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Brisk Recorder Quartet Amsterdam - Four in One - 35 Years of Brisk (Arr. for recorder quartet by BRISK Recorder Quartet) (2021) [Hi-Res]

Brisk Recorder Quartet Amsterdam - Four in One - 35 Years of Brisk (Arr. for recorder quartet by BRISK Recorder Quartet) (2021) [Hi-Res]
  • Title: Four in One - 35 Years of Brisk (Arr. for recorder quartet by BRISK Recorder Quartet)
  • Year Of Release: 2021
  • Label: Globe
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 88.2kHz +Booklet
  • Total Time: 00:58:13
  • Total Size: 253 mb / 1.0 gb
  • WebSite:
Tracklist

01. Canon (Arr. for recorder quartet by BRISK Recorder Quartet)
02. Invidia nimica (Arr. for recorder quartet by BRISK Recorder Quartet)
03. A l’arme, a l’arme (Arr. for recorder quartet by BRISK Recorder Quartet)
04. Fuga duorum temporum (Arr. for recorder quartet by BRISK Recorder Quartet)
05. Aerinon (Arr. for recorder quartet by BRISK Recorder Quartet)
06. Salupita (Arr. for recorder quartet by BRISK Recorder Quartet)
07. Dualfin (Arr. for recorder quartet by BRISK Recorder Quartet)
08. Fuga (Arr. for recorder quartet by BRISK Recorder Quartet)
09. Super flumina Babylonis (Arr. for recorder quartet by BRISK Recorder Quartet)
10. La Tortorella (Arr. for recorder quartet by BRISK Recorder Quartet)
11. Generations around me (Arr. for recorder quartet by BRISK Recorder Quartet)
12. Angelus Domini (Arr. for recorder quartet by BRISK Recorder Quartet)
13. Méditations sur la liberté et l’égalité III (Arr. for recorder quartet by BRISK Recorder Quartet)
14. Chorale ‘Das alte Jahr vergangen ist’, BWV 288 (Arr. for recorder quartet by BRISK Recorder Quartet)
15. Chorale Prelude ‘Das alte Jahr vergangen ist’, BWV 614 (Arr. for recorder quartet by BRISK Recorder Quartet)
16. Fuga a 4 voci, alla duodecima from Die Kunst der Fuge, BWV 1080 (Arr. for recorder quartet by BRISK Recorder Quartet)
17. De Meesterfout (Arr. for recorder quartet by BRISK Recorder Quartet)
18. Canon in D minor (Arr. for recorder quartet by BRISK Recorder Quartet)
19. Nocturne, Opus 19, No. 4 (Arr. for recorder quartet by BRISK Recorder Quartet)
20. Einförmig ist der Liebe Gram (Arr. for recorder quartet by BRISK Recorder Quartet)


This album is a hand numbered limited edition of 1000 copies containing five world premiere recordings by Robert Zuidam, Calliope Tsoupaki, Celia Swart and Juan Felipe Waller.

Four musicians sharing their musical worlds as equals: that is an intimate and refined art which requires a huge commitment and deep mutual trust. Four in One stands for four individuals who form a close creative unity while keeping their own identities. That is why Four in One is the perfect motto for the 35th anniversary of the BRISK Recorder Quartet Amsterdam. But this motto does not only relate to BRISK's anniversary, it also refers to the canon, the best-known musical form of four-in-one. By using one melody in succession, a polyphonic whole is created. Canons from Dufay and Obrecht to Brahms, Skryabin and Zuidam constitute the common thread of this CD.

In addition, other imitative forms are presented which have been eagerly used in music history. Thus the finely woven web of voices in Flemish Burgundian polyphony and Bach's fugues also originated in canonical writing. Moreover, Four in One is a showcase of BRISK's rich repertoire, with early music, new work written for the quartet and arrangements of romantic music. The recorder has a relatively small repertoire, but this limitation presents a challenge. BRISK has done everything in its power to enlarge the repertoire, making countless arrangements in the tradition of the instrument.

Organ music has been a constant source of inspiration. Again and again BRISK have been told that sometimes they sound just like a small organ. "It is as if an organ is being played by a player who is awake in all his fingers," a reviewer once wrote about the quartet. Each voice takes on its own colour, and together they are much more than one person playing a four-part piece. It is precisely the personal contribution and the diversity of several players that turn it into a lively whole.

Arranging vocal music, with diminutions and embellishments after historical models, is also one of BRISK's favourite activities. In 1535, Silvestro Ganassi wrote in Opera intitulata Fontegara that the recorder is able to imitate the human voice through articulation and the flow of the player's breath. For this musician and music theorist, that was an ideal to be pursued as much as possible. That approach is tailor-made for BRISK.


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  • User offline
  • platico
  •  wrote in 01:33
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    • 1
gracias...
  • User offline
  • gemofroe
  •  wrote in 12:38
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    • 1
thanks a lot