Bootsy Collins - Ahh The Name Is Bootsy Baby - Reissue, Remastered (1996) FLAC
BAND/ARTIST: Bootsy Collins
- Title: Ahh The Name Is Bootsy Baby - Reissue, Remastered
- Year Of Release: 1996
- Label: Warner Bros.
- Genre: Funk, Soul, R&B
- Quality: FLAC (tracks) | Mp3 / 320kbps
- Total Time: 38:50
- Total Size: 224 MB | 88,4 MB
- WebSite: Album Preview
Tracklist
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01 Ahh ... The Name Is Bootsy, Baby 6:51
02 The Pinocchio Theory 6:11
03 Rubber Duckie 3:21
04 Preview Side Too 1:00
05 What's A Telephone Bill 6:00
06 Munchies For Your Love 9:38
07 Can't Stay Away 5:28
08 Reprise - We Want Bootsy 0:21
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01 Ahh ... The Name Is Bootsy, Baby 6:51
02 The Pinocchio Theory 6:11
03 Rubber Duckie 3:21
04 Preview Side Too 1:00
05 What's A Telephone Bill 6:00
06 Munchies For Your Love 9:38
07 Can't Stay Away 5:28
08 Reprise - We Want Bootsy 0:21
An absolute funk essential. George Clinton co-wrote and co-produced this 1977 smash (#16 pop) with Bootsy: the R&B hits The Pinocchio Theory and Can't Stay Away plus Rubber Ducky; Munchies for Your Love ; the title tune, and more killer grooves and brilliantly out-there Bootsy!
Bassist for James Brown and Parliament-Funkadelic, Bootsy's solo career has been a George Clinton produced extension of the P-Funk philosophy, with Collins portraying the role of "Starchild, Player of the Year." Collins' vocals, are off-handedly cool in the manner of Jimi Hendrix, whose flamboyance Collins unmistakably aspires to. However, the music is definitely in the Parliament vein, with practically everyone from the band's late-'70s peak aboard, including Mike Hampton, Jerome Brailey and the horny horns. Conceptually, sci-fi reins, and the watery sound of Collins' aqua-bass doesn't get in the way of a mostly up-tempo album. This might be his best solo work. --D. Strauss
Bassist for James Brown and Parliament-Funkadelic, Bootsy's solo career has been a George Clinton produced extension of the P-Funk philosophy, with Collins portraying the role of "Starchild, Player of the Year." Collins' vocals, are off-handedly cool in the manner of Jimi Hendrix, whose flamboyance Collins unmistakably aspires to. However, the music is definitely in the Parliament vein, with practically everyone from the band's late-'70s peak aboard, including Mike Hampton, Jerome Brailey and the horny horns. Conceptually, sci-fi reins, and the watery sound of Collins' aqua-bass doesn't get in the way of a mostly up-tempo album. This might be his best solo work. --D. Strauss
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