Gillian Keith - Gillian Keith bei Strauss (2011)
BAND/ARTIST: Gillian Keith, Simon Lepper
- Title: Gillian Keith bei Strauss
- Year Of Release: 2011
- Label: Champs Hill Records
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 59:51 min
- Total Size: 205 MB
- WebSite: Album Preview
Tracklist:
1. Sechs Lieder, Op. 17, Trv 149: II. Ständchen
2. Fünf Lieder, Op. 39, TrV 189: I. Fünf Lieder
3. Acht Lieder, Op. 49, TrV 204: III. Wiegenliedchen
4. Rote Rosen, TrV 119
5. Die erwachte Rose, TrV 90
6. Malven, TrV 297
7. Mädchenblumen, Op. 22, Trv 153: I. Kornblumen
8. Mädchenblumen, Op. 22: II. Mohnblumen
9. Mädchenblumen, Op. 22, Trv 153: III. Efeu
10. Mädchenblumen, Op. 22, Trv 153: Wasserrose
11. Fünf Leider, Op. 48, TrV 202: I. Freundliche Vision
12. Fünf Leider, Op. 48: II. Ich schwebe
13. Fünf Leider, Op. 48, TrV 202: III. Kling!
14. Fünf Leider, Op. 48, TrV 202: IV. Winterweihe
15. Fünf Leider, Op. 48: V. Winterliebe
16. Drei Lieder, Op. 29, TrV 172: II. Schlagende Herzen
17. Drei Gesänge älterer deutscher Dichter, Op. 43, TrV 196: II. Muttertänderlei
18. Das Bächlein, Op. 88, TrV 264
19. Sechs Lieder, Op. 68, TrV 235: V. Amor
20. Fünf kleine Lieder, Op. 69, TrV 237: I. Der Stern
21. Fünf kleine Lieder, Op. 69, TrV 237: II. Der Pokal
22. Fünf kleine Lieder, Op. 69, TrV 237: III. Einerlei
23. Sechs Lieder, 1918, Part I: Drei Lieder der Ophelia, Op. 67, TrV 238: I. Wie erkenn' ich mein Treulieb vor andern nun?
24. Sechs Lieder, 1918, Part I: Drei Lieder der Ophelia, Op. 67, TrV 238: II. Guten Morgen, ’s ist Sankt Valentinstag
25. Sechs Lieder, 1918, Part I: Drei Lieder der Ophelia, Op. 67, TrV 238: III. Sie trugen ihn auf der Bahre bloss
1. Sechs Lieder, Op. 17, Trv 149: II. Ständchen
2. Fünf Lieder, Op. 39, TrV 189: I. Fünf Lieder
3. Acht Lieder, Op. 49, TrV 204: III. Wiegenliedchen
4. Rote Rosen, TrV 119
5. Die erwachte Rose, TrV 90
6. Malven, TrV 297
7. Mädchenblumen, Op. 22, Trv 153: I. Kornblumen
8. Mädchenblumen, Op. 22: II. Mohnblumen
9. Mädchenblumen, Op. 22, Trv 153: III. Efeu
10. Mädchenblumen, Op. 22, Trv 153: Wasserrose
11. Fünf Leider, Op. 48, TrV 202: I. Freundliche Vision
12. Fünf Leider, Op. 48: II. Ich schwebe
13. Fünf Leider, Op. 48, TrV 202: III. Kling!
14. Fünf Leider, Op. 48, TrV 202: IV. Winterweihe
15. Fünf Leider, Op. 48: V. Winterliebe
16. Drei Lieder, Op. 29, TrV 172: II. Schlagende Herzen
17. Drei Gesänge älterer deutscher Dichter, Op. 43, TrV 196: II. Muttertänderlei
18. Das Bächlein, Op. 88, TrV 264
19. Sechs Lieder, Op. 68, TrV 235: V. Amor
20. Fünf kleine Lieder, Op. 69, TrV 237: I. Der Stern
21. Fünf kleine Lieder, Op. 69, TrV 237: II. Der Pokal
22. Fünf kleine Lieder, Op. 69, TrV 237: III. Einerlei
23. Sechs Lieder, 1918, Part I: Drei Lieder der Ophelia, Op. 67, TrV 238: I. Wie erkenn' ich mein Treulieb vor andern nun?
24. Sechs Lieder, 1918, Part I: Drei Lieder der Ophelia, Op. 67, TrV 238: II. Guten Morgen, ’s ist Sankt Valentinstag
25. Sechs Lieder, 1918, Part I: Drei Lieder der Ophelia, Op. 67, TrV 238: III. Sie trugen ihn auf der Bahre bloss
Strauss displays a consistent ability to bring out the best in a singer, and soprano Gillian Keith : accompanied here by pianist Simon Lepper : amply showcases Strauss’ unique reverence for the female voice.
In song:writing, as in orchestral music, Richard Strauss hit his stride early. His range and confidence is displayed in this group of songs; as the selection shows, he wrote some superb examples in his teens, and his mid:twenties was already an assured master of the Lied; mastery which continued to develop into old age.
Generations of singers have been inspired by Strauss’ devotion to song; from the dramatic, to the lyric, to the coloratura. Strauss’ songs offer something very special.
In this recital of specially chosen lieder are many songs which have earned their place in the repertoire, along with less:often heard works such as Mädchenblumen and Drei Lieder der Ophelia, which compliment those more familiar and are at the heart of this recital.
One of Canada’s leading lyric sopranos, Gillian Keith made her Royal Opera Covent Garden debut as Zerbinetta in Strauss’ Ariadne auf Naxos, a role she has gone on to repeat with great sucess. A past winner of the prestigious kathleen Ferrier Award, she has a natural affinity for Strauss’ music.
In song:writing, as in orchestral music, Richard Strauss hit his stride early. His range and confidence is displayed in this group of songs; as the selection shows, he wrote some superb examples in his teens, and his mid:twenties was already an assured master of the Lied; mastery which continued to develop into old age.
Generations of singers have been inspired by Strauss’ devotion to song; from the dramatic, to the lyric, to the coloratura. Strauss’ songs offer something very special.
In this recital of specially chosen lieder are many songs which have earned their place in the repertoire, along with less:often heard works such as Mädchenblumen and Drei Lieder der Ophelia, which compliment those more familiar and are at the heart of this recital.
One of Canada’s leading lyric sopranos, Gillian Keith made her Royal Opera Covent Garden debut as Zerbinetta in Strauss’ Ariadne auf Naxos, a role she has gone on to repeat with great sucess. A past winner of the prestigious kathleen Ferrier Award, she has a natural affinity for Strauss’ music.
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