John Anderson - Seminole Wind (1992)
BAND/ARTIST: John Anderson
- Title: Seminole Wind
- Year Of Release: 1992
- Label: BNA Records Label
- Genre: Country
- Quality: flac lossless (tracks)
- Total Time: 00:34:13
- Total Size: 219 mb
- WebSite: Album Preview
Tracklist
01. Who Got Our Love
02. Straight Tequila Night
03. Last Night I Laid Your Memory To Rest
04. Let Go Of The Stone
05. Look Away
06. Steamy Windows
07. Hillbilly Hollywood
08. Cold Day In Hell
09. When It Comes To You
10. Seminole Wind
As his comeback, John Anderson didn't just stumble upon a couple of hit singles, he produced a solid album, full of twangy rubble raisers and moving, yearning ballads. Including the number one hit "Straight Tequila Night," the environment-inspired title cut, and the tender, pleading "Let Go of the Stone," this album catapulted Anderson back to the forefront of country music. Of course, he wasn't just riding the crest of new country; he was harking back to its more traditional roots. But while able to bridge the gap between old and new, he also demonstrates his ability to meld the two as he mourns the poppification of country in "Look Away" and then turns around and puts a honky tonk spin on the Tina Turner cut "Steamy Windows." Being able to be faithful to both while fluidly combining them is true artistry and testament to his voice, his material, and his arrangements. This is contemporary country at top form.
01. Who Got Our Love
02. Straight Tequila Night
03. Last Night I Laid Your Memory To Rest
04. Let Go Of The Stone
05. Look Away
06. Steamy Windows
07. Hillbilly Hollywood
08. Cold Day In Hell
09. When It Comes To You
10. Seminole Wind
As his comeback, John Anderson didn't just stumble upon a couple of hit singles, he produced a solid album, full of twangy rubble raisers and moving, yearning ballads. Including the number one hit "Straight Tequila Night," the environment-inspired title cut, and the tender, pleading "Let Go of the Stone," this album catapulted Anderson back to the forefront of country music. Of course, he wasn't just riding the crest of new country; he was harking back to its more traditional roots. But while able to bridge the gap between old and new, he also demonstrates his ability to meld the two as he mourns the poppification of country in "Look Away" and then turns around and puts a honky tonk spin on the Tina Turner cut "Steamy Windows." Being able to be faithful to both while fluidly combining them is true artistry and testament to his voice, his material, and his arrangements. This is contemporary country at top form.
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