Scanners - Submarine (2010)
BAND/ARTIST: Scanners
- Title: Submarine
- Year Of Release: 2010
- Label: Dim Mak
- Genre: Alt Rock, Indie Rock
- Quality: Mp3 320 / Flac (tracks, .cue, log)
- Total Time: 42:22
- Total Size: 105/297 Mb
- WebSite: Album Preview
Tracklist:
01. Jesus Saves
02. We Never Close Our Eyes
03. Salvation
04. Baby Blue
05. Sick Love
06. A Girl Like You
07. Strangelovehate
08. Goodbye
09. Half A Mind (Dreamer Forever)
10. Sleepwalking Life
11. Halfway Home
Scanners are an alternative rock band from London, England formed around 2004.
Initially formed by Matthew Mole (vocals, guitar, synthesizer) and Sarah Daly (vocals, violin, bass guitar) around 2004 in London, England, UK. The line-up was later expanded with the addition of Amina Bates (guitar, keyboards, background vocals), and Tom Hutt (drums).
Scanners' 2006 debut album, Violence Is Golden, showed that they were capable of pulling off almost any style they chose: spiky pop, swooning ballads, witchy folk. Four years later, Submarine scales down their ambitions and streamlines their sound into dark post-punk with a slight folk tinge, as its first three songs show. “Jesus Saves” and “Salvation” meld chiming guitars with surprisingly lavish backing vocals, while “We Never Close Our Eyes” -- which sounds a little like PJ Harvey meets Metric -- is a tug of war between introspection and urgency that feels like the slicker sister of Violence Is Golden's excellent single “Low Life.” But while Submarine consolidates Scanners' strengths, many of these songs don’t have the same spark that their debut did -- the infectious thrill of hearing them trying on different sounds for size. Much of the album alternates between darkly breezy tracks like “Sick Love” and “Sleepwalking Life” and moody, slow-mo ballads like “Strangelovehate.” While Scanners do these sounds ably, Submarine buries the mischievous rock that provided some of Violence Is Golden's highlights (although “Half a Mind” does crank up the volume a few notches). Like that album, however, Submarine boasts a sharp pop streak that surfaces on the gorgeous “Baby Blue” and “A Girl Like You” and “Goodbye”'s barbed-wire hooks. At times, Scanners sounded like they didn’t know what kind of band they wanted to be on Violence Is Golden, but that indecisi
Initially formed by Matthew Mole (vocals, guitar, synthesizer) and Sarah Daly (vocals, violin, bass guitar) around 2004 in London, England, UK. The line-up was later expanded with the addition of Amina Bates (guitar, keyboards, background vocals), and Tom Hutt (drums).
Scanners' 2006 debut album, Violence Is Golden, showed that they were capable of pulling off almost any style they chose: spiky pop, swooning ballads, witchy folk. Four years later, Submarine scales down their ambitions and streamlines their sound into dark post-punk with a slight folk tinge, as its first three songs show. “Jesus Saves” and “Salvation” meld chiming guitars with surprisingly lavish backing vocals, while “We Never Close Our Eyes” -- which sounds a little like PJ Harvey meets Metric -- is a tug of war between introspection and urgency that feels like the slicker sister of Violence Is Golden's excellent single “Low Life.” But while Submarine consolidates Scanners' strengths, many of these songs don’t have the same spark that their debut did -- the infectious thrill of hearing them trying on different sounds for size. Much of the album alternates between darkly breezy tracks like “Sick Love” and “Sleepwalking Life” and moody, slow-mo ballads like “Strangelovehate.” While Scanners do these sounds ably, Submarine buries the mischievous rock that provided some of Violence Is Golden's highlights (although “Half a Mind” does crank up the volume a few notches). Like that album, however, Submarine boasts a sharp pop streak that surfaces on the gorgeous “Baby Blue” and “A Girl Like You” and “Goodbye”'s barbed-wire hooks. At times, Scanners sounded like they didn’t know what kind of band they wanted to be on Violence Is Golden, but that indecisi
Alternative | Indie | FLAC / APE | Mp3
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