Fred Hersch Trio - Alive at the Vanguard (2012) FLAC
BAND/ARTIST: Fred Hersch
- Title: Alive At The Vanguard
- Year Of Release: February 7, 2012 - February 12, 2012
- Label: Palmetto Records
- Genre: Jazz, Post Bop, Mainstream Jazz, Progressive Jazz
- Quality: Flac lossless (Tracks)
- Total Time: 01:55:40
- Total Size: 586 MB
- WebSite: Album Preview
Tracks
CD1
01. Havana
02. Tristesse
03. Segment
04. Lonely Woman / Nardis
05. Dream of Monk
06. Rising, Falling
07. Softly As In A Morning Sunrise
08. Doxy
CD2
01. Opener
02. I Fall In Love Too Easily
03. Jackalope
04. The Wind / Moon and Sand
05. Sartorial
06. From This Momement On
07. The Song Is You / Played Twice
Personnel
Fred Hersch: piano
John Hébert: bass
Eric McPherson: drums
Originally tagged as a Bill Evans disciple by some writers early in his career, Fred Hersch has long since distinguished himself as a pianist with a distinctive sound of his own who constantly challenges himself as a performer, composer, and arranger. These trio performances, with bassist John Hébert and drummer Eric McPherson, are from a six-day booking at the Village Vanguard in early 2012. His spacious, thoughtful "Tristesse," dedicated to the late drummer Paul Motian, has a classical air at first, then it gradually unfolds its colors with his magical improvisation. When he's in the mood, Hersch can play bop with the best of them, delivering a playful, spirited rendition of Charlie Parker's infrequently heard "Segment." Even more inspired is the medley which follows, opening with a tense, brooding setting of Ornette Coleman's "Lonely Woman," which leads into an introspective interpretation of Miles Davis' '"Nardis" that is far and away very different from Bill Evans' numerous recordings. Hersch's whimsical "Dream of Monk" is a catchy reworking of "Monk's Dream" which showcase Hébert's understated bass solo. The pianist has long been one of the top ballad interpreters in jazz; his haunting take of "I Fall in Love Too Easily" would be heaven for any vocalist. His catchy "Jackalope" has a jagged rhythm and many sudden twists, yet the trio navigates it as if they've been playing it together for ages. The quirky "Sartorial," dedicated to Ornette Coleman, features Hersch's adventurous avant-garde side. With two to three sets being played each night during this Village Vanguard booking, it must have been challenging to pick only two discs of material for release. Hopefully, more music from these six nights by the Fred Hersch Trio will follow.
Ken Dryden
CD1
01. Havana
02. Tristesse
03. Segment
04. Lonely Woman / Nardis
05. Dream of Monk
06. Rising, Falling
07. Softly As In A Morning Sunrise
08. Doxy
CD2
01. Opener
02. I Fall In Love Too Easily
03. Jackalope
04. The Wind / Moon and Sand
05. Sartorial
06. From This Momement On
07. The Song Is You / Played Twice
Personnel
Fred Hersch: piano
John Hébert: bass
Eric McPherson: drums
Originally tagged as a Bill Evans disciple by some writers early in his career, Fred Hersch has long since distinguished himself as a pianist with a distinctive sound of his own who constantly challenges himself as a performer, composer, and arranger. These trio performances, with bassist John Hébert and drummer Eric McPherson, are from a six-day booking at the Village Vanguard in early 2012. His spacious, thoughtful "Tristesse," dedicated to the late drummer Paul Motian, has a classical air at first, then it gradually unfolds its colors with his magical improvisation. When he's in the mood, Hersch can play bop with the best of them, delivering a playful, spirited rendition of Charlie Parker's infrequently heard "Segment." Even more inspired is the medley which follows, opening with a tense, brooding setting of Ornette Coleman's "Lonely Woman," which leads into an introspective interpretation of Miles Davis' '"Nardis" that is far and away very different from Bill Evans' numerous recordings. Hersch's whimsical "Dream of Monk" is a catchy reworking of "Monk's Dream" which showcase Hébert's understated bass solo. The pianist has long been one of the top ballad interpreters in jazz; his haunting take of "I Fall in Love Too Easily" would be heaven for any vocalist. His catchy "Jackalope" has a jagged rhythm and many sudden twists, yet the trio navigates it as if they've been playing it together for ages. The quirky "Sartorial," dedicated to Ornette Coleman, features Hersch's adventurous avant-garde side. With two to three sets being played each night during this Village Vanguard booking, it must have been challenging to pick only two discs of material for release. Hopefully, more music from these six nights by the Fred Hersch Trio will follow.
Ken Dryden
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