewhat less concentration than in the Caprices. Dynamic's engineering serves Milenkovich well, and the resonant acoustic helps diminish the resinous coarseness of the exposed violin sound.
CD1
01. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 1 in E Major: Andante
02. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 2 in B Minor: Moderato
03. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 3 in E Minor: Sostenuto-Presto-Sostenuto
04. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 4 in C Minor: Maestoso
05. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 5 in A Minor: Prelude-Agitato-Finale
06. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 6 in G Minor: Lento
07. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 7 in A Minor: Posato
08. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 8 in E-Flat Major: Maestoso
09. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 9 in E Major: Allegretto
10. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 10 in G Minor: Vivace
11. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 11 in C Major: Andante-Presto-Primo tempo
12. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 12 in A-Flat Major: Allegro
13. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 13 in B-Flat Major: Allegro-Minore-Allegro
14. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 14 in E-Flat Major: Moderato
15. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 15 in E Minor: Posato
16. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 16 in G Minor: Presto
17. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 17 in E-Flat Major: Sostenuto-Andante-Minore-Andante
18. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 18 in C Major: Corrente-Allegro-Corrente
19. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 19 in E-Flat Major: Lento-Allegro assai-Minore-Allegro assai
20. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 20 in D Major: Allegretto-Minore-Allegretto
21. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 21 in A Major: Amoroso-Presto
22. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 22 in F Major: Marcato-Minore-Marcato
CD2
01. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 23 in E-Flat Major: Posato-Minore-Posato
02. 24 Caprices for Solo Violin, Op. 1, MS 25: No. 24 in A Minor: Tema quasi presto-11 Variations-Finale
03. Violin Sonata, MS 83: I. —
04. Violin Sonata, MS 83: II. Adagio non tanto
05. Violin Sonata, MS 83: III. Polonaise with variations
06. Violin Sonata, MS 83: III. Variation 1
07. Violin Sonata, MS 83: III. Variation 2
08. Violin Sonata, MS 83: III. Variation 3
09. Violin Sonata, MS 83: III. Variation 4
10. Violin Sonata, MS 83: III. Variation 5
11. Violin Sonata, MS 83: III. Variation 6
12. Violin Sonata, MS 83: III. Variation 7
13. Caprice d'adieux, MS 68: Caprice d'adieux
14. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Introduzione: Capriccio-Tema: Andante
15. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Variation 1
16. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Variation 2
17. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Variation 3
18. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Variation 4
19. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Variation 5
20. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Variation 6
21. Introduction and Variations on Nel cor più non mi sento from Paisiello's La molinara, Op. 38, MS 44: Variation 7
22. Variations on God Save the King, Op. 9, MS 56: Tema: Andante sostenuto
23. Variations on God Save the King, Op. 9, MS 56: Variation 1
24. Variations on God Save the King, Op. 9, MS 56: Variation 2
25. Variations on God Save the King, Op. 9, MS 56: Variation 3
26. Variations on God Save the King, Op. 9, MS 56: Variation 4
27. Inno patriottico, MS 81: Tema: Allegro
28. Inno patriottico, MS 81: Variation 1
29. Inno patriottico, MS 81: Variation 2
30. Inno patriottico, MS 81: Variation 3
31. Inno patriottico, MS 81: Variation 4
32. Inno patriottico, MS 81: Variation 5
33. Inno patriottico, MS 81: Variation 6
34. Violin Sonata in C Major, "Duo merveille", MS 6: I. Adagio
35. Violin Sonata in C Major, "Duo merveille", MS 6: II. Allegro molto
36. Tema variato for Solo Violin, MS 82: Tema
37. Tema variato for Solo Violin, MS 82: Variation 1
38. Tema variato for Solo Violin, MS 82: Variation 2
39. Tema variato for Solo Violin, MS 82: Variation 3
40. Tema variato for Solo Violin, MS 82: Variation 4
41. Tema variato for Solo Violin, MS 82: Variation 5
42. Tema variato for Solo Violin, MS 82: Variation 6
43. Tema variato for Solo Violin, MS 82: Variation 7
Of Paganini's solo violin works, the Caprices (24) are the most celebrated, and justly so, for this clever compendium of violin techniques is also a fantastic musical achievement on a high level. If any work demonstrates the fecundity of Paganini's imagination, his innovations and prowess, and the full range of his expression, this collection of daunting virtuoso pieces is it. Stefan Milenkovich, a maturing artist with phenomenal abilities, approaches the Caprices with skill and sensitivity, and produces a graceful and energetic rendition with great continuity and melodic flow. Other violinists may break continuity by pausing over difficulties, but Milenkovich's playing is practically seamless, as if multistops, chromatic runs, arpeggios, left-hand pizzicati, and octaves are nothing extraordinary to him. His intonation is rarely off, and the occasional scratchiness of his sound is forgivable in light of the impressiveness of his bowing effects and controlled articulation. The rest of the pieces on this double disc may be taken or left. The Sonata and the Tema variato have sufficient substance to rank as important works, but the remaining pieces are trifles, which Milenkovich plays well but with somewhat less concentration than in the Caprices. Dynamic's engineering serves Milenkovich well, and the resonant acoustic helps diminish the resinous coarseness of the exposed violin sound.
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