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Susan Graham - Un Frisson Français - A Century of French Song (2008)

Susan Graham - Un Frisson Français - A Century of French Song (2008)

BAND/ARTIST: Susan Graham

  • Title: Un Frisson Français - A Century of French Song
  • Year Of Release: 2008
  • Label: Onyx Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:8:06
  • Total Size: 238 Mb
  • WebSite:
Tracklist:

1. Chanson D'avril: "Lève-toi! Lève-toi!"
2. Nocturne, Song For Voice & Piano, M. 85
3. Guitare, For Voice & Piano In B Minor, Op. 28
4. Au Rossignol, Song For Voice & Piano
5. Danse Macabre, Song For Voice & Orchestra
6. Les Cigales
7. Psyché For Voice & Piano
8. Les Papillons, For Voice & Piano, Op. 2/3
9. Chère Nuit, Aria For Voice & Piano (or Orchestra)
10. Au Pays Où Se Fait la Guerre, Song For Voice & Piano (or Orchestra)
11. Le Paon, For Voice & Piano (Histoires Naturelles No. 1)
12. Le Corbeau Et la Renard For Voice & Piano
13. Réponse D'une épouse Sage
14. La Fiancée Perdue
15. Colloque Sentimental ("Dans Le Vieux Parc Solitaire Et Glacé")
16. Vocalise-étude, Song For Voice & Piano In E Minor
17. A Chloris, For Voice & Piano (from "Melodies, Book Ii")
18. Le Chapelier
19-21. Trois Chansons de la Petite Sirene
22. Brezairola (Berceuse), Folksong For Voice & Orchestra (Chants D'Auvergn
23. Les Souris D'Angleterre, For Voice & Piano
24. La Dame de Monte Carlo, Monologue Lyrique For Soprano & Orchestra, Fp 180

Performers:
Susan Graham (mezzo soprano)
Malcolm Martineau (piano)

Unlike collections that focus on a single composer, or sets of songs by various composers, this CD featuring soprano Susan Graham and pianist Malcolm Martineau includes one song each by 22 French composers, spanning almost a century. Arranged in groups according to style, essentially, but not strictly chronologically, the songs form a compendium of compositional trends from the 1860s to the 1930s, with one selection from the 1960s. They range from the romantic mélodies of Bizet and Franck to Poulenc's monodrama "La Dame de Monte Carlo." In additional to all the composers one would expect to find represented, there are real finds by the largely forgotten Emile Paladilhe and Alfred Bachelet. The warmth of Graham's voice is well suited to these songs, and she brings them a velvety legato. She is equally at home in the serenely lyrical songs, like Hahn's "À Chloris," and the more dramatic, narrative songs like Caplet's "Le Corbeau et le Renard," and the amusing, faux-spooky "Dance Macabre" by Saint-Saëns. Martineau provides a subtle and supportive accompaniment. Onyx's sound is clean and vibrant, with a good sense of presence.




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