Michaela Káčerková - Historical Organ in Bochov (2021)
BAND/ARTIST: Michaela Káčerková
- Title: Historical Organ in Bochov
- Year Of Release: 2021
- Label: Arta Music
- Genre: Classical Organ
- Quality: flac lossless (tracks)
- Total Time: 01:06:41
- Total Size: 268 mb
- WebSite: Album Preview
Tracklist
01. Toccata Settima
02. Passacaglia in D Minor
03. Suite Euterpe: Praeludium
04. Suite Euterpe: Allemande
05. Suite Euterpe: Air Anglois
06. Suite Euterpe: Bourée
07. Suite Euterpe: Menuet
08. Suite Euterpe: Chaconne
09. Partita in E Minor, BWV 770 (Ach, was soll ich Sünder machen)
10. Fantasia I sopra Ut Re Mi Fa Sol La
11. Ariadne Musica: Ricercar pro Tempore Adventus
12. Ariadne Musica: Ricercar pro Festis Natalitys
13. Ariadne Musica: Ricercar pro Tempore Quadragesimae
14. Ariadne Musica: Ricercar pro Festis Paschalibus
15. Ariadne Musica: Ricercar pro Festis Pentecostalibus
Georg Muffat (1653-1704), a native of the Duchy of Savoy, wandered between Europe’s musical centres all his life. He studied in Paris, lived in Alsace, Ingolstadt, and Vienna, and stayed temporarily in Prague. After that, he served in Salzburg at the court of Archbishop von Künburg and from 1690 until his death in Passau at the court of Bishop-Cardinal von Lamberg. He also appeared in Kroměříž for some time, where he applied for a position with the ensemble of Bishop Karl II von Liechtenstein-Kastelkorn, where Pavel Josef Vejvanovský was working at the time, but Muffat did not succeed. He was primarily an organist, and we get valuable information about musical events of the period from his notes from study visits to Italy, where he wanted to perfect his art in the 1680s by studying with Bernardo Pasquini, an organist at churches in Rome who served the Borghese family. Muffat’s legacy as a composer mainly consists of instrumental sonatas, organ toccatas, orchestral suites, and concerti grossi. His style is a typical cosmopolitan mixture of German, Italian, and French stimuli, i.e. contrapuntal artistry, striking melodies, and lavish ornamentation. His Apparatus Musico-Organisticus (1690) is by far the largest collection of organ compositions that was available at that time in the region of southern Germany. It contains 12 toccatas and a few other occasional pieces...
01. Toccata Settima
02. Passacaglia in D Minor
03. Suite Euterpe: Praeludium
04. Suite Euterpe: Allemande
05. Suite Euterpe: Air Anglois
06. Suite Euterpe: Bourée
07. Suite Euterpe: Menuet
08. Suite Euterpe: Chaconne
09. Partita in E Minor, BWV 770 (Ach, was soll ich Sünder machen)
10. Fantasia I sopra Ut Re Mi Fa Sol La
11. Ariadne Musica: Ricercar pro Tempore Adventus
12. Ariadne Musica: Ricercar pro Festis Natalitys
13. Ariadne Musica: Ricercar pro Tempore Quadragesimae
14. Ariadne Musica: Ricercar pro Festis Paschalibus
15. Ariadne Musica: Ricercar pro Festis Pentecostalibus
Georg Muffat (1653-1704), a native of the Duchy of Savoy, wandered between Europe’s musical centres all his life. He studied in Paris, lived in Alsace, Ingolstadt, and Vienna, and stayed temporarily in Prague. After that, he served in Salzburg at the court of Archbishop von Künburg and from 1690 until his death in Passau at the court of Bishop-Cardinal von Lamberg. He also appeared in Kroměříž for some time, where he applied for a position with the ensemble of Bishop Karl II von Liechtenstein-Kastelkorn, where Pavel Josef Vejvanovský was working at the time, but Muffat did not succeed. He was primarily an organist, and we get valuable information about musical events of the period from his notes from study visits to Italy, where he wanted to perfect his art in the 1680s by studying with Bernardo Pasquini, an organist at churches in Rome who served the Borghese family. Muffat’s legacy as a composer mainly consists of instrumental sonatas, organ toccatas, orchestral suites, and concerti grossi. His style is a typical cosmopolitan mixture of German, Italian, and French stimuli, i.e. contrapuntal artistry, striking melodies, and lavish ornamentation. His Apparatus Musico-Organisticus (1690) is by far the largest collection of organ compositions that was available at that time in the region of southern Germany. It contains 12 toccatas and a few other occasional pieces...
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